Mostrando resultados por narrador "Linda Barrans" en Todas las categorías

Exiles is the only play written by James Joyce. It draws material from "The Dead", the final story in his famous short stories collection, Dubliners. It centers around four individuals - Richard, Robert, Bertha, and Beatrice - and the complex romantic entanglements between them as tensions rise and relationships are tested.

The Victorians had a fondness for scaring their offspring straight with cautionary tales - moral stories featuring children who misbehaved and suffered the consequences. Hilaire Belloc's Cautionary Tales are a parody of the Victorian moral fables: irresistible, irreverent and downright jolly.

This collection contains Oscar Wilde's four best-known comedies: The Importance of Being Earnest; Lady Windermere's Fan; An Ideal Husband; and A Woman of No Importance. All of them satirize upper-class English society of the 1890s, dramatizing scandalous secrets, political and marital intrigue, and dandyish bad behavior with Wilde's trademark wit and wisdom.

This collection of 35 short poems was first published in 1927, and is a sequel to When We Were Very Young, which was the first anthology of verse dealing with the domestic adventures of Christopher Robin and Winnie the Pooh.

Mansfield Park is the third published and perhaps most subtle of Jane Austen's novels. It tells the story of Fanny Price, who, at the age of 10, is sent from her impoverished household to live with her wealthy aunt and uncle and be raised alongside her cousins. Fanny grows up as a misfit, not truly a member of the Bertram family, but too genteel to feel comfortable with her parents.

In Jane Austen's unfinished novel, young Emma Watson returns to her father's house after being raised by her wealthy and refined uncle. As she gets to know her family, she finds that her father is reclusive and sickly, her sisters are crude and shallow, and her eldest brother has a petulance that is matched only by his wife's.

Many of the stories in this book seem at the same time both familiar and strange. Their authors valued family, duty, patience and heroism. They longed for children in their old age, and rejoiced when they saw cruelty and envy punished, wrongs righted, and kindness and bravery rewarded.

"In the first place, Cranford is in possession of the Amazons; all the holders of houses above a certain rent are women." This is how our guide and narrator, Mary Smith, introduces us to the small English country town of Cranford. Young, modern Mary gives us her Austen-like view of small-town customs, Victorian values, decorum, and etiquette. Mary gives us a charming, sometimes gently mocking comedy of manners.

Sir Pelham Grenville Wodehouse (aka PG Wodehouse) wrote in excess of 90 books, 40 plays, and 200 short stories between 1902 and 1974 and is widely regarded as one of the greatest humorists of the 20th century. Right Ho, Jeeves! is his second in a series of books written about a luckless young British millionaire named Bertram Wooster and his sharp valet, Jeeves.

Jane Austen commenced writing in her adolescence and continued right up to her untimely death in 1817. Her novels are reflections of the socially constricted world in which she lived, and the plots are built around the search of one or more young women for a suitable spouse. Austen’s works are noted for the perceptive elegance of her prose and for vigor and detail of characterization. Celebrated critic F. R. Leavis considered Austen as one of the four great English novelists, along with George Eliot, Henry James, and Joseph Conrad.

The Wind in the Willows, first published in 1908, is one of the most beloved of all children's classics and has been adapted on multiple occasions for presentation on stage, in film, and as an opera. The action centers on the efforts of Mole, Rat, and Badger to discipline and reform their wealthy and self-destructive friend Toad, who lives in a splendid mansion known as Toad Hall.

The plot follows the usual trajectory of a young girl falling in love and the relationship becoming compromised by unforeseen circumstances. In this case, Austen’s heroine is a naïve country girl, Catherine Morland, who has an addiction to reading the Gothic horror novels which were so popular in the Regency period. When she is invited to stay at the family seat of her love interest and discovers it to be a vast and ancient castle, her romantic imagination runs riot. What secrets lie hidden in this vast pile over which the widowed head of the house exercises an iron control?

This is the story of Morning Glory’s turn of the century kenbutsu—her travels—to America. Guided by her uncle, a Harvard graduate, Morning Glory travels at a time when most Americans know little or nothing about Japan, aside from the popular tunes of The Mikado (1885) and The Geisha (1896).

Lady Susan Vernon, middle-aged and recently widowed, has retained her looks and appealing vivacity. She makes use of her bereavement and her loss of wealth by imposing herself on the hospitality of relatives, and by amusing herself in flirtation with the various men who fall under her spell. Lady Susan has a daughter, Frederica, who is bashful and innocent—in stark contrast to her unfeeling and manipulative mother. Her mother is anxious to marry Frederica off to a spouse of appropriate wealth and social standing, and also, perhaps, to capture a new mate for herself.

First published in 1813, Pride and Prejudice is the most polished of Jane Austen’s novels, with a humorous and upbeat mood. It was written at a time when the author’s narrative powers were fully developed and the story flows with an ease that conceals the skill of its construction. The plot line follows the sequence of a love relationship apprehended, misunderstood, and finally realized, which has since become a standard format of the romcom genre. However, Austen complicates the action by involving not one but four romantic relationships in the plot.

Together with The Tempest, A Midsummer Night’s Dream is one of Shakespeare’s most magical plays. One night, two parties creep from Athens into the surrounding forest. One includes sweethearts Lysander and Hermia, fleeing from Athenian law and the disapproval of Hermia’s father to get married. In pursuit is Demetrius, the suitor of Hermia favored by her father, and the doleful Helena, formerly affianced to Demetrius.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

A rich widow finds that the man she wishes to marry is already engaged. He has just suddenly become a peer and cannot, he thinks, break his promise.

Despite its patina of humor, the work is a merciless exposé of the commercial middle class dishonesty, and the convenient immorality hiding behind social conventions, which are characteristic of a developing urban society. The most noble character, Serafima, is a compelling mixture of naïveté, whimsicality, sentimentality, and obstinate practicality - one of the finest character portraits in Russian drama.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.