Mostrando resultados por autor "Maggie O'Farrell" en Todas las categorías

Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Even Kitty, Esme's beloved sister, is beginning to lose patience. Something will have to be done.

A distraught young woman boards a train at King's Cross to return to her family in Scotland. Six hours later, she catches sight of something so terrible in a mirror at Waverley Station that she gets on the next train back to London, where a traffic accident leaves her in a coma.'AfterYou'd Gone' follows Alice's mental journey into how she came to be this way, as she twists together threads of memory in a plot that grips from the outset.

When the bohemian, sophisticated Innes Kent turns up by chance on her doorstep, Lexie Sinclair realises she cannot wait any longer for her life to begin, and leaves for London. There, at the heart of the 1950s Soho art scene, she carves out a new life for herself, with Innes at her side. In the present day, Elina and Ted are reeling from the difficult birth of their first child.

On a cold February afternoon, Stella catches sight of a man she hasn't seen for many years, but instantly recognises. Or thinks she does. At the same moment on the other side of the globe, in the middle of a crowd of Chinese New Year revellers, Jake realises that things are becoming dangerous. They know nothing of one another's existence, but both Stella and Jake flee their lives: Jake in search of a place so remote it doesn't appear on any map, and Stella for a destination in Scotland, the significance of which only her sister, Nina, will understand.

A reclusive ex-film star living in the wilds of Ireland, Claudette Wells is a woman whose first instinct, when a stranger approaches her home, is to reach for her shotgun. Why is she so fiercely protective of her family, and what made her walk out of her cinematic career when she had the whole world at her feet? Her husband, Daniel, reeling from a discovery about a woman he last saw 20 years ago, is about to make an exit of his own. It is a journey that will send him off-course, far away from the life he and Claudette have made together.

Audible Exclusive. Maggie O'Farrell joins us to talk about This Must Be the Place....

At the bottom of a great stone staircase, dressed in her mother's black lace evening dress, twisted in murderous death, lies Janet. So end the 16 years of Janet's short life. A life spent in a draughty Scottish castle, where roses will not grow, and a jackdaw decides to live in the doll's house. A life peopled by prettier, smoother-haired siblings, a Nanny with a face like the North Sea and the peculiar, whisky-swigging Cousin Lila. A life where Janet is perpetually misunderstood - and must turn from people, to animals, to books, to her own wild and wonderful imagination.

When Lily moves into Marcus' flat, she is intrigued by signs of his recently departed ex-lover. A single dress left hanging in the wardrobe, a mysterious mark on the wall, the lingering odour of jasmine. Who was this woman? And what exactly were the circumstances of her sudden disappearance? It doesn't take long for Lily's curiosity to grow into an all-pervading obsession.

A gorgeously written story of love and motherhood with stunning emotional punch - this is Maggie O'Farrell doing what she does better than anyone.This is the story of two women - Lexie and Elina, a journalist and a painter - separated by fifty years, but linked by a story of love, family secrets and deception, that touches powerfully on the theme of motherhood. It is acclaimed and bestselling author Maggie O'Farrell's most emotionally satisfying novel to date.

A reclusive ex-film star living in the wilds of Ireland, Claudette Wells is a woman whose first instinct, when a stranger approaches her home, is to reach for her shotgun. Why is she so fiercely protective of her family, and what made her walk out of her cinematic career when she had the whole world at her feet? Her husband Daniel, reeling from a discovery about a woman he last saw twenty years ago, is about to make an exit of his own. It is a journey that will send him off-course, far away from the life he and Claudette have made together.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Moderna and Regio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf.

One night Sylvie awakens to an incredible sight: a glowing figure tiptoeing across her floor, with enormous feathery wings wafting from his back. He’s muttering to himself, trying to remember his orders, for this is his first flight. Could he really be the same angel she made last winter in the snow? Sylvie’s angel says she isn’t supposed to see him. He has been sent to save her life, and when the danger is past, she won’t remember he was there. But she does remember. She thinks of him every day.

The stunning new novel from Costa-Novel-Award-winning novelist Maggie O'Farrell: a portrait of an Irish family in crisis in the legendary heatwave of 1976.

Florenz, 1557: Lucrezia de' Medici ist gerade einmal zwölf Jahre alt, als ihr Vater sie per Brief mit Alfonso II. d'Este verlobt. Eigentlich war ihre ältere Schwester Maria dem Herzog von Ferrara versprochen, doch als diese überraschend verstirbt, tritt Lucrezia an ihre Stelle. Und wider Erwarten eröffnet sich der jungen Herzogin in Ferrara eine neue Welt: Plötzlich darf sie, die ihrer Familie immer als zu eigensinnig, zu störrisch und sensibel galt, selbst entscheiden, ob sie durch die Gärten flanieren oder sich ihrer geliebten Staffelei zuwenden will.

Quiet Bea keeps her shoes polished, folds her clothes every night, and alphabetizes her books. Her rambunctious sister Min wears torn trousers and wades into ponds to collect frogspawn. Above all, Min is a storyteller who loves to chat with everyone. But one day she chokes, and the words forming in her mouth never make it out. Words suddenly feel dangerous, unwieldy. Min is no longer herself—not with some strange creature stealing her words, a creature not even her sister can see. But that doesn’t matter, because Bea sees Min.

Daniel Sullivan, a young American professor reeling from a failed marriage and a brutal custody battle, is on vacation in Ireland when he falls in love with a world-famous actress who has fled fame for a rural village. Together, they make an idyllic life in the country, raising two more children in blissful seclusion—until a secret from Daniel's past threatens to destroy their meticulously constructed and fiercely protected home.

Un jour d'été 1596, dans la campagne anglaise, une petite fille tombe gravement malade. Son frère jumeau, Hamnet, part chercher de l'aide car aucun de leurs parents n'est à la maison... Agnes, leur mère, n'est pourtant pas loin, en train de cueillir des herbes médicinales dans les champs alentour ; leur père est à Londres pour son travail ; tous deux inconscients de cette maladie, de cette ombre qui plane sur leur famille et menace de tout engloutir.

Une écriture d'une beauté inouïe, portée par la voix de Marie Bouvet. C'est un grand jour à Ferrare. On y célèbre les noces du duc Alfonso et de Lucrèce de Médicis. La fête est extravagante et la foule n'a d'yeux que pour le couple. La mariée a quinze ans. Rien ne l'avait préparée à ce rôle. Elle n'était que la troisième fille du grand duc de Toscane, la discrète, la sensible, celle dont ses parents ne savaient que faire. Mais le décès soudain de sœur aînée a changé son histoire.

Maggie O'Farrell's second novel is an intense, unnerving and passionate story of betrayal, loss and love, with all the frisson and psychological intensity of 'Rebecca'. When Lily moves into Marcus's flat and plunges headlong into a relationship, she must contend not merely with the disapproval of flatmate Aidan, but with a more intangible, hostile presence. Could it be that Sinead, Marcus's ex, is trying to communicate with her?

Alice Raikes takes a train from London to Scotland to visit her family, but when she gets there she witnesses something so shocking that she insists on returning to London immediately. A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt. Alice's family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge. The more they talk, the more they seem to conceal. Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended.