Mostrando resultados por autor "Franz Kafka" en Todas las categorías

Joseph K. is an Everyman. His inconsequence makes doubly strange his arrest by an officer of the court, made with no formal charges or explanation. Disoriented and consumed with guilt for a "crime" he does not understand, Josef K. must justify his life to a "court" with which he cannot communicate. Through the court's relentless bureaucratic proceedings and absurd juxtapositions of different hypotheses of cause and effect, the whole rational structure of the world is undermined.

On his deathbed, Franz Kafka asked that all his unpublished manuscripts be burned. Fortunately, his request was ignored, allowing such works as The Trial to earn recognition among the literary masterpieces of the 20th century. This brilliant new translation of The Castle captures comedic elements and visual imagery that earlier interpretations missed.

Benedict Cumberbatch reads the enduring classic of Franz Kafka's Metamorphosis. Gregor Samsa wakes to discover that he has turned into a large, monstrous insect-like creature. He attempts to adjust to his new condition as he deals with being burdensome to his parents and sister, who are repelled by the horrible creature he has become. First published in 1915, Kafka's darkly comic novella explores concepts such as the absurdity of life, alienation and the disconnect between mind and body.

La metamorfosis cuenta la historia de la transformación de Gregorio Samsa en un monstruoso insecto, y del drama familiar que, a raíz de este acontecimiento, se desata. En este relato se ha querido ver una alegoría del enfrentamiento del hombre ante un mundo moderno que lo oprime y lo borra.

The German Classics Collection is a wide-ranging collection of 7 classic works of fiction and philosophy by German authors, read by a stellar cast of David Rintoul; Peter Noble; Ben Allen; Malk Williams; Daniel Weyman. Included here are stories by some of the greatest writers of all time, including Thomas Mann, Herman Hesse, Kafka, and Nietzsche.

Gregorio tenía un buen trabajo, era viajante y llevaba adelante a toda su familia. Una mañana Gregorio amanece con cuerpo de insecto, a consecuencia de esto se queda en su cuarto por miedo a que le vean sus familiares; estos le llamaban desesperadamente para que fuera a trabajar. Gregorio intenta ponerse en pie y acomodarse a su nuevo cuerpo, que todavía no domina.

“Numa manhã, ao despertar de sonhos inquietantes, Gregório Samsa deu por si na cama transformado em um gigantesco inseto.” É assim que começa a história do caixeiro viajante Gregório, publicada em 1915 e que se tornou a obra mais conhecida e estudada de Kafka. O texto aborda as relações humanas em meio à sociedade burocrática, misturando absurdo, tragédia e realismo, temas recorrentes nos trabalhos deste mestre da literatura ficcional.

One morning, traveling salesman Gregor Samsa wakes from an anxious dream to discover that he has inexplicably changed into a monstrous insect. Nonetheless, life goes on, and poor Gregor is left to deal not only with the existential questions of who or what he now is but also with more mundane concerns: his job (which he fears he’ll lose), his loved ones (whom he fears he disgusts), and the daily indignities of everyday life (which continue apace). Soon, even those who sympathize with his bizarre predicament begin to lose their patience....

A land-surveyor, known only as K., arrives at a small village permanently covered in snow and dominated by a castle to which access seems permanently denied. K.'s attempts to discover why he has been called constantly run up against the peasant villagers, who are in thrall to the absurd bureaucracy that keeps the castle shut, and the rigid hierarchy of power among the self-serving bureaucrats themselves.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

The story of K - the unwanted land surveyor who is never to be admitted to the Castle and yet cannot go home - seems to depict, like a dream from the deepest recesses of consciousness, an inexplicable truth about the nature of existence. A perpetual human condition lies at the heart of this labyrinthine world: dualities of certainty and doubt, hope and fear, reason and nonsense, harmony and disintegration.

A Brilliant new translation of the great writer's least Kafkaesque novel, based on a German-language text that was produced by a team of international scholars and that is more faithful to Kafka's original manuscript than anything we have had before. With the same expert balance of precision and nuance that marked his translation of Kafka's The Castle, the award-winning translator Mark Harman now restores the humor and particularity of language to Amerika.

A terrifying psychological trip into the life of one Joseph K., an ordinary man who wakes up one day to find himself accused of a crime he did not commit, a crime whose nature is never revealed to him. Once arrested, he is released, but must report to court on a regular basis - an event that proves maddening, as nothing is ever resolved. As he grows more uncertain of his fate, his personal life - including work at a bank and his relations with his landlady and a young woman who lives next door - becomes increasingly unpredictable.

New translation of The Metamorphosis by Franz Kafka. Poor Gregor Samsa! This guy wakes up one morning to discover that he's become a "monstrous vermin". The first pages of The Metamorphosis where Gregor tries to communicate through the bedroom door with his family, who think he's merely being lazy, is vintage screwball comedy. Indeed, scholars and readers alike have delighted in Kafka's gallows humor and matter-of-fact handling of the absurd and the terrifying.

Reunir los cuentos de Franz Kafka (1883-1924) significa ofrecer en un solo volumen toda la ficción breve del autor, tanto la publicada en vida como todos los relatos dispersos que fueron publicados de manera póstuma, incluyendo La transformación, Un médico rural o Descripción de una lucha, su primer cuento escrito. Kafka es una de una de las mentes más singulares del siglo xx y una de las "formas de estar en la literatura" que más han influido en generaciones posteriores. Incluso, como hay quien se atreve a aventurar, en sus precursores.

Full-cast dramatisations of six masterpieces from the founding fathers of dystopian fiction. Dark and disturbing, provocative and prescient, dystopian literature has long captured our imagination with its nightmarish visions of forbidding future worlds. Included here are six classic novels of time-travel, totalitarianism and terror, written by some of the masters of speculative fiction and adapted for radio with all-star casts.

This letter is the closest that Kafka came to setting down his autobiography. He was driven to write it by his father's opposition to his engagement with Julie Wohryzek. The marriage did not take place; the letter was not delivered.

Contents: • Washington Irving: Rip Van Winkle • Edgar Allan Poe: The Murders In The Rue Morgue • Fyodor Dostoevsky: Notes From The Underground • Franz Kafka: The Metamorphosis • Charles Dickens: The Chimes • Ivan Turgenev: Mumu • Francis Scott Fitzgerald: The Curious Case Of Benjamin Button • Joseph Conrad: Heart Of Darkness • Ambrose Bierce: Chickamauga • Arthur Conan Doyle: A Study In Scarlet • H. P. Lovecraft: At the Mountains of Madness • Nathaniel Hawthorne: Roger Malvin's Burial • Guy de Maupassant: Necklace• Leo Tolstoy: God Sees The Truth, But Waits.

The Trial is one of the great works of the 20th century - an extraordinary vision of one man put on trial by an anonymous authority on an unspecified charge. Kafka evokes all the terrifying reality of his ordeal.

A man known only as K. arrives in a mysterious town where an all-powerful castle filled with unseen "gentlemen" controls every aspect of life. When the ridiculous bureaucracy of the castle officials makes K.'s original reason for coming to the village, working as a land surveyor, seem impossible, K. must find a way to make a life within a system where the only answer he ever seems to get is "no". K. struggles in vain to get in contact with anyone at all within the castle to help solve his predicament. But still, there may be some tenderness to be found in this absurdist landscape.