Mostrando resultados por autor "Bernard Shaw" en Todas las categorías

Don Juan In Hell is Act 3, Scene 2 from Bernard Shaw's 'Man and Superman' which was written in 1903. This classic staged performance features Cedric Hardwicke, Charles Boyer, Charles Laughton and Agnes Moorehead.

You Never Can Tell was originally born out of a bet that Shaw couldn't write a "seaside comedy" (a popular theatrical genre at that time). The result is perhaps the most surprising of Shaw's plays, complete with marital mayhem, tangled romance, and even doubtful dentistry. Despite the play's lighthearted tone, it's really another of Shaw's brilliantly observed social treatises, this time in the guise of a light comedy.

George Bernard Shaw was an Irish playwright, critic, polemicist, and political activist. His influence on Western theatre, culture, and politics extended from the 1880s to his death and beyond. He wrote more than 60 plays, which included major works such as Man and Superman. Here in this exciting audiobook experience, you will find the very best of George Bernard Shaw’s vibrant personality and inspirational words. A rare audiobook adventure!

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

Simon Cadell stars as Henry Higgins with Imelda Staunton as Eliza Doolittle in this BBC Radio 4 production of Shaw’s famous play. When phonetics tutor and linguist Henry Higgins meets Cockney flower girl Eliza Doolittle, he makes a bet with his friend Colonel Pickering that he can teach her to speak so well that she will be able to pass herself off as a Duchess at a society ball.

The blowhards, the know-it-alls, the scrupulous and the impecunious are all targets for Shaw's incisive wit in his classic satire of the medical profession. A well-respected physician is forced to choose whom he shall save: a bumbling friend or the ne'er-do-well husband of the woman he loves.

Pygmalion by George Bernard Shaw is the fascinating tale of Henry Higgins, a professor of speech and phonetics who takes on the task of teaching Eliza Doolittle, a lower-class flower seller, how to "act like a lady".

George Bernard Shaw embraced the concept of what he called creative evolution. In 1982, after having witnessed the horrors of the First World War, Shaw started work on Back to Methuselah, a large-scale presentation of the story of human development, starting from the Garden of Eden and extended far into the future. The first performance was held in New York in 1922. The five plays included are "In the Beginning", "The Gospel of the Brothers Barnabus", "The Thing Happens", "Tragedy of an Elderly Gentleman", and "As Far As Thought Can Reach".

This unique book brings together George Bernard Shaw's witty and iconoclastic take on Wagner's masterwork, The Ring of the Nibelungen, with the composer's own essay on the role of art in revolution.

This collection contains the following works: Euripides: Medea Sophocles: Antigone Aeschylus: Agamemnon Aeschylus: Eumenides Aeschylus: The Choephori William Shakespeare: The Tragedy of Othello, the Moor of Venice William Shakespeare: The Tragedy of Romeo And Juliet William Shakespeare: The Tragedy of Hamlet, Prince of Denmark, William Shakespeare: The Tragedy of Macbeth, William Shakespeare: A Midsummer Night's Dream, William Shakespeare: The Tragedy of King Lear, William Shakespeare: Antony and Cleopatra.

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

Never has the Revolutionary War been so entertaining. Shaw stands "do or die" melodrama on its head, with a cast of unforgettable characters, from the deliciously urbane "Gentlemanly Johnny" Burgoyne, to the misguided romanticism of beautiful young Judith Anderson, to the Devil's Disciple himself, a dashing young American hero who disdains heroism, even as he makes the ultimate sacrifice for honor and country.

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

The Emporor of Rome and the Queen of the Nile as only Shaw could have imagined them! He is a self-doubting cynic who is experiencing a mid-life crisis and she is an imperious and impertinent child on the threshold of womanhood. This recording also includes Shaw's alternate Prologue and his post-text notes.

Making his way to a tryst with his "dark lady" near the royal palace the young playwright William Shakespeare encounters a mysterious woman in a cloak. Mistaking her for his lady friend, he accosts her in a familiar fashion, only to discover, to his dismay, that she is in fact the queen. He overcomes his initial discomfort, and takes advantage of the situation to make a petition for royal support to establish a national theatre.

It's amazing how relevant these century-old words of Bernard Shaw's are right now. Just like then nobody understands the concept of socialism, and the fact that any successful democracy is a socialist democracy to some extent.

George Bernard Shaw's warm and witty play continues to challenge conventional wisdom about male/female relationships. Candida concerns a beautiful married woman's choice between the two men who love her.

Taking place on a single day in May 1909, a self-made millionaire and his family invite their future nobleman-in-law for a visit to their estate in Surrey, England. In this delightfully clever play, issues of gender, class, politics, and family are all targets for Shaw's keen wit.

Henry Higgins, un profesor de fonética arrogante, apuesta que puede transformar a Eliza Doolittle, una vendedora de flores de baja clase con un acento grueso, en una dama de la alta sociedad mediante el refinamiento de su habla. A medida que Eliza se somete a esta metamorfosis, la obra despliega un agudo comentario sobre las rígidas estructuras de clase y el poder del lenguaje.

They might not have had social media a hundred years ago, but this smackdown by Bernard Shaw on this poor guy is awesome. Also, this is a great way to actually learn what democratic socialism is instead of just throwing it around as a bogeyman buzzword.