Mostrando resultados por autor "Richard Flanagan" en Todas las categorías

Once upon a time that was called 1828, before all the living things on the land and the fishes in the sea were destroyed, there was a man named William Buelow Gould, a convict in Van Dieman's Land who fell in love with a black woman and discovered too late that to love is not safe. Silly Billy Gould, invader of Australia, liar, murderer, forger, fantasist, was condemned to live in the most brutal penal colony in the British Empire, and there ordered to paint a book of fish. Once upon a time, miraculous things happened....

With The Sound of One Hand Clapping, which made him one of Australia's most awarded young writers, Richard Flanagan made his acclaimed American debut. Now he gives us an extraordinary, deeply moving novel as big and brawling, as strange and compelling as the land and people it describes. Beneath a waterfall on a remote Tasmanian mountain river, Aljaz Cosini, river guide, is drowning. Beset by visions at once horrible and fabulous, he relives not just his own life but that of his family and forebears.

August, 1943. In the despair of a Japanese POW camp on the Thai-Burma death railway, Australian surgeon Dorrigo Evans is haunted by his love affair with his uncle's young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever. This savagely beautiful novel is a story about the many forms of love and death, of war and truth, as one man comes of age, prospers, only to discover all that he has lost.

By way of H. G. Wells and Rebecca West’s affair through 1930s nuclear physics to Flanagan's father working as a slave laborer near Hiroshima when the atom bomb is dropped, this daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die.

August, 1943: Australian surgeon Dorrigo Evans is haunted by his affair with his uncle’s young wife two years earlier. His life, in a brutal Japanese POW camp on the Thai-Burma Death Railway, is a daily struggle to save the men under his command. Until he receives a letter that will change him forever.

It was 1954 in a construction camp for a hydroelectric dam in the remote Tasmanian highlands, where Bojan Buloh had brought his family to start a new life away from Slovenia, the privations of war, and refugee settlements. One night Bojan's wife walked off into a blizzard, never to return - leaving Bojan to drink too much to quiet his ghosts and to care for his three-year-old daughter, Sonja, alone.

The new novel from the internationally acclaimed, best-selling writer Richard Flanagan.A young Aboriginal girl, Mathinna, is adopted by the most celebrated explorer of the age, Sir John Franklin, and his wife, Lady Jane, to show that the savage can be civilised. When Sir John disappears while looking for the fabled Northwest Passage, Lady Jane turns to the great novelist Charles Dickens for help.

In 1954, in a construction camp for a hydroelectric dam in the remote Tasmanian highlands, Bojan Buloh had brought his family to start a new life away from Slovenia, the privations of war, and refugee settlements. One night, Bojan's wife walked off into a blizzard, never to return - leaving Bojan to drink too much to quiet his ghosts, and to care for his three-year-old daughter, Sonja, alone. Thirty-five years later, Sonja returns to Tasmania and a father haunted by memories of the European war and other, more recent horrors.

By way of H. G. Wells and Rebecca West's affair through 1930s nuclear physics to Flanagan's father working as a slave labourer near Hiroshima when the atom bomb is dropped, this genre-defying daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die. At once a love song to his island home and to his parents, this hypnotic melding of dream, history, literature, place and memory is about how reality is never made by realists and how our lives so often arise out of the stories of others.

Beginning at a love hotel by Japan’s Inland Sea and ending by a river in Tasmania, Question 7 is about the choices we make about love and the chain reaction that follows. By way of H. G. Wells and Rebecca West’s affair through 1930s nuclear physics to Flanagan's father working as a slave labourer near Hiroshima when the atom bomb is dropped, this daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die.

Anna's aged mother is dying. Condemned by her children's pity to living, subjected to increasingly desperate medical interventions, she turns her focus to her hospital window, through which she escapes into visions of horror and delight. When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her, others are similarly vanishing, yet no one else notices. All Anna can do is keep her mother alive.

Kif Kehlmann, a young, penniless writer, thinks he’s finally caught a break when he’s offered $10,000 to ghostwrite the memoir of Siegfried “Ziggy” Heidl, the notorious con man and corporate criminal. Ziggy is about to go to trial for defrauding banks for $700 million; they have six weeks to write the book. But Ziggy swiftly proves almost impossible to work with, and worse, Kif finds himself being pulled into an odd, hypnotic, and ever-closer orbit of all things Ziggy.

In a triumph of marketing, the Tasmanian salmon industry has for decades succeeded in presenting itself as world's best practice and its product as healthy and clean, grown in environmentally pristine conditions. But what are we eating when we eat Tasmanian salmon? Richard Flanagan's expose of the salmon farming industry in Tasmania is chilling. In the way that Rachel Carson took on the pesticide industry in her groundbreaking book Silent Spring, Flanagan tears open an industry that is as secretive as its practices are destructive and its product disturbing.

Widely regarded as a classic in Australian literature, Richard Flanagan's debut novel takes us on a swirling journey into Tasmania's past and our river guide's own violent ancestral secrets. Beneath a waterfall on the Franklin, Aljaz Cosini, river guide, lies drowning. Beset by visions at once horrible and fabulous, he relives not just his own life but that of his family and forebears.

After a one-night stand with an attractive stranger, pole-dancer Gina Davies finds herself prime suspect in an attempted terrorist attack on Sydney. Hunted by the police, her face stares back at her on the unremitting 24/7 news cycle. She is soon running away from her dreams for a better life and witnessing every truth turn into a betrayal.

Widely regarded as a classic in Australian literature, Richard Flanagan's debut novel takes us on a swirling journey into Tasmania's past and our river guide's own violent ancestral secrets. Beneath a waterfall on the Franklin, Aljaz Cosini, river guide, lies drowning. Beset by visions at once horrible and fabulous, he relives not just his own life but that of his family and forebears.

In a world of perennial fire and growing extinctions, Anna's aged mother is dying - if her three children would just allow it. Condemned by their pity to living, she increasingly escapes through her hospital window into visions of horror and delight. When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive, but the window keeps opening wider.

In a world of perennial fire and growing extinctions, Anna’s aged mother is dying - if her three children would just allow it. Condemned by their pity to living she increasingly escapes through her hospital window into visions of horror and delight. When Anna’s finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window.

Kif Kehlmann, a young penniless writer, is rung in the middle of the night by the notorious con man and corporate criminal, Siegfried Heidl. About to go to trial for defrauding the banks of $700 million, Heidl offers Kehlmann the job of ghostwriting his memoir. He has six weeks to write the book, for which he'll be paid $10,000.

Kif Kehlmann, a young penniless writer, is rung in the middle of the night by the notorious con man and corporate criminal Siegfried Heidl. About to go to trial for defrauding the banks of $700 million, Heidl offers Kehlmann the job of ghostwriting his memoir. He has six weeks to write the book, for which he'll be paid $10,000. But as the writing gets under way, Kehlmann begins to fear that he is being corrupted by Heidl.