Mostrando títulos en Poesía

WRITING SEEMS TO BE MY DESTINY, UNDER THE MOONLLIGHT WHERE I CAN SEE, IN MY LAIR I'LL WRITE MY STORY UNTIL IT SETS ME FREE, AND THAT WILL BE THE END OF MY JOURNEY.

Nunca es tarde para otorgarte una segunda oportunidad. Por mucho tiempo te has juzgado, y en este viaje, uno de los destinos será el perdón. Mereces cerrar los ojos abrazando tus logros, porque, aunque te sientas muy lejos de la meta, estás avanzando por la escalera de la vida, donde cada peldaño ya es un triunfo.

PRETTY FORGETFUL THAT'S YOU, PRETENDING NOT TO REMEMBER IS WHAT YOU DO

She writes until she falls asleep, though she weeps, she knows her secrets the ocean will keep for the writer sitting alone in the deep.

In his award-winning memoir Free Lunch, Rex Ogle’s abuela features as a source of love and support. In this companion-in-verse, Rex captures and celebrates the powerful presence a woman he could always count on—to give him warm hugs and ear kisses, to teach him precious words in Spanish, to bring him to the library where he could take out as many books as he wanted, and to offer safety when darkness closed in.

Yes, I'm sneaky, they call me The Sneak, but they don't realize I just want to breathe and feel free, I may be sneaky, but I just want to feel free, that's the true sneak in me.

The Dreamer is the one who dreams all day and night, even when the stars aren't bright, inside the bottle my hopes and dreams locked up tight, out with the tide floating under the moonlight, until it reaches the shore when the time's just right!

Here, she comes, watch out for her glow, she glitters with magic as her beautiful tresses flow, but one thing you should know, her magic comes with a price too high for anyone to go.

Best-selling author Laurie Halse Anderson is known for the unflinching way she writes about and advocates for survivors of sexual assault. Now, inspired by her fans and enraged by how little in our culture has changed since her groundbreaking novel Speak was first published 20 years ago, she has written a poetry memoir that is as vulnerable as it is rallying, as timely as it is timeless.

Sixteen-year-old Jaelyn Coleman lives for Saturdays at WestSide Roll, the iconic neighborhood roller rink. On these magical nights, Jae can lose herself in the music of DJ Sunny, the smell of nachos from the concession, and the crowd of some of her favorite people—old heads, dance crews, and other regulars like herself. Here, Jae and other Black teens can fully be themselves. One Saturday, as Jae skates away her worries, she crashes into the cutest boy she’s ever seen. Trey’s dimples, rich brown skin, and warm smile make it impossible for her to be mad at him though.

Sixteen-year-old Sana Kiyohara has too many secrets. Some are small, like how it bothers her when her friends don't invite her to parties. Some are big, like the fact that her father may be having an affair. And then there's the one that she can barely even admit to herself - the one about how she might have a crush on her best friend. When Sana and her family move to California, she begins to wonder if it's finally time for some honesty, especially after she meets Jamie Ramirez.

Each of the 18 kids in Mr. Ward's inner city classroom has something important to say, but some don't even realize it. Then Mr. Ward begins to have "open mic" poetry slams once a month on Fridays. Young adult listeners will identify with the characters in Bronx Masquerade as they explore questions about life and self-expression.

Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone.

(not a spell book, but a poem) MAGIC FROM THIS BOOK OF SPELLS TELLS YOU EVERYTHING INDEED, BUT YOU MUST USE THE BOOK TO GROW, NOT CAUSE PAIN BY STEALING ANOTHER'S SEED, OTHERWISE THE SPELLS REVERSE THEMSELVES AND YOUR HEART WILL BLEED, NOTHING GOOD EVER COMES FROM GREED.

In this semi-autobiographical collection of poems, Renée Watson writes about her experience growing up as a young Black girl at the intersections of race, class, and gender. Using a variety of poetic forms, from haiku to free verse, Watson shares recollections of her childhood in Portland, tender odes to the Black women in her life, and urgent calls for Black girls to step into their power.

Growing up with a mother suffering from paranoid schizophrenia and a mostly absent father, Nikki Grimes found herself terrorized by babysitters, shunted from foster family to foster family, and preyed upon by those she trusted. At the age of six, she poured her pain onto a piece of paper late one night - and discovered the magic and impact of writing. For many years, Nikki's notebooks were her most enduing companions. In this accessible and inspiring memoir, Nikki shows how the power of those words helped her conquer the hazards - ordinary and extraordinary - of her life.

When Darius told Angel he loved her, she believed him. But five weeks after the incident, Angel finds herself in Brooklyn, far from her family, from him, and from the California life she has known. Angel feels out of sync with her new neighborhood. At school, she can’t shake the feeling everyone knows what happened - and that it was her fault.

When Walela is diagnosed at twenty-three with advanced stage blood cancer, they're suddenly thrust into the unsympathetic world of tubes and pills, doctors who don’t use their correct pronouns, and hordes of "well-meaning" but patronizing people offering unsolicited advice as they navigate rocky personal relationships and share their story online.

Sixteen-year-old Alicia Rivers has a reputation that precedes her. But there’s more to her story than the whispers that follow her through the hallways at school—whispers that splinter into a million different insults that mean: a girl who has had sex. But what her classmates don't know is that Alicia was sexually abused by a popular teacher, and that trauma has rewritten every cell in her body into someone she doesn't recognize. To the world around her, she’s been cast, like the mythical Medusa, as not the victim but the monster of her own story: the slut who asked for it.

Apple is a slur in Native communities across the country. It's for someone supposedly red on the outside, white on the inside. Eric Gansworth tells his story in Apple (Skin to the Core). The story of his family, of Onondaga among Tuscaroras, of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.