Mostrando títulos en Latinoamericano

A few years ago, David Alvarez had it all: a six-figure book deal, a loving boyfriend, and an exciting writing career. His debut novel was a resounding success, which made the publication of his second book—a total flop—all the more devastating. Now, David is single, lonely, and desperately trying to come up with the next great idea for his third manuscript, one that will redeem him in the eyes of readers, reviewers, the entire publishing world…and maybe even his ex-boyfriend.

The Montoyas are used to a life without explanations. They know better than to ask why the pantry never seems to run low, or why their matriarch won’t ever leave their home in Four Rivers - not for graduations, weddings, or baptisms. But when Orquídea Divina invites them to her funeral and to collect their inheritance, they hope to learn the secrets that she has held onto so tightly their whole lives. Instead, Orquídea is transformed into a ceiba tree, leaving them with more questions than answers.

Si esta novela fuera un país, sería el más poblado del mundo. Una obra maestra de la literatura universal. Mito por derecho propio, saludada por sus lectores como la obra en español más importante después de la Biblia, Cien años de soledad cuenta la saga de la familia Buendía y su maldición, que castiga el matrimonio entre parientes dándoles hijos con cola de cerdo. Como un río desbordante, a lo largo de un siglo se entretejerán sus destinos por medio de sucesos maravillosos en el fantástico pueblo de Macondo, en una narración que es la cumbre indiscutible del realismo mágico y la literatura del boom.

Writing with the telegraphic swiftness and microscopic sensitivity that have made her one of our most distinguished journalists, Joan Didion creates a shimmering novel of innocence and evil. A Book of Common Prayer is the story of two American women in the derelict Central American nation of Boca Grande. Grace Strasser-Mendana controls much of the country's wealth and knows virtually all of its secrets; Charlotte Douglas knows far too little.

Monica Campo is pregnant with her first child when, moments before being wheeled into emergency heart surgery, her mother confesses a long-held secret: Monica’s father is not the man who raised her. But when her mother wakes up and begins having delusional episodes, Monica doesn’t know what to believe—whether the confession was real or just a channeling of the telenovela her mother watches nightly. In her despair, Monica wants to speak with only one person: her ex-boyfriend of five years, Manny.

When the story opens, the eponymous hero of Rudolfo Anaya's novel is in an ambulance en route to a hospital for crippled children in the New Mexican desert. A poor boy from Albuquerque, 16-year-old Tortuga takes his name from the odd, turtle-shaped mountain that is rumored to possess miraculous curative powers. Tortuga is paralyzed, and not even his mother's fervent prayers can heal him. But under the mountain's watchful gaze, with the support of fellow patients, he begins the Herculean task of breaking out of his shell and becoming whole again.

Marisol Rivera barely survived being abused with nowhere to turn. So there's nothing she won't do to keep her Lower East Side women's health clinic open and give disadvantaged women new lives. Running an exclusive escort service for New York City's rich and powerful 1 percent is the perfect way to bankroll her business - not to mention the perfect cover for robbing corrupt CEOs.

Seven-year-old Chula and her older sister, Cassandra, enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways.

Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut “jump-starts your heart in the same way it piques your ear” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate.

One month short of her wedding day—and her thirtieth birthday—Nadia Palacio finds herself standing up to her infuriating, cheating fiancé for the first time in, well, ever. But that same courage doesn’t translate to breaking the news to her Argentinian family. She’s hyperventilating before facing them when she glimpses a magazine piece about a woman celebrating herself—with a second quinceañera! And that gives Nadia an idea. With a wedding venue already paid for, and family from all over the world with plane tickets, Nadia is determined to create her own happily-ever-after.

Lilian Estrada seemingly has it all: an ob-gyn star on the rise, a master at balancing work with whirlwind romances and part of a family of fiercely loyal and exceptional women, all bound together by an extraordinary secret. The Estrada women each possess a unique power, and Lily shines with the rare gift to manipulate memories. Yet not even her mystical abilities can shield her from a harrowing event at the hospital, one that sends her powers—and her confidence—spiraling out of control.

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.

Lala Reyes' grandmother is descended from a family of renowned rebozo, or shawl makers. The striped (caramelo) is the most beautiful of all, and the one that makes its way, like the family history it has come to represent, into Lala's possession. The novel opens with the Reyes' annual car trip, a caravan overflowing with children, laughter, and quarrels, from Chicago to "the other side": Mexico City.

When Daniel de La Luna arrives as a scholarship student at an elite East Coast university, he bears the weight of his family’s hopes and dreams—and the burden of sharing his late uncle’s name. Daniel flounders at first, but then Sam, his roommate, changes everything. As their relationship evolves from brotherly banter to something more intimate, Daniel soon finds himself in love with a man who helps him see himself in a new light. But just as their relationship takes flight, Daniel is pulled away, first by Sam’s hesitation and then by a brutal turn of events that changes Daniel’s life forever.

En plena Guerra Civil española, el joven médico Víctor Dalmau, junto a su amiga pianista Roser Bruguera, se ven obligados a abandonar Barcelona, exiliarse y cruzar los Pirineos rumbo a Francia. A bordo del Winnipeg, un navío fletado por el poeta Pablo Neruda que llevó a más de dos mil españoles rumbo a Valparaíso, embarcarán en busca de la paz y la libertad que no tuvieron en su país.

Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights.

En el año 2014, Carlos Carballo es arrestado por intentar robar de un museo el traje de baño de Jorge Eliécer Gaitán, líder político asesinado en Bogotá en 1948. Carballo es un hombre atormentado que busca señales para desentrañar los misterios de un pasado que lo obsesiona. Pero nadie, ni siquiera sus amigos más cercanos, sospecha las razones profundas de su obsesión. ¿Qué conecta los asesinatos de Jorge Eliécer Gaitán, cuya muerte partió en dos la historia de Colombia, y de John F. Kennedy?

In this groundbreaking novel, Santiago Jose Sanchez plunges us into the heart of one boy’s life. His mother takes him and his brother from Colombia to America, leaving their absent father behind but essentially disappearing herself once they get to Miami. In America, his mother works as a waitress when she was once a doctor. The boy embraces his queer identity as wholeheartedly as he embraces his new home, but not without a sense of loss.