Mostrando títulos en Asian American & Pacific Islander

New York City, 1972. Jaryk Smith, a survivor of the Warsaw Ghetto, and Lucy Gardner, a southerner, newly arrived in the city, are in the first bloom of love when they receive word that Jaryk's oldest friend has died under mysterious circumstances in a rural village in eastern India. Traveling there alone to collect his friend's ashes, Jaryk soon finds himself enmeshed in the chaos of local politics and efforts to stage a play in protest against the government—the same play that he performed as a child in Warsaw as an act of resistance against the Nazis.

Ha Jin displays his impressive storytelling gifts in this richly textured examination of contemporary China in 1989. Professor Yang, a respected literature scholar, suffers a stroke and is confined to a hospital bed. Now Jian Wan, Yang’s brightest student and future son-in-law, must suspend his rigorous studies to care for his mentor. Jian dutifully keeps watch as Yang begins raving madly, often pleading with unseen tormentors. Has Yang lost his grip on sanity, or is he no longer capable of hiding deeply buried, painful secrets?

A harrowing journey into a milestone event of Canadian history: the use of Chinese coolies to help build the Canadian Pacific Railway in British Columbia in hazardous conditions. After the CPR is built in 1885, Yang Hok, a former coolie, treks along the railway to return his half-Chinese/half-Native son to the boy's mother, where he confronts the conflicts arising from road-building among the Chinese and Native peoples.

Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and tweeze. They listen and smile and nod. But beneath this superficial veneer, Ning is a woman of rigorous intellect and profound complexity.

How do you grieve, if your family doesn’t talk about feelings? This is the question the unnamed protagonist of GhostForest considers after her father dies. One of the many Hong Kong “astronaut” fathers, he stays there to work, while the rest of the family immigrated to Canada before the 1997 Handover, when the British returned sovereignty over Hong Kong to China. As she revisits memories of her father through the years, she struggles with unresolved questions and misunderstandings.

In Strawberry Yellow, he returns to the strawberry farms of his youth and encounters family intrigue, danger, and murder. The series' most compelling and evocative mystery yet is set in the strawberry fields of Watsonville, California, where young Mas first arrived as a Hiroshima survivor in the 1940s. He returns for the funeral of a cousin and quickly gets entangled in the murder of a young woman. Was his cousin murdered, too?

If Grace is being honest, she knows her choices skate past questionable and probably into destructive. But her heart is broken and the guy who broke it—her ex Josh—keeps hinting at a reunion. So when her best friends, Tiff and Camille, suggest they take a girls trip to help her get over her heartache, Grace doesn’t hesitate to recommend Cancún. She just doesn’t mention that Josh also happens to be there.

From the National Book Award “5 Under 35” honoree and author of Bestiary comes startling stories that center the bodies, memories, myths, and relationships of Asian American women. In “Auntland,” a steady stream of aunts adjust to American life by sneaking surreptitious kisses from women at temple, buying tubs of vanilla ice cream to prepare for citizenship tests, and hatching plans to name their daughters “Dog.” In “The Chorus of Dead Cousins,” ghost-cousins cross space, seas, and skies to haunt their live-cousin, wife to a storm chaser.

Opal Chen reunites with her Chinese sisters after forty years; newly cosmopolitan Lulu Koo wonders why Americans “like to walk around in the woods with the mosquitoes”; Hong Kong parents go to extreme lengths to reestablish contact with their “number-one daughter” in New York; and Betty Koo, brought up on “no politics, just make money,” finds she must reassess her mother’s philosophy. With their profound compassion and equally profound humor, these eleven linked stories trace the intimate ways in which humans make and are made by history.

Xuan Juliana Wang's remarkable debut introduces us to the new and changing face of Chinese youth. From fuerdai (second-generation rich kids) to a glass-swallowing qigong grandmaster, her dazzling, formally inventive stories upend the immigrant narrative to reveal a new experience of belonging: of young people testing the limits of who they are, in a world as vast and varied as their ambitions. In stories of love, family, and friendship, here are the voices, faces, and stories of a new generation never before captured in fiction.

Twenty-two-year-old Charlie Wong grew up in New York's Chinatown, the older daughter of a Beijing ballerina and a noodle maker. Though an ABC (America-born Chinese), Charlie's entire world has been limited to this small area. Now grown, she lives in the same tiny apartment with her widower father and her 11-year-old sister, and works - miserably - as a dishwasher. But when she lands a job as a receptionist at a ballroom dance studio, Charlie gains access to a world she hardly knew exis.

For as long as she can remember, Samantha Song has dreamed of writing for a high-society magazine—and she’d do anything to get there. But the constant struggle to help her mom make ends meet and her low social status cause her dream to feel like a distant fantasy. Now Samantha finds herself working at a drab PR firm. Living vicariously through her wealthy coworker and friend, Anya Chen, is the closest she’ll get to her ideal life. Until she meets Timothy Kingston: the disillusioned son of one of Singapore’s elite families.

LA gardener Mas Arai returns to Hiroshima to bring his best friend’s ashes to a relative on the tiny offshore island of Ino, only to become embroiled in the mysterious death of a teenage boy who was about the same age Mas was when he survived the atomic bomb in 1945. The boy’s death affects the elderly, often-curmudgeonly, always-reluctant sleuth, who cannot return home to Los Angeles until he finds a way to see justice served.

In this ferocious and tender debut, Chen Chen investigates inherited forms of love and family — the strained relationship between a mother and son, the cost of necessary goodbyes — all from Asian American, immigrant, and queer perspectives. Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one's own path in identity, life, and love.

For as long as she can remember, Ella has longed to feel at home. Orphaned as a child after her parents' murder and afflicted with hallucinations at dusk, she has always felt more at ease in nature than with people. She traveled from Bangladesh to Brooklyn to live with the Saleems: her uncle Anwar, aunt Hashi, and their beautiful daughter, Charu, her complete opposite. One summer, when Ella returns home from college, she discovers Charu's friend Maya - an Islamic cleric's runaway daughter - asleep in her bedroom.

Twelve-year-old Bird lives a quiet existence with his loving but broken father, a former linguist. He knows not to ask many questions, stand out too much, stray too far. For a decade, their lives have been governed by laws written to preserve 'American culture' in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic—including the work of Bird's mother.

Isaiah set off on a 10 day motorcycle adventure in northern, rural Japan. His quest, at the age of 20, was to photograph the quiet mysterious culture, meet a Japanese woman, and find The Tao (the way). He took stunning photographs, fell deeply in love with an extraordinary Japanese woman, and found an old man willing to teach him the way, the truth, and the narrow gate. Over the next 40 years Isaiah’s life tumbles through lessons of pain and redemption, loss, and victory in search of a path of unconditional love and faith.

From one of China’s foremost authors, Jia Pingwa’s Happy Dreams is a powerful depiction of life in industrializing contemporary China, in all its humor and pathos, as seen through the eyes of Happy Liu, a charming and clever rural laborer who leaves his home for the gritty, harsh streets of Xi’an in search of better life.

When the communist-backed army from the north invades her home, 16-year-old Haemi Lee, along with her widowed mother and ailing brother, is forced to flee to a refugee camp along the coast. For a few hours each night, she escapes her family’s makeshift home and tragic circumstances with her childhood friend, Kyunghwan. Focused on finishing school, Kyunghwan doesn’t realize his older and wealthier cousin, Jisoo, has his sights set on the beautiful and spirited Haemi - and is determined to marry her before joining the fight.

A Passage North begins with a message from out of the blue: a telephone call informing Krishan that his grandmother’s caretaker, Rani, has died under unexpected circumstances—found at the bottom of a well in her village in the north, her neck broken by the fall. The news arrives on the heels of an email from Anjum, an impassioned yet aloof activist Krishnan fell in love with years before while living in Delhi, stirring old memories and desires from a world he left behind.