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Against the background of an age that saw the rebirth of ancient and classical learning, Paul Strathern explores the intensely dramatic rise and fall of the Medici family in Florence as well as the Italian Renaissance, which they did so much to sponsor and encourage. Interwoven into the narrative are the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo, and Donatello as well as scientists like Galileo and Pico della Mirandola.

Prizewinning historian Chris Wickham defies the conventional view of the Dark Ages in European history with a work of remarkable scope and rigorous yet accessible scholarship. Drawing on a wealth of new material and featuring a thoughtful synthesis of historical and archaeological approaches, Wickham argues that these centuries were critical in the formulation of European identity. Far from being a middle period between more significant epochs, this age has much to tell us in its own right about the progress of culture and the development of political thought.

Hailed in Italy as the best book ever written about the mafia in any language, Cosa Nostra is a fascinating, violent, and darkly comic account that takes us deep into the inner sanctum of this secret society. John Dickie uses startling new research to reveal the inner workings of this secret society with a murderous record. He explains how the mafia began, how it responds to threats and challenges, and introduces us to the real-life characters that inspired the American imagination for generations, making the mafia an international, larger than life cultural phenomenon.

1742: the famous dome atop Saint Peter's Basilica, designed by Michelangelo, is fractured and threatened with collapse. The dome is the pride of Italy and the largest of its kind anywhere in the world. And no one knows how to fix it. This engaging and colorful narrative tells the overlooked story of how Michelangelo's Dome was saved from disaster by three mathematicians and Pope Benedict XIV, who had asked them for help.

Venetian gondola-maker Luca Vianello considers his whole life arranged. His father charted a course for his eldest son from the day he was born, and Luca is positioned to inherit one of the city's most esteemed boatyards. But when Luca experiences an unexpected tragedy in the boatyard, he believes that his destiny lies elsewhere. Soon, he finds himself drawn to restore an antique gondola with the dream of taking a girl for a ride.

Between the birth of Dante in 1265 and the death of Galileo in 1642, something happened that transformed the entire culture of Western civilization. Painting, sculpture, and architecture would all visibly change in such a striking fashion that there could be no going back on what had taken place. Likewise, the thought and self-conception of humanity would take on a completely new aspect. Sciences would be born - or emerge in an entirely new guise.

In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. During the four extraordinary years that Michelangelo spent laboring over the ceiling, power politics and personal rivalries swirled around him. He battled ill health, financial and family difficulties, inadequate knowledge of the art of fresco, and the Pope's impatience - a history that is more compelling than most novels.

It has been famously pointed out that the Holy Roman Empire was neither holy, nor Roman, but it was also not an empire in the sense people expect when hearing the term, but it is clear that church clergy occupied a privileged place in medieval society. Europe had inherited Christianity from the Roman Empire, and the concept of a united Christendom and empire were practically synonymous. Indeed, there was no real consciousness of the Roman Empire ever having ended.

The Borgia family have become a byword for evil. Corruption, incest, ruthless megalomania, avarice, and vicious cruelty - all have been associated with their name. And yet, paradoxically, this family lived when the Renaissance was coming into its full flowering in Italy. Examples of infamy flourished alongside some of the finest art produced in western history.

The Tragedy of Empire begins in the late fourth century with the reign of Julian, the last non-Christian Roman emperor, and takes listeners to the final years of the Western Roman Empire at the end of the sixth century. Kulikowski traces 200 years of Roman history during which the Western Empire ceased to exist while the Eastern Empire remained politically strong and culturally vibrant.

From the ashes of World War II, Rome was reborn as the epicenter of film, fashion, creative energy, tabloid media, and bold-faced libertinism that made "Italian" a global synonym for taste, style, and flair. A confluence of cultural contributions created a bright, burning moment in history: it was the heyday of fashion icons such as Pucci and Brioni. Rome's huge movie studio, Cinecitta, attracted a dizzying array of stars, like Charlton Heston, Gregory Peck, Audrey Hepburn, Ava Gardner, and Frank Sinatra.

Since childhood Helene Stapinski heard lurid tales about her great-great-grandmother, Vita. In Southern Italy she was a loose woman who had murdered someone. Immigrating to America with three children, she lost one along the way. Helene's youthful obsession with Vita deepened as she grew up, eventually propelling the journalist to Italy, where, with her own children in tow, she pursued the story, determined to set the record straight.

Rome, the Eternal City. Today visitors can stand on bridges that Julius Caesar and Cicero crossed; walk around temples in the footsteps of emperors; visit churches from the earliest days of Christianity. This is all the more remarkable considering what the city has endured. It has been ravaged by fires, floods, earthquakes, and - most of all - by roving armies. Matthew Kneale uses seven of these crisis moments to create a powerful and captivating account of Rome’s extraordinary history. He paints portraits of the city before each assault, describing how Romans, both rich and poor, lived their everyday lives.

There are no such thing as an easy victory in war but after triumph in Tunisia, the sweeping success of the Sicilian invasion, and with the Italian surrender, the Allies were confident that they would be in Rome before Christmas 1943. And yet it didn't happen. Hitler ordered his forces to dig in and fight for every yard, thus setting the stage for one of the grimmest and most attritional campaigns of the Second World War. By the start of 1944, the Allies found themselves coming up against the Gustav Line.

Death in Florence illuminates one of the defining moments in Western history - the bloody and dramatic story of the battle for the soul of Renaissance Florence. By the end of the fifteenth century, Florence was well established as the home of the Renaissance. In an exhilaratingly rich and deeply researched story, Paul Strathern reveals the paradoxes, self-doubts, and political compromises that made the battle for the soul of the Renaissance city one of the most complex and important moments in Western history.

In this historical yet somewhat dramatic account of the Roman emperors, you'll find judgments, opinions, and for the most part, hard facts about the rulers of the vast empire that controlled the Mediterranean Sea and beyond for centuries. You'll discover the disgust of historians with Nero's and Caligula's murderous inclinations, their incest, their sexual orgies, and their betrayal. You'll hear of Julius Ceasar's success and totalitarianism during his despot reign.

The Renaissance in Florence conjures images of beautiful frescoes and elegant buildings - the dazzling handiwork of the city's skilled artists and architects. But equally important for the centuries to follow were geniuses of a different sort: Florence's manuscript hunters, scribes, scholars, and booksellers, who blew the dust off a thousand years of history and, through the discovery and diffusion of ancient knowledge, imagined a new and enlightened world.

In the summer of 1849, Giuseppe Garibaldi, Italy's legendary revolutionary, was finally forced to abandon his defense of Rome. He and his men had held the besieged city for four long months, but now it was clear that only surrender would prevent slaughter and destruction at the hands of a huge French army. Against all odds, Garibaldi was determined to turn defeat into moral victory.

Sicily has always acted as a gateway between Europe and the rest of the world. Fought over by the Phoenicians and Greeks, the Romans, Goths and Byzantines, Arabs and Normans, Germans, and the Spanish and the French for thousands of years, Sicily became a unique melting pot where diverse traditions merged, producing a unique heritage and singular culture. In this fascinating account of the island from the earliest times to the present day, author and journalist Jamie Mackay leads us through this most elusive of places.

Rome is a city of myth and legend. The Eternal City, the city of the seven hills, the sacred city, the caput mundi, the center of the world, Roma, Rome, by any of her many names is a city built of history and blood, marble and water, war and conquest. From legendary beginnings, a city rose from the swamp surrounded by the seven hills and split by the Tiber River. Built and rebuilt, a sacred republic and a divine empire, blessed by a thousand gods and by One, the story of her rise and fall has been told and retold for a thousand years and is still relevant in today's world, as echoes of her ancient glory have shaped our culture, laws, lifestyle, and beliefs in subtle and pervasive ways.