Mostrando títulos en Periodistas, Editores y Editoriales

In The Night of the Gun, David Carr redefines memoir with the revelatory story of his years as an addict and chronicles his journey from crack-house regular to regular columnist for The New York Times. Built on 60 videotaped interviews, legal and medical records, and three years of reporting, The Night of the Gun is a ferocious tale that uses the tools of journalism to fact-check the past.

Through years of perseverance, purpose, and passion, Hoda Kotb landed a spot with Kathie Lee on the Today show, won numerous journalism awards, and gained valuable life lessons. Now, after captivating audiences in her blockbuster memoir Hoda, she turns to stories about others who have undergone personal transformation against great odds. In Ten Years Later, Hoda chronicles six amazing stories by identifying a game-changing event in her subjects’ lives and then revisiting those lives a decade later.

In this last book of a three-volume series, William L. Shirer recounts his return to Berlin after the Third Reich’s defeat. Having fled Berlin and imminent arrest by the Gestapo in 1940, Shirer returned to Europe in October 1945 to verify the facts of the Fuhrer’s death, thus bringing to a close - or so he thought - his involvement with the Third Reich. He describes his return to his homeland and his ensuing careers as a broadcast journalist and author. He describes the McCarthy years and how the blacklist affected his own network, CBS.

In early 1970, artist Ralph Steadman went to America in search of work and found more than he bargained for. At the Kentucky Derby, he met a former Hell's Angel, one Hunter S. Thompson. Thompson wrote later that "The rest of that day blurs into madness. The rest of that night, too. Steadman was lucky to get out of Louisville without serious injuries, and I was lucky to get out at all." Thus began a 30-year friendship and a working relationship that gave birth to what became known as Gonzo Journalism.

Una exitosa periodista que durante muchos años ocultó un gran secreto. El de su familia. Una familia al mismo tiempo profundamente disfuncional y tremendamente viva, vibrante. El padre, Rex, es un hombre carismático y entusiasta, que logra transmitir a sus hijos la pasión por vivir. Les enseña física, geología, les cuenta historias. Pero Rex es alcohólico, y cuando está borracho se convierte en una persona destructiva y poco de fiar. La madre es un espíritu libre, una pintora muy orgullosa de su arte que aborrece la idea de una vida convencional.

Rodgers vividly recreates Mencken's era: the glittering tapestry of turn-of-the-century America, the roaring twenties, depressed thirties, and the home front during World War II. But the heart of the book is Mencken.

Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Egypt, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism.

Over Time: My Life as a Sportswriter is as unconventional and wide-ranging as Frank Deford's remarkable career, in which he has chronicled the heroes and the characters of just about every sport in nearly every medium. Deford joined Sports Illustrated in 1962, fresh, and fresh out of Princeton. In 1990, he was Editor-in-Chief of The National Sports Daily, one of the most ambitious and ill-fated projects in the history of American print journalism.

"Martha Gellhorn was so fearless in a male way, and yet utterly capable of making men melt," writes New Yorker literary editor Bill Buford. As a journalist, Gellhorn covered every military conflict from the Spanish Civil War to Vietnam and Nicaragua. She also bewitched Eleanor Roosevelt's secret love and enraptured Ernest Hemingway with her courage as they dodged shell fire together.

In David Lipsky's view, David Foster Wallace was the best young writer in America. Wallace's pieces for Harper's magazine in the '90s were, according to Lipsky, like hearing for the first time the brain voice of everybody I knew: Here was how we all talked, experienced, thought. It was like smelling the damp in the air, seeing the first flash from a storm a mile away. You knew something gigantic was coming.

At the height of his fame and influence during World War II, Ernie Pyle’s nationally syndicated dispatches from combat zones shaped America’s understanding of what the war felt like to ordinary soldiers, as no writer’s work had before or has since. From North Africa to Sicily, from the beaches of Anzio to the beaches of Normandy, and on to the war in the Pacific, where he would meet his end, Ernie Pyle had a genius for connecting with his beloved dogfaced grunts. In The Soldier's Truth, acclaimed writer David Chrisinger brings Pyle’s journey to vivid life in all its heroism and pathos.

Hunter S. Thompson, "smart hillbilly"; boy of the South; born and bred in Louisville, Kentucky; son of an insurance salesman and a stay-at-home mom; public school-educated; jailed at 17 on a bogus petty robbery charge; member of the US Air Force (airman second class); copy boy for Time; writer for The National Observer; et cetera.

Full of unforgettable figures and an unrelenting spirit of adventure, Strange Stones is a far-ranging, thought-provoking collection of Peter Hessler’s best reportage - a dazzling display of the powerful storytelling, shrewd cultural insight, and warm sense of humor that are the trademarks of his work. Over the last decade, as a staff writer for The New Yorker and the author of three books, Peter Hessler has lived in Asia and the United States, writing as both native and knowledgeable outsider in these two very different regions.

In his first book, broadcaster Ari Shapiro takes us around the globe to reveal the stories behind narratives that are sometimes heartwarming, sometimes heartbreaking, but always poignant. He details his time traveling on Air Force One with President Obama, or following the path of Syrian refugees fleeing war, or learning from those fighting for social justice both at home and abroad.

Known for his network of conservative websites that draws millions of readers everyday, Andrew Breitbart has one main goal: to make sure the "liberally biased" major news outlets in this country cover all aspects of a story fairly. Breitbart is convinced that too many national stories are slanted by the news media in an unfair way. In Righteous Indignation, Breitbart talks about the key issues that Americans face, how he has aligned himself with the Tea Party, and how one needs to deal with the liberal news world head on.

It’s 2008, and it’s been a while since Jake Adelstein was the only gaijin crime reporter for the Yomiuri Shimbun. The global economy is in shambles, Jake is off the police beat but still chain-smoking clove cigarettes, and Tadamasa Goto, the most powerful boss in the Japanese organized crime world, has been banished from the yakuza, giving Adelstein one less enemy to worry about—for the time being. But as he puts his life back together, he discovers that he may be no match for his greatest enemy—himself.

The Kennedys—their poise, the family secrets, and their grace in the face of unimaginable tragedies—have captured the imagination and interest of the public for more than fifty years. Now colleague and friend of JFK Jr. Matt Berman offers us a unique look at John's life as both a professional and "regular guy." When talented creative executive Matt Berman took a meeting with John Kennedy Jr. in 1995, he was immediately hired to serve as George's creative director, thus beginning an unforgettable journey, both personal and professional.

For six years, journalist Patricia Evangelista documented killings carried out by police and vigilantes in the name of then president Rodrigo Duterte’s war on drugs—a crusade that led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of terror created when an elected president decides that some lives are worth less than others.

For decades, Janet Malcolm's books and dispatches for the New Yorker and the New York Review of Books poked and prodded at reportorial and biographical convention, gesturing toward the artifice that underpins both public and private selves. In Still Pictures, she turns her gimlet eye on her own life—a task demanding a writer just as peerlessly skillful as she was widely known to be. Still Pictures, then, is not the story of a life but an event on its own terms, an encounter with identity and family photographs as poignant and original as anything since Roland Barthes's Camera Lucida.

From Joan Juliet Buck, former editor-in-chief of Paris Vogue, comes a dazzling memoir: a fabulous account of four decades spent in the creative heart of London, New York, Los Angeles, and Paris, chronicling Buck's quest to discover the difference between glitter and gold, illusion and reality, and what looks like happiness from the thing itself.