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From the moment war broke out across Europe in 1914, the world entered a new, unparalleled era of modern warfare. Soldiers faced relentless machine gun shelling, incredible artillery power, flame throwers, and gas attacks. Within the first four months of the war, the British Army recorded the nervous collapse of ten percent of its officers; the loss of such manpower to mental illness left the army unable to fill its ranks. Soldiers Don't Go Mad tells for the first time the story of the soldiers and doctors who struggled with the effects of industrial warfare on the human psyche.

"Walden. Yesterday I came here to live." That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to "live deliberately" in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854. But there was much more to Thoreau than his brief experiment in living at Walden Pond.

Drawing together a fascinating body of writing from over 14 years of work, Figures in a Landscape ranges from profiles of cultural icons (Oliver Sacks, Elizabeth Taylor, Robin Williams) to intimate personal remembrances, from thrilling adventures in Africa to literary writings from Theroux's rich and expansive personal reading. Collectively these pieces offer a fascinating portrait of the author himself, his extraordinary life and his restless and ever-curious mind.

In his poetry, Walt Whitman set out to encompass all of America, and in so doing, heal its deepening divisions. This magisterial biography demonstrates the epic scale of his achievement, as well as the dreams and anxieties that impelled it, for it places the poet securely within the political and cultural context of his age.

In the middle of the twentieth century, four American Catholics, working independently of one another, came to believe that the best way to explore the quandaries of religious faith was in writing. The four writers were Thomas Merton, Dorothy Day, Flannery O'Connor, and Walker Percy.

In The World of J.R.R. Tolkien, you will join Dr. Dimitra Fimi to delve into Tolkien’s complex and multilayered mythology, examining all these ingredients and more. In these 10 lectures, you will explore and appreciate Middle-earth as medieval, mythological, and modern, a literary creation that was shaped by forces old and new. And you may be surprised to discover just how much of Tolkien’s legendarium was constructed posthumously, with his son Christopher compiling and publishing many of Tolkien’s later works after his death.

During the 1930s at Oxford, C. S. Lewis, J. R. R. Tolkien, and Charles Williams - remarkable friends, writers, and scholars - met regularly to discuss philosophy and literature and to read aloud from their own works in progress. Calling themselves the Inklings, their circle grew. It was in this company that such classics as The Lord of the Rings, The Screwtape Letters, and The Lion, the Witch, and the Wardrobe first found an audience.

An Oxford student of C.S. Lewis' said he found his new tutor interesting and was told by J.R.R. Tolkien, "Interesting? Yes, he's certainly that. You'll never get to the bottom of him." You can learn a great deal about people by their friends and nowhere is this more true than in the case of C.S. Lewis, the remarkable academic, author, popularizer of faith - and creator of Narnia. He lost his mother early in life and became estranged from his father, much to his regret.

This is how Emmanuel Carrère, the magnetic journalist, novelist, filmmaker, and chameleon, describes his subject: "Limonov is not a fictional character. There. I know him. He has been a young punk in Ukraine, the idol of the Soviet underground; a bum, then a multimillionaire's butler in Manhattan; a fashionable writer in Paris; a lost soldier in the Balkans; and now, in the fantastic shambles of postcommunism, the elderly but charismatic leader of a party of young desperadoes."

Barely educated and valued since childhood strictly for his labor, Ernaux's father had grown into a hard, practical man who showed his family little affection. Narrating his slow ascent towards material comfort, Ernaux's cold observation reveals the shame that haunted her father throughout his life. She scrutinizes the importance he attributed to manners and language that came so unnaturally to him as he struggled to provide for his family with a grocery store and cafe in rural France.

After a wealthy woman was brutally murdered in her Glasgow home in 1908, the police found a convenient suspect in Oscar Slater, an immigrant Jewish cardsharp. Though he was known to be innocent, Slater was tried, convicted, and consigned to life at hard labor. Outraged by this injustice, Arthur Conan Doyle, already world famous as the creator of Sherlock Holmes, used the methods of his most famous character to reinvestigate the case, ultimately winning Slater’s freedom.

A classic portrait of immigrant life in the early decades of the twentieth century, A Walker in the City is a tour of tenements, subways, and synagogues—but also a universal story of the desires and fears we experience as we try to leave our small, familiar neighborhoods for something new.

Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. It is his classic memoir of Paris in the 1920s, filled with irreverent portraits of other expatriate luminaries such as F. Scott Fitzgerald and Gertrude Stein; tender memories of his first wife, Hadley; and insightful recollections of his own early experiments with his craft.

Blending personal history, gender politics, philosophy, and literary theory into a luminescent treatise on writing, love, and loss, Things I Don't Want to Know is Deborah Levy's witty response to George Orwell's influential essay "Why I Write." Orwell identified four reasons he was driven to hammer at his typewriter - political purpose, historical impulse, sheer egoism, and aesthetic enthusiasm - and Levy's work riffs on these same commitments from a female writer's perspective.

In this evocative work of what the author in his afterword calls “a kind of novelistic memoir”, Jay Parini takes us back 50 years, when he fled the United States for Scotland - in flight from the Vietnam War and desperately in search of his adult life. There, through unlikely circumstances, he meets the famed Argentinian author Jorge Luis Borges.

With humility and candor, artist activist Mary Fisher inspires us when, in her eighth decade, she creatively takes on disease, poverty, hunger, injustice, racism and the role of women. Uneasy Silence tells her story of speaking truth to power while living with AIDS, journeying through cancer and surviving a near-death experience. Her steady concern for The Other enables her to find the strength to stand up, speak up and make a difference, inspiring us to do the same.

In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her 50 years as a poet. Comprised of intimate vignettes that take us through the author’s life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory.

How did Adeline Virginia Stephen become the great writer Virginia Woolf? Acclaimed biographer Gillian Gill tells the stories of the women whose legacies—of strength, style, and creativity—shaped Woolf’s path to the radical writing that inspires so many today. Gill casts back to Woolf’s French-Anglo-Indian maternal great-grandmother Thérèse de L’Etang, an outsider to English culture whose beauty passed powerfully down the female line; and to Woolf’s aunt Anne Thackeray Ritchie, who gave Woolf her first vision of a successful female writer.

A través de recuerdos dejados por los acontecimientos, las palabras y las cosas, Annie Ernaux nos hace sentir el paso de los años, desde la posguerra hasta hoy. Al mismo tiempo, inscribe la existencia en una nueva forma de autobiografía, impersonal y colectiva.

Although Paul Auster and J. M. Coetzee had been reading each other’s books for years, the two writers did not meet until February 2008. Not long after, Auster received a letter from Coetzee, suggesting they begin exchanging letters on a regular basis and, “God willing, strike sparks off each other.” Here and Now is the result of that proposal: the epistolary dialogue between two great writers who became great friends. Over three years their letters touched on nearly every subject, from sports to fatherhood, film festivals to incest, philosophy to politics....