Mostrando resultados por "Lawrence Block" en Todas las categorías

Can a one-woman crime wave settle down and find contentment and happiness in the arms of a nice surburban lady in Kirkland, Washington? That’s what Kit Tolliver’s going to have to find out for herself. She’s become closer to Rita than she’s ever been to another human being, and the phone conversations the two women have are more exciting than the times she spends in bed with men. But there’s a lot Rita doesn’t know about her. Like what she’s done to every man shes been with, starting with her own father. What’ll happen if she tells her? What’ll happen if she doesn’t? All...

Lawrence Block on AFTERTHOUGHTS 2.0: AFTERTHOUGHTS began in 2011, when I first began self-publishing titles from my voluminous backlist. I packed it with forewords and afterwords and essays and articles about the work, and arranged for its distribution as an ebook. Here's wwhat the publisher had to day about it at the time: "In a career spanning more than fifty years, Lawrence Block has produced more than one hundred books, ranging in genre from hard-boiled detective stories to pseudonymous erotica. Collected here for the first time are more than forty-five afterwords from the works that ...

The author of dozens of acclaimed novels including those in the Scudder and Keller series, Lawrence Block has long been recognized as one of the premier crime writers of our time. Now, the breathtaking skill, power, and versatility of this grand master are brilliantly displayed once again in a mesmerizing new thriller set on the streets of the city he knows and loves so well.

Some Days You Get the Bear is listed in various bibliographical sources as having first appeared in Penthouse, but I don't believe it did. The story SOLD to Penthouse, and sat in inventory forever, until my agent asked for its return. Then in 1993 It became the title story in my third collection of short fiction, published by William Morrow, and later turned up in my omnibus collection of short fiction, Enough Rope. It's not a crime story, nor is it erotic, so that makes it not what you might expect from me. If I were to categorize it—and I'd just as soon not—I'd probably call it a ...

An intense and gripping short story audiobook that delves into the unsettling psyche of a twisted individual, "A Fire at Night" by Lawrence Block narrated by Mike Vendetti is a chilling exploration of the mind of a deranged arsonist.

Listen to mystery stories by today's top writers and the masters who inspired them. The idea for this collection came to Mystery Writers of America Grandmaster Lawrence Block when he was asked, "What is your favorite mystery story?" Block compiled this unique collection by posing the same question to some of today's favorite writers of the genre, including Stephen King, Tony Hillerman, and John Lutz.

When Joyce Kendall arrives in New York, fresh out of Clifton College in Iowa, she has a job and an apartment waiting for her. The job's as a first reader for Armageddon Publications. The apartment's at 21 Gay Street, and the small Federal-period house is already home to a lesbian couple, Jean Fitzgerald and Terri Leigh, and an out-of-work newspaperman, Pete Galton. The relationships of these four people under one roof add up to a fast-paced story that is not only satisfying fiction but a rare window on Bohemian life in the late 1950s.

I can trace the origin of A Week as Andrea Benstock to two distinct sources. The first inspired my attempting the book, while the second inspired its form. Let me consider the second first. In 1949, the Belgian author Georges Simenon published a novel called - well, who knows what he called it, but the English translation bore the title - Four Days in a Lifetime. I must have read it sometime in the late 1950s, because what I recall of the experience is that I was in my parents’ house on Starin Avenue at the time.

“She was just a little freshman / Victim of Admission’s whim / Then she met an upperclassman—we won’t name him— / And she had a child by him. / Now he’s off in New York City / Rescued by the co-op plan. / While she walks the streets of Yellow Springs, Ohio, / Looking for another man.” Ah, they don’t write ‘em like that anymore, and it’s not hard to see why. And the sad story recounted in the song is not entirely unlike that of Linda Shepard, titular (so to speak) heroine of Campus Tramp.

After spending her girlhood writing gentle and thoughtful novels of the lesbian experience (Shadows, Warm and Willing, Enough of Sorrow), Jill Emerson reinvented herself in the early 1970s, just when contemporary literature was experiencing an enormous flowering of sexuality.

Lawrence Block, writing as John Warren Wells, introduces you to men and women who are trying every possible kind of sexual combination to make marriage work in bold new ways. Threesomes. Open adultery. Swapping. Group marriage. And a hundred variants of every possible sexual experiment within the marital relationship, surpassing the most erotic fiction.

Well, here’s what the blurb for the audiobook says: “Carla is a beautiful girl. She was plucked from the obscurity of a Polish slum to be the wife of a wealthy man—a man who seemingly gives her everything a wife could want. Except the one thing that she needs most: the pleasure she burns for while he snores beside her, the passion that only a lover can give. “But adultery seems impossible until, suddenly, it happens. When she seduces a filling-station attendant, ruining her clothes in the grease of a mechanic’s floor, she starts to spin out of control. He is the first but not the ...

In Thirty, the novel pretended to be a diary. That worked fine, and the resultant narrative proved at once challenging and effortless to sustain. I enjoyed writing it, Berkley enjoyed publishing it - and they wanted something else. What they got in Threesome was a novel pretending to be a novel. The premise, as you’ll see, is that the book has been written by its three main characters, Harry and Rhoda and Priss, in the form of a lightly fictionalized chronicle of their own life as a menage a trois.

Turning 29 years old, Janet Giddings Kurland starts a journal and records her comfortably routine suburban lifestyle. But when she rolls the dice with her friend's husband, she starts down a path that will lead her to the hip streets of Greenwich Village. Amidst the sexually free, Janet blossoms and her housewife's journal turns into a sex diary filled with unexpected encounters, dangerous partners, and drug-fueled sexual escapades.

Es difícil ignorar a alguien cuando tienes sus manos dentro de tu boca. Bernie Rhodenbarr es todo oídos cuando el Dr. Sheldrake, su dentista, empieza a quejarse de su detestable casi-ex esposa, y de paso menciona los valiosos diamantes que ésta tiene mal guardados dentro de su apartamento. Como es cosa sabida que Bernie suele complementar sus entradas como dueño de una librería con algunas aventurillas no tan infrecuentes en el área del latrocinio de alta categoría, unas cuantas noches más tarde se encuentra dentro del apartamento Sheldrake con la idea de volarse algunas cositas –...

A partir de su debut en 1977, Bernie Rhodenbarr se ha ganado la entusiasta admiración de un público internacional cada vez más numeroso. Este caballero, con su corazón ligero y sus dedos más ligeros aún, cuyos talentos detectivescos lo sacan de los apuros en que lo meten sus habilidades de ladrón, se roba de paso los corazones y las mentes de los lectores. «Los ladrones no pueden escoger» es su primera aparición.

En su cuarta aventura, Matthew Scudder reabre un caso que había investigado años antes como detective del Departamento de Policía de Nueva York. Louis Pinell, el recién aprehendido Merodeador del Picahielo, admite libremente haber matado a siete jóvenes mujeres nueve años atrás – pero jura que Bárbara Ettinger fue asesinada por algún copión. Scudder le cree. Sin embargo, la pista que podría conducir al verdadero asesino de Ettinger es torcida, oscura y peligrosa…además de estar ya más fría que el cadáver de la joven que Scudder está resuelto a vengar. Su investigación ...

THOSE BOYS AND THEIR CARS… Danny Duncan drives his father’s Oldsmobile. It's a nice respectable family sedan, and April North is every bit as respectable as the car. Until he manages to get her into the back seat. Now she's no longer a good girl, but only Danny know it, and he can keep a secret, can’t he? Well, no. He tells half the town of Antrim, Ohio—the male half, and they all come sniffing around, led by Bill Piersall, driving a homemade hot rod cobbled together from spare parts and held together with spit and baling wire. She gives Bill what he wants, but he turns out to be ...

The ménage a trois in its many forms has fascinated both observers and participants throughout history. John Warren Wells provides in-depth interviews with all the participants in a manner designed to make the dynamics of these relationships readily comprehensible - but no less intriguing.

Rhoda’s divorce has her thinking that romance is not for her. But maybe she just needs to look in a new direction. Megan is an attractive blonde who instantly sees what Rhoda’s love life has been missing: a woman’s touch. As Megan guides Rhoda into the sensuous - but hidden - world of women who love women, the two unlock a passion that may be too hot to contain. There are a lot of beautiful women in the Village, and Rhoda’s just begun her adventure as a freewheeling lesbian.