Joining me on this episode of Writers at Work is C. M. Kushins, author of COOLER THAN COOL: THE LIFE AND WORK OF ELMORE LEONARD, a biography of the master of American crime writing, a journalist whose work appeared in the Daily Beast, among other publications. Chad's previous works include biographies of Warren Zevon and Led Zeppelin's John Bonham.

He left the world of rock for COOLER THAN COOL, the first in-depth biography of Elmore Leonard, who revealed his mastery of concision, forward motion and memorable dialogue in his 45 screenplay-friendly novels and countless short stories. My friend Charles Ardai, editor at Hard Case Crime, called Leonard the most influential crime writer of the last half-century.

And that seems right. Chad interviewed Elmore Leonard's family and friends and had access to his files and planned memoirs and shares with us previously unpublished excerpts from Leonard's unfinished final novel. His deep dive into Leonard's formative stages, at least to my mind, cast Leonard in a new light. More than once, Chad revealed a bit of information about Leonard's background and motivations that made me think. Of course, that makes perfect sense, which means he encouraged me to see someone whose work I admired as if he were brand new to me. And what more can we ask for in a biography of a contemporary?

My guest today on Writers at Work is Dennis Lehane, an exceptional novelist and screenwriter whose body of work reveals the tender heart of his characters as they yearn, even as the world explodes around them.

His novels and short fiction and the films adapted from them, MYSTIC RIVER, SHUTTER ISLAND, GONE, BABY GONE, and THE DROP among them, are now part of the American cultural and artistic landscape. In addition, he's written for, consulted on, or was involved in the production of episodes of such programs as THE WIRE, BOARDWALK EMPIRE, MR. MERCEDES, and now SMOKE, premiering on June 27 on Apple TV+. That, my friends, is as fine a resume as you'll find for a writer in our time.

Before we proceed, I should tell you that Dennis and I shared an agent, and he invited me to contribute to his short story anthology, BOSTON NOIR. But my admiration for his work is unencumbered by anything other than my admiration for his work.

My guest on this episode of Writers at Work is Craig Thompson, author and graphic artist. His latest is the epic GINSENG ROOTS: A MEMOIR.

Craig's first graphic novel, GOOD-BYE CHUNKY RICE, was published in 1999 and won high honors such as the Harvey and Ignatz Awards. That year he began his first masterwork, the 600-page BLANKETS, described as a memoir of first love and faith lost in rural Wisconsin. The Bloomsbury Review said it is a superb example of the art of cartooning, the blending of word and picture to achieve an effect that neither is capable of without the other. I disagree slightly, but okay. It won several awards and praise from the likes of Jules Pfeiffer, Alan Moore and Art Spiegelman.

Now we have GINSENG ROOTS. It employs as its springboard the story of Craig's childhood, in which he and his siblings spent their summers harvesting ginseng. Ranging far in his tale, Craig conveys the history of agriculture In Wisconsin, the 300-year-old saga of the global Ginseng Trail, and the hardships faced and not always overcome by Ginseng farmers such as his parents and neighbors.

Never far from the heart of Jensen ROOTS is his family story, informed by unforgiving labor, evangelical Christianity, and the conflicting need for home and escape as we meet the Thompsons as they are then and now. I found GINSENG ROOTS to be an astonishing work of storytelling, monumental in scope, yet never far from intimate. I don't think there was a page in which Craig didn't teach me about something I didn't know or made me rethink my opinions. I'm very eager to learn how he came to create a work I'll never forget.