Two appearances from Brian Epstein in 1964. An October spot on "What's My Line?", where panelists try and deduce the role that [sic] "Barry Epstein" plays within the Beatles organization. Despite Paul Anka excusing himself (Anka knew Brian), the other panelists managed to figure out the "line" of Brian pretty quickly! This is followed by a discussion surrounding Brian on "Talking Frankly", where he sat for thirty minutes with Bill Grundy in March of 1964.

Marv and I are honored to be joined by Chris O'Dell, as we discuss her travels through rock and roll. After some initial forays into the industry, she met Derek Taylor (who introduced her to her new roommate, Teri Garr. Soon enough, she found herself in EMI with the Beatles (and cameo-ing on both "Hey Jude" and "Revolution"), the Apple rooftop, then the Concert for BanglaDesh, the Rolling Stones, and a decade WORKING for both the solo Beatles and many other members of rock royalty. Her story is now streaming in a documentary "Miss O'Dell" (based in part on her book), available on Peacock, Tubi, Amazon Prime in the US with UK (and worldwide) distribution in the works.

More from the Gab Four. Jon, Lonnie, Martin and I continue our thoughts on Beatles 1969 - Abbey Road and ??? What else might the sessions of January 1969 become? Each of us assembled significantly different album(s) from the multitudes of songs rehearsed, jammed or half-remembered by the Beatles (and captured for us on the nagras). Tune in and see who you agree with, or who you don't! A cameo from the Queen of all Beatles Media herself (defending her title) as some of us discuss the Beatles news!

Gab Four together again. Jon Stone, Lonnie Pena, Martin Quibell and myself sit down to consider alternate albums that might've come out of the January 1969 sessions. Beware, the ripples through time extend well beyond a single record. What happens to the film? Abbey Road? Do all roads lead to "For You Blue?" George Martin, Glyn Johns and others guest. More next week!

George Harrison played with many associates of both Dylan and the Stones. Bobby Keys was one of the most renowned sax men of rock and roll, Nicky Hopkins contributed to the buzz of "Revolution", and Jesse "Ed" Davis had his fingerprints all over early seventies solo Beatles. This week, we consider some recordings, most made at Apple Studios, most featuring George Harrison on electric (usually slide) guitar. Who knew George could compose Mexicali blues (as some call "The Holdup")

More of Paul McCartney and his political notions. Animal Rights, Gun Violence, "No More Landmines", and the environment have been a big part of the "McCartney brand" for the last 30-35 years. We continue from last week, as we touch on nearly a full album of political thought from "the cute Beatle", and how Paul's brand of radicalism was both similar and different to that of his bandmate John Lennon.

Following on from "One to One", Martin and I spend this week and next discussing the politics of Paul (and Linda) McCartney. This week, the Beatle years. How Paul brought John into the peace movement (and possibly why he deserves that credit on "Give Peace a Chance"), McCartney and Bertrand Russell, Blackbird, Commonwealth and on through the early solo years. Next week, a rundown on solo McCartney's political songs! #madeonzencastr

Lonnie Pena and I (separately) saw "One to One: John & Yoko" in IMAX from Magnolia Pictures during it's recent run (it is still available in selected theaters, and pay streaming in May). Our first thought? They really should have emphasized that "Year in the Life" subtitle a bit more. Other than that? Tune in and find out!