The University of Arizona Press Podcast Podcast Por New Books Network arte de portada

The University of Arizona Press Podcast

The University of Arizona Press Podcast

De: New Books Network
Escúchala gratis

Acerca de esta escucha

 Interviews with authors of the University of Arizona Press books.New Books Network Arte Historia y Crítica Literaria Mundial
Episodios
  • Enrique C. Ochoa, "México Between Feast and Famine: Food, Corporate Power, and Inequality" (U Arizona Press, 2025)

    Enrique C. Ochoa, "México Between Feast and Famine: Food, Corporate Power, and Inequality" (U Arizona Press, 2025)
    May 7 2025
    As the birthplace of maize and a celebrated culinary destination, Mexico stands at the crossroads of gastronomic richness and stark social disparities. In México Between Feast and Famine: Food, Corporate Power, and Inequality (University of Arizona Press, 2025), Dr. Enrique C. Ochoa unveils the historical and contemporary forces behind Mexico’s polarized food systems. México Between Feast and Famine provides one of the first comprehensive analyses of Mexico’s food systems and how they reflect the contradictions and inequalities at the heart of Mexico. Ochoa examines the historical roots and contemporary manifestations of neoliberal policies that have reshaped food production, distribution, and consumption in Mexico. Dr. Ochoa analyzes the histories of Mexico’s mega food companies, including GRUMA, Bimbo, Oxxo, Aurrera/Walmex, and reveals how corporations have captured the food system at the same time that diet-related diseases have soared. The author not only examines the economic and political dimensions of food production but also interrogates the social and cultural impacts. As debates around food sovereignty, globalization, and sustainable development intensify globally, México Between Feast and Famine provides a timely analysis that counters conventional narratives about Mexican cuisine. Even as it looks back, this work looks to the future, where more equitable and sustainable food systems prioritize social justice and community well-being. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    1 h y 10 m
  • Natasha Varner, "La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico" (U Arizona Press, 2020)

    Natasha Varner, "La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico" (U Arizona Press, 2020)
    Apr 17 2025
    A close friend and muse of many of postrevolutionary Mexico's greatest artists, Luz Jiménez's likeness appears across Mexico City in the form of painting, photography, and sculpture. Jiménez's ubiquity has earned her the titles of "the most painted woman in all of Mexico" and "the archetype of Indigenous Mexican woman." And yet the details of her complex life as an Indigenous woman at mid century have long remained shrouded by artistic depictions of her face and body. Jiménez's experience of hypervisibility and simultaneous erasure in postrevolutionary Mexico is no anomaly; during the early to mid-twentieth century, Indigenous women were idealized and objectified as relics of Mexico's past as cultural elites sought to manufacture a distinctly mestizo future. The experiences of modern Indigenous women constitute the focus of Natasha Varner's new book, La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico (University of Arizona Press, 2020), a vivid recovery of the intersections of settler colonialism, gender, visual culture, and modernity. Varner employs methods from the fields of Native American and Indigenous Studies and settler colonial studies in an innovative new study of postrevolutionary Mexican visual culture. Drawing upon a range of midcentury media - including newspapers, photography, film, postcards and tourism materials, and more - Varner weaves together narratives of visibility, erasure, survivance, dispossession, and identity that ultimately center upon on Indigenous women's experiences and livelihoods. Despite efforts to erase Indigenous women from Mexico's future, La Raza Cosmética impresses upon us a powerful reminder of Indigenous women's persistence in Mexico - at midcentury as well as in the present. Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq. Learn more about your ad choices. Visit megaphone.fm/adchoices
    Más Menos
    42 m
adbl_web_global_use_to_activate_webcro805_stickypopup
Todavía no hay opiniones