This week, Rosalyn chats with Mohawk folk and soul artist Logan Staats. Logan reflects on some of the pivotal moments that have shaped his career, as well as his transformative time spent in Nashville, where he focused on writing new songs and honing his craft. He shares how sobriety, family, and a deep-rooted connection to his community help keep him grounded. Plus, he offers a glimpse of what’s ahead on his much-anticipated new album, set to be released later this year.

Find Logan Staats online:

Website & Upcoming Shows

Instagram

Facebook

TikTok

About Logan Staats

Mohawk folk and soul musician Logan Staats began as a diamond in the rough on the streets of Brantford, Ontario. He had no formal musical training, just a good ear and raw lyrical talent. He played the local circuit for years before his 2015 debut release ‘Goodbye Goldia’, an unvarnished yet hard hitting folk album. He went on to win CTV’s ‘The Launch’ in 2018, gaining commercial success and touring across North America and Europe. But traveling the world can really open your eyes to what's going on right at home, and the fight for indigenous sovereignty has become a focal point for Staats in recent years. It all intermingles with the music; the passion, the rage, the love, and most of all the healing. He's making roadtrippin' music for those traveling 'the red road'; a path towards reconnecting and relearning indigenous ways. This is the philosophy behind his sophomore album ‘A Light In The Attic’, released 2023. These songs are a healing salve, contemplatively composed and offered to listeners in need of comfort. Nowadays, he is gearing up for his newest release, a soulful americana album set to be released later this year.

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If you’re interested in submitting questions for our upcoming episodes, be sure to follow Folk Canada on Instagram where we will be posting our upcoming guests.

Tune in to the latest episodes of the Refolkus Podcast, featuring the latest music releases from Folk Canada members as well as some of our special guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.

Presented by Folk Canada

Hosted by Rosalyn Dennett

Produced by Kayla Nezon and Rosalyn Dennett

Mixed by Jordan Moore of The Pod Cabin

Theme music “Amsterdam” by King Cardiac

Artwork by Jaymie Karn

In this week’s episode, Rosalyn is joined by Tamara Lindeman of The Weather Station. Tamara reflects on how climate grief has shaped her music, a theme that emerged with her previous album Ignorance. She discusses her latest record, Humanhood, which explores themes of personal disconnection and healing, while continuing to resonate with the emotional weight of climate grief and broader political tensions. Tamara also shares her perspective on the current political climate and its impact on touring, speaking candidly about the emotional burden of climate change—particularly on younger generations—and offering thoughtful insights into how artists can balance their roles as advocates. Overall, it’s a powerful and timely conversation about art’s role in expressing complex emotions, creating connection, and sparking action in the face of an uncertain future.

Tamara’s recommendations for climate organizations, thinkers and speakers include: 350.org, Environmental Defence, Nature Conservancy Canada, Music Declares Emergency, Bill McKibben and Dr. Ayana Elizabeth Johnson.

Buy, download or listen to The Weather Station’s latest record, Humanhood.

Find The Weather Station online:
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Facebook

About The Weather Station
The Weather Station — the project of Toronto based songwriter Tamara Lindeman — returns with new album Humanhood on January 17th via Fat Possum Records. The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others. Called "a heartbroken masterpiece" in The Guardian, the record was a complex evocation of climate grief that struck a chord worldwide. As a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork). Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance. The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries. Nominated for three Juno Awards, a Socan Songwriting Award, and shortlisted for the Polaris Prize, her albums have made a mark both critically and conceptually.

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If you’re interested in submitting questions for our upcoming episodes, be sure to follow Folk Canada on Instagram where we will be posting our upcoming guests.

Tune in to the latest episodes of the Refolkus Podcast, featuring the latest music releases from Folk Canada members as well as some of our special guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.

Presented by Folk Canada

Hosted by Rosalyn Dennett

Produced by Kayla Nezon and Rosalyn Dennett

Mixed by Jordan Moore of The Pod Cabin

Theme music “Amsterdam” by King Cardiac

Artwork by Jaymie Karn

In this week’s episode, Rosalyn chats with Devin Latimer, an organic chemist specializing in green chemistry and the Artistic Director of Trout Forest Music Festival. They explore how community festivals can become powerful tools for climate action in that they offer unique opportunities to engage the public, spark dialogue, and promote environmental awareness. They also discuss the need for stronger policy support, sustainable funding, and delve into some lessons learned from climate-impacted festivals. At its core, the conversation is a call to empower communities and individuals to take meaningful action toward a more sustainable future, offering both inspiration and practical steps forward.

For more of Devin’s work, you can check out his presentation titled ‘Green Chemistry, Energy and Climate Conversations’ that he gave as part of Folk Canada’s Culture in Climate Conversations sessions at the 2025 Folk Alliance International Conference.

Find Devin Latimer online:

Website & Upcoming Shows

Instagram

Trout Forest Music Festival

About Devin Latimer

Devin Latimer is a faculty member in chemistry at the University of Winnipeg focusing on green organic chemistry and environmental communications, Artistic Director of Trout Forest Music Festival in northwestern Ontario, and a founding performer with Winnipeg music collectives Leaf Rapids and Juno award winners Nathan Music Co.

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If you’re interested in submitting questions for our upcoming episodes, be sure to follow Folk Canada on Instagram where we will be posting our upcoming guests.

Tune in to the latest episodes of the Refolkus Podcast, featuring the latest music releases from Folk Canada members as well as some of our special guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.

Presented by Folk Canada

Hosted by Rosalyn Dennett

Produced by Kayla Nezon and Rosalyn Dennett

Mixed by Jordan Moore of The Pod Cabin

Theme music “Amsterdam” by King Cardiac

Artwork by Jaymie Karn