Greg and Riley discuss the PS1-revival horror game, Crow Country. They debate the game’s combat mechanics, its puzzle design, and its influence on the “Playstation 1 Revival” genre.

Greg and Riley Discuss the widely influential puzzle/platformer: Braid. They dissect every world, the metaphoric story, and the game’s oddball creator, Jonathon Blow.

Greg and Riley discuss Greg's invitation and in-person experience at The Game Awards in December of 2024. Greg tells stories of his celebrity encounters, and the hosts also review the history and nomination process of the show.

Greg and Riley end their retrospective of the Remedy-Verse with 2010's Alan Wake. It's dull, it's boring, it's stupid... but it's surprisingly memorable? They discuss the game's troubled development cycle, its sloppy narrative, and they try to understand the game's enduring legacy.

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Greg and Riley’s miserable journey through the Remedy-verse continues with Quantum Break. They discuss the game’s laughable and unintentionally funny plot, failed television show tie-in, and how Quantum Break is a prime example of the 2010’s game industry.

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Greg and Riley continue suffering through the Remedy-verse with a retrospective on one of their least favorite games ever: Control. Our hosts can't believe how much people like this game. What's wrong with you people?

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MERCH COMING SOON

Greg and Riley begin their deep dive into the Remedy-verse and they are not happy about it. The hosts discuss the many shortcomings of Alan Wake 2, and their surprise at its critical acclaim.

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MERCH COMING SOON

Greg had the pleasure of sitting down with Akuma Kira and Jarren Crist, the creators and composers of Lunacid. They talk about aspects of the game's design, as well as their musical backgrounds.