Today on Fantasy Writing for Barbarians, we’re doing something different: I'm breaking down the opening lines of my own fantasy short story, “Songs for the Dead and Drowning”, to show exactly what goes into crafting voice, world, and mood from line one. From interiority to pacing to metaphor as worldbuilding, this is a deep dive into how fantasy prose can do the heavy lifting without getting heavy-handed.

We unpack why opening lines don’t need to scream for attention, how subtle choices build tension and character, and what it means to balance clarity with intrigue. I walk through the themes, structure, and sentence-level decisions that shape the story’s hook, and yes, I also critique my own writing with full transparency (and occasional self-roasting).

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re answering a heartfelt question from a fantasy author: how do you write a slow-burn romance in fantasy that keeps readers hooked instead of tuning out? If your lovers can’t be together (yet), how do you keep the tension crackling without stalling the plot?

We dig into the alchemy of slow burns: what makes them work, what makes them drag, and why pacing isn’t the same as being slow. From Kaguya-sama: Love is War to The Witcher, Howl’s Moving Castle, and The Green Bone Saga, we unpack how romantic subtext, emotional intimacy, and narrative function turn subtle glances into story gold. Plus, we break down the do’s and don’ts of relationship development, how to avoid “convenient chemistry,” and why your romance should mess with your world, not float beside it.

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re reacting to video from popular YouTuber Alyssa Matesic about the worst writing advice on the internet, but my commentary will be through the lens of the fantasy genre. From “Show Don’t Tell” to “Write Every Day,” we’re unpacking why common writing rules don’t always hold up in fantasy, and how to apply (or ignore) them without compromising your world, your story, or your voice.

Here's a link to Alyssa's full video, where you can also subscribe to her channel!

Want your question about fantasy writing featured on the show? Email your advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re diving into the timeless question at the heart of all epic fantasy: how do you create your own mythology? Inspired by a Reddit post from Lexi, a creative writing student working on her thesis in mythopoeia, we’re unpacking why myths are the soul of a fantasy world...and how to build one that feels ancient, sacred, and real.

We break down the three big approaches to writing myth: inventing your own, remixing existing ones (like Greek or Norse), and using real-world mythology with minimal tweaks. From Tolkien’s Elvish creation songs to the spiritual remixing in The Poppy War, we explore what makes a myth resonate and what makes it fall flat. Plus, we talk about how to research respectfully, how to preserve a myth’s spiritual essence even when you break the rules, and why myth has to be more than just a bunch of backstory. Whether you’re building gods from scratch or honoring a living tradition, this is the episode to help you myth-make like a legend.

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here.

Check out my new short story "Upon a Dream," which was published this past week in the Briar & Thorn issue of The Fairy Tale Magazine! Available to read online here.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re answering a deceptively simple question from a listener: how do you write an immortal character? If your hero can’t die, what’s left to fear...and how do you keep their story from feeling, well, lifeless?

We’re digging into the listener's character Equia, her mysterious soul-stripping backstory, and the deeper issue behind the question: what does immortality mean to a character, and what does it cost? From gods freezing time to cursed divine gifts, we break down classic (and subversive) examples from Pirates of the Caribbean, Invincible, Interview with the Vampire, Castlevania, and Logan. And we explore why immortality often fails when it becomes a cheat code instead of a challenge. Plus, we unpack how emotional truth gives immortal characters staying power, how to dirty up a too-clean origin story, and what really makes a power feel earned. Whether your hero lives forever or wishes they didn’t, this is the episode to help you build it right.

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind.

Check out my new short story "Upon a Dream," which was published this past week in the Briar & Thorn issue of The Fairy Tale Magazine! Available to read online here.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re answering a classic worldbuilding dilemma: how do you preserve tension in a fantasy story when healing magic exists? If your adventuring party includes a healer, does that automatically destroy your stakes? Or is there a way to keep danger real when wounds can be patched with a flick of the wrist?

We’re breaking down the big issue behind “overpowered” healing, why it’s not about the magic, it’s about the system, and how to make your healing rules serve the story. From anime like Fullmetal Alchemist and Frieren to books like The Starlight Archive, we’re unpacking examples of healing done right and what can make it go wrong. Plus, we explore how healing can become its own source of conflict, why party tension is your best tool for emotional payoff, and a full menu of mechanics and consequences to make your healer one of the most compelling characters on the map.

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here.

Check out my new short story "Upon a Dream," which was published this past week in the Briar & Thorn issue of The Fairy Tale Magazine! Available to read online here.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re answering a big question from a new writer: do you need to read a ton of books before you can write one? If you’ve been worldbuilding and dreaming up stories but haven’t read much outside of anime and games, is it even worth starting?

We’re breaking down the real relationship between reading and writing, why it’s okay to start before you feel “ready,” and how to build skill through reps, not perfection. Plus, we’ll talk about short stories as training wheels, how to reverse-engineer great scenes, and why practice only works if you know what you’re fixing. This is a must-listen for anyone wondering if their lack of reading disqualifies them from writing. (Spoiler: it doesn’t!)

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here.

Check out my new short story "Men Who Are Strong," which was published this past week in "The Evolving Gaze" issue of IHRAM Press's literary magazine! Available in print and online.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.

Today on Fantasy Writing for Barbarians, we’re diving deep into one of the most controversial ways to open your fantasy novel: the dream sequence. A listener asks whether they should open with a dream as a prologue or kick off Chapter 1 with it—and we’re breaking down how both could work but why you may want to reconsider...

We’re also unpacking why readers often hate dream openings and dream sequences in general, when and how they do work, and why the key to using them well isn’t about avoiding clichés. It’s about structure, trust, and payoff. Plus, we go through a full checklist for dream scenes that pull their weight, and some spicy thoughts on the prologue trap new writers fall into.

Email your own advice prompt to fantasywritingforbarbarians@gmail.com or join our Discord and let us know what's on your mind. You can find the discussion prompt we referenced on the show right here.

Fantasy Writing for Barbarians‘ host is Jon Negroni, author of The Pixar Theory, Killerjoy, and more. Our producers are Natalia Emmons and Bridget Serdock. You can find all our episodes and various podcast app options here.

Intro music: "Adventures in Adventureland" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/by/4.0/

See omnystudio.com/listener for privacy information.