The journalist Maureen Dowd has many notches in her belt, from feats like winning a Pulitzer Prize and writing pivotal profiles on some of the world’s most powerful people. She shone light on Elon Musk before DOGE and Uma Thurman’s emotional struggle with Quentin Tarantino, all of which is captured in her latest book, Notorious. Even for her, though, the process of writing remains fickle. Both Maureen and I want our writing to place readers in conversation with the greats who came before us, and whether we succeed is always up for interpretation. We never stop trying, though — and only occasionally read the comments. We also commune over a shared value of education once Maureen tells me I was the reason she decided to pursue graduate school.

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Lewis Hyde is one of those contemporary authors whose work I think about a lot. He’s spent years reflecting on and writing about topics of great interest to me, like forgetting and forgiveness, but the true trademark of his work is how he processes concepts and describes them. He approaches his work like chasing a butterfly (a lifelong hobby of his), following the dips and curves of an idea until he’s satisfied. We talk about his revered books The Gift and A Primer for Forgetting, and what artists do or do not owe the world. And now that I know he took undergrad classes with John Berryman — the first favorite poet I ever had — I’m going to be thinking about his work, and his beautiful writing, even more.

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Jonathan Roumie is a genuinely charismatic individual, which is understandable given his acclaimed portrayal of Jesus in the immensely popular Christian historical drama The Chosen. However, long before embodying arguably the most significant main character in history, Jonathan was, to borrow the familiar lyric, “just a slob like one of us.” He spent time drumming in bands, working as a location scout, and taking on voice-acting roles, navigating the balance between his divine creative calling and the practical necessity of paying the bills. We discuss the moment that he gave up and turned to God for the answers, sending him down a path where he’s become more than just Christ-like — he’s often confused for the real thing.

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It’s finally here: the one-year anniversary of the launch of Fail Better. This moment brought out a lot of feelings and jokes about what it’s meant to make this show and have the conversations I’ve had, and you get to hear me talk about that here. Then I play one of my favorite interviews I’ve had, with the one and only Rosie O’Donnell, who enthusiastically joined me in challenging the standard format and purpose of a podcast episode. It was a special conversation with a special person, and one that I think represents this show pretty damn well. Cheers to a year, and to more conversations to come.

Rosie O'Donnell’s famous friends tell her she’s no good at being a celebrity. And if she’s honest, she’s never really felt like one. Despite her iconic roles and mass appeal, Rosie says she always identified more with the viewers at home rather than the stars she was interviewing on her long-running talk show. We got together in person to discuss all this, plus the devastating loss she suffered as a child, and what we both think about meeting fans at conventions. Rosie might feel iffy about fame, but that doesn’t mean the “it” factor that propelled her there isn’t still a driving force in her creative and personal life. And she’s continued to inspire others, too — just ask Eminem.

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After an illustrious tennis career, of course Chris Evert cherishes the wins and broken records. Yet, the sting of defeat is also etched in her memory, marked by days secluded in hotel rooms with the worst missteps replaying in her mind. Life as a high-profile athlete began for Chris as a teenager, and it opened her up to intense scrutiny from tabloids. But it also brought unprecedented levels of recognition and equality to the sport, introduced her to lifelong friends, and helped her grow in countless ways. Chris’s journey has continued to offer a mix of highs and lows, and as she speaks with me from retirement, she shares how she’s found even more ways to view the world around her, from her beloved sport to her ever-evolving spirituality.

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As a founding member of the band Toto, Steve Lukather is well aware of the song you probably know him for. But Steve, known to most as “Luke”, has plenty of other claims to fame. Luke is a seriously talented guitarist and writer with more than a dozen albums to his name from Toto alone, not to mention an almost infinite number of credits and Grammys from his session work with stars like Paul McCartney and Quincy Jones. It all started with the enthusiasm that Luke’s parents expressed for a musical career, guiding him toward frequent lessons, hard work, and the practice of showing up to a studio every day and putting in the hours. Being a working man is what led him to where he is — and, as any young player would dream, it’s also what got him the ultimate compliment from Jimmy Page.

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This week, we’re offering another peek at the kinds of things you might hear in Lemonada Premium. At the end of each regular episode, there’s a snippet of my thoughts about the conversation, but those are just snippets. My post-mortems are much longer than that, and we publish the full versions exclusively for Lemonada Premium subscribers. Today, we’ve pulled a few for you to hear from some of my favorite interviews. If you want to get these kinds of insights each week, subscribe today on Apple Podcasts, Spotify, or wherever you get your podcasts. And as added incentive, you'll also be able to get bonus content from all the other Lemonada shows when you subscribe.

As you’ll hear in this episode, I’m publishing my first book of poetry. You can pre-order now at https://www.akashicbooks.com/catalog/about-time-preorder/

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Joining Lemonada Premium is a great way to support our shows and get bonus content. Subscribe today on Apple Podcasts, Spotify, or wherever you get your podcasts.

For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.

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Graydon Carter, the editor whose two decades at the helm of Vanity Fair transformed the publication, sure knows how to curate. He made the magazine into the cultural touchstone it is today (think: the much-photographed Vanity Fair Oscars Party, the viral celebrity lie-detector tests), though not without trial, error, and lots of nerves. He and I talk about his long tenure, the pitfalls of a project not having a “point,” and what he gets out of being at the head of a completely new enterprise, the digital magazine Air Mail. It’s a creative conversation I didn’t know I needed, and one I’m very glad I had.

Graydon’s memoir, When the Going Was Good, is available now wherever books are sold.

Follow me on Instagram at @davidduchovny. Stay up to date with Lemonada on Twitter, Facebook and Instagram at @LemonadaMedia.

Joining Lemonada Premium is a great way to support our shows and get bonus content. Subscribe today on Apple Podcasts, Spotify, or wherever you get your podcasts.

For a list of current sponsors and discount codes for this and every other Lemonada show, go to lemonadamedia.com/sponsors.

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