Episodios

  • Love and Death: War Elegies by Whitman, Owen, Douglas and more
    Jul 7 2025
    As long as there have been poets, they have been writing war elegies. In this episode, Mark and Seamus discuss responses to the American Civil War (Walt Whitman), both world wars (W.B. Yeats, Wilfred Owen, Rudyard Kipling, Keith Douglas) and the conflict in Northern Ireland (Michael Longley) to explore the way these very different poems share an ancient legacy. Spanning 160 years and energised by competing ideas of art and war, these soldiers, carers and civilians are united by a need that Mark and Seamus suggest is at the root of poetry, to memorialise the dead in words. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠https://lrb.me/applecrld⁠ In other podcast apps: ⁠https://lrb.me/closereadingsld Poems discussed in this episode: Walt Whitman, ‘Vigil Strange I Kept on the Field One Night’ ⁠https://⁠⁠w⁠⁠ww.poetryfoundation.org/poems/45478/vigil-strange-i-kept-on-the-field-one-night⁠ Wilfred Owen, ‘Futility’ ⁠https://www.poetryfoundation.org/poems/57283/futility-56d23aa2d4b57⁠ Keith Douglas, ‘Vergissmeinnicht’ ⁠https://warpoets.org.uk/worldwar2/poem/vergissmeinnicht/⁠ W.B. Yeats, ‘An Irish Airman foresees his Death’ ⁠https://www.poetryfoundation.org/poems/57311/an-irish-airman-foresees-his-death⁠ Michael Longley, ‘The Ice-Cream Man’ ⁠https://poetryarchive.org/poem/ice-cream-man/⁠ Rudyard Kipling, ‘Epitaphs of the War’ ⁠https://www.poetryfoundation.org/poems/57409/epitaphs-of-the-war⁠ Further reading in the LRB: Ian Hamilton on Keith Douglas’s letters: ⁠http://lrb.co.uk/the-paper/v23/n03/ian-hamilton/tough-guy⁠ Jonathan Bate on war poetry: ⁠http://lrb.co.uk/the-paper/v06/n22/jonathan-bate/players-please⁠ Poems by Michael Longley published in the LRB: ⁠https://www.lrb.co.uk/contributors/michael-longley⁠ Next episode: Family elegies by William Wordsworth, Denise Riley, Anne Carson and Robert Lowell.
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    12 m
  • Conversations in Philosophy: 'The Will to Believe' by William James
    Jun 23 2025
    Most of what we believe we believe on faith, even those beliefs we hold to be based on scientific fact. This assertion lies at the heart of William James’s essay ‘The Will to Believe’, originally delivered as a lecture and intended not so much as a defence of religion as an attack on anti-religion. James’s target was the ‘rugged and manly school of science’ and the kind of atheism ‘that goes around thumping its chest offering its biceps to be felt’. In this episode Jonathan Rée and James Wood look at the intellectual environment William James was working in, and against, in the second half of the 19th century, and its parallels in the ‘new atheism’ of today. They also discuss the extraordinary upbringing William (and his novelist brother Henry) received and the advice he offered to anyone contemplating suicide in his essay ‘Is life worth living?’ Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrcip In other podcast apps: https://lrb.me/closereadingscip Read more in the LRB: Helen Thaventhiran: William James's Prescriptions https://www.lrb.co.uk/the-paper/v46/n20/helen-thaventhiran/no-dose-for-it-at-the-chemist Michael Wood: William James and modernism https://www.lrb.co.uk/the-paper/v29/n18/michael-wood/understanding-forwards Richard Poirier: Williams James's pragmatism https://www.lrb.co.uk/the-paper/v06/n19/richard-poirier/copying-the-coyote
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    17 m
  • Novel Approaches: 'Aurora Leigh' by Elizabeth Barrett Browning
    Jun 16 2025
    ‘I want to write a poem of a new class — a Don Juan, without the mockery and impurity,’ Elizabeth Barrett Browning wrote to a friend in 1844, ‘and admitting of as much philosophical dreaming and digression (which is in fact a characteristic of the age) as I like to use.’ The poem she had in mind turned out to be her verse novel, Aurora Leigh, published in 1854, and described by Ruskin as the greatest long poem of the 19th century. It tells the story of an aspiring poet, Aurora, born in Florence to an Italian mother and an English father, who loses both her parents as a child and moves to England and the care of her aunt. From there she pursues her poetic ambitions to London, Paris, Italy and back to England while negotiating a traumatic love triangle between the vicious Lady Waldemar, the impoverished seamstress Marian, and the austere social-reformer Romney. In this episode, Clare is joined by Stefanie Markovits and Seamus Perry to discuss the wide range of innovations Barrett Browning deploys to fulfil her commitment to immediacy and narrative drive in the poem, and the ways in which she uses her characters to explore the extent of her own emancipatory politics. Read the poem: https://www.gutenberg.org/cache/epub/56621/pg56621-images.html Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrna In other podcast apps: https://lrb.me/closereadingsna Hosted on Acast. See acast.com/privacy for more information.
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    18 m
  • Love and Death: 'In Memoriam' by Tennyson
    Jun 9 2025
    Tennyson described 'In Memoriam' as ‘rather the cry of the whole human race than mine’, and the poem achieved widespread acclaim as soon as it was published in 1850, cited by Queen Victoria as her habitual reading after the death of Prince Albert. Its subject is the death in 1833 of Tennyson’s friend Arthur Hallam at the age of 22, and in its 131 sections it explores the possibilities of elegy more extensively than any English poem before it, not least in its innovative, incantatory rhyme scheme, intended to numb the pain of grief. From its repeated dramatisations of the experience of private loss, 'In Memoriam' opens out to reflect on the intellectual turmoil running through Victorian society amid monumental advances in scientific thought. In this episode, Seamus and Mark discuss the unique emotional power of Tennyson’s style, and why his great elegy came to represent what mourning, and poetry, should be in the public imagination of his time. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrld In other podcast apps: https://lrb.me/closereadingsld Read more in the LRB: Frank Kermode: ⁠https://www.lrb.co.uk/the-paper/v32/n09/frank-kermode/eliot-and-the-shudder⁠ Seamus Perry: ⁠https://www.lrb.co.uk/the-paper/v33/n02/seamus-perry/are-we-there-yet⁠ Hosted on Acast. See acast.com/privacy for more information.
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    12 m
  • Fiction and the Fantastic: Tales by Jan Potocki and Isak Dinesen
    Jun 3 2025
    ‘With Potocki,’ Italo Calvino wrote, ‘we can understand that the fantastic is the exploration of the obscure zone where the most unrestrained passions of desire and the terrors of guilt mix together.’ The gothic is a central seam of the fantastic, and in this episode Marina and Adam turn to two writers in that mode who lived over a hundred years apart but drew on the period of the Napoleonic wars: Jan Potocki and Isak Dinesen (the pseudonym of Karen Blixen). Potocki’s The Manuscript Found in Saragossa (1805) is a complex sequence of tales within tales, written from the point of view of the early 19th century but describing events in Spain in the 18th century. It’s a powerful commentary on the preoccupations of the Enlightenment and the repression of historical guilt. In Seven Gothic Tales (1934), Dinesen confronts some of the most unsettling aspect of sexual guilt and desire with psychological astuteness. Adam and Marina discuss the ways in which, in both works, the gothic was able to explore areas of human experience that other genres struggled to accommodate. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrff In other podcast apps: https://lrb.me/crscfflrbpod Read more in the LRB: On Potocki: ⁠https://www.lrb.co.uk/the-paper/v17/n02/p.n.-furbank/nesting-time⁠ On 'Out of Africa': ⁠https://www.lrb.co.uk/the-paper/v08/n12/d.a.n.-jones/the-old-feudalist⁠ On Denisen's letters: ⁠https://www.lrb.co.uk/the-paper/v04/n10/errol-trzebinski/perfect-bliss-and-perfect-despair Hosted on Acast. See acast.com/privacy for more information.
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    15 m
  • Conversations in Philosophy: 'Schopenhauer as Educator' by Friedrich Nietzsche
    May 26 2025
    For Nietzsche, Schopenhauer’s genius lay not in his ideas but in his heroic indifference, a thinker whose value to the world is as a liberator rather than a teacher, who shows us what philosophy is really for: to forget what we already know. ‘Schopenhauer as Educator’ was written in 1874, when Nietzsche was 30, and was published in a collection with three other essays – on Wagner, David Strauss and the use of history – that has come to be titled Untimely Meditations. In this episode Jonathan and James consider the essays together and their powerful attack on the ethos of the age, railing against the greed and power of the state, fake art, overweening science, the triviality of universities and, perhaps above all, the deification of success. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrcip In other podcast apps: https://lrb.me/closereadingscip Read more in the LRB: David Hoy on Nietzsche's life: ⁠https://www.lrb.co.uk/the-paper/v09/n01/david-hoy/different-stories⁠ J.P. Stern on 'Unmodern Observations' (or 'Untimely Meditations'): ⁠https://www.lrb.co.uk/the-paper/v12/n16/j.p.-stern/impatience⁠ Jenny Diski on Elisabeth Nietzsche: ⁠https://www.lrb.co.uk/the-paper/v25/n18/jenny-diski/it-wasn-t-him-it-was-her⁠ Hosted on Acast. See acast.com/privacy for more information.
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    30 m
  • Novel Approaches: ‘North and South’ by Elizabeth Gaskell
    May 19 2025
    In North and South (1855), Margaret Hale is uprooted from her sleepy New Forest town and must adapt to life in the industrial north. Through her relationships with mill workers and a slow-burn romance with the self-made capitalist John Thornton, she is forced to reassess her assumptions about justice and propriety. At the heart of the novel are a series of righteous rebels: striking workers, mutinous naval officers and religious dissenters. Dinah Birch joins Clare Bucknell to discuss Gaskell’s rich study of obedience and authority. They explore the Unitarian undercurrent in her work, her eye for domestic and industrial detail, and how her subtle handling of perspective serves her great theme: mutual understanding. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrna In other podcast apps: https://lrb.me/closereadingsna Read more in the LRB: Dinah Birch: The Unwritten Fiction of Dead Brothers https://www.lrb.co.uk/the-paper/v19/n19/dinah-birch/the-unwritten-fiction-of-dead-brothers Rosemarie Bodenheimer: Secret-keeping https://www.lrb.co.uk/the-paper/v29/n16/rosemarie-bodenheimer/secret-keeping John Bayley: Mrs G https://www.lrb.co.uk/the-paper/v15/n05/john-bayley/mrs-g Hosted on Acast. See acast.com/privacy for more information.
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    25 m