The Droitwich Transmitting Station, located in Worcestershire, England, near Droitwich and the village of Wychbold, is a significant broadcasting facility established in 1934. This large station, owned and operated by Arqiva, houses the British Broadcasting Corporations (BBC) most powerful long-wave transmitter. The site was selected in December 1932 and purchased in March 1933. It features two prominent 213-metre-high (700 ft) guyed steel lattice radio masts, standing 180 metres (590 ft) apart. These imposing structures are visible from a significant distance and support the T-aerial used for long-wave transmissions. The station also transmits on medium wave (MW) frequencies.

A crucial function of the Droitwich Transmitting Station has been the transmission of BBC Radio 4 on 198 kilohertz (LW). Importantly, this long-wave signal also carries data for the Radio Teleswitching System (RTS), a service used by energy suppliers to switch electricity meters for time-controlled tariffs such as Economy 7 and Economy 10. The RTS data, including time-of-day and control signals, has been encoded using phase modulation since the early 1980s. The BBC transmits this signal on behalf of the Energy Networks Association (ENA). However, the use of the long-wave signal for RTS is scheduled to end by at least 30 June 2025, necessitating the transition of remaining customers using RTS meters to smart meters. The planned cessation of the long-wave transmission is also linked to factors like reliance on rare glass valves and past budget announcements.

Explore Radio City, The Station of the Cars, a unique independent radio service inspired by the golden age of European offshore broadcasting. Influenced by ship based commercial stations that revitalized radio with non stop music, the operator honed skills through years of pirate radio transmissions on shortwave, medium wave, and FM. The name Radio City was chosen in 1991, and the distinctive slogan The Station of the Cars was adopted to stand out. This identity is strongly linked to vintage cars, featuring car commercials and car songs in early years, and presenting a different classic vehicle in each QSL letter. The programming offers a fixed structure with a focus on 60s music and a broad selection of international music, including a segment called Dateline that highlights events and music from past years.

Today, Radio City primarily broadcasts in Europe on Medium Wave 1323 kHz. This transmission is facilitated through the International Public Access Radio (IPAR) program, a service provided by NEXUS International Broadcasting Association. IPAR is a public broadcasting platform offering airtime on shortwave and AM Medium Wave frequencies to support free speech and diverse viewpoints. It allows individuals and organisations to reach a worldwide audience, particularly targeting areas across the digital divide and regions facing internet censorship, providing an important platform for independent radio like Radio City

Opus Dei, a personal prelature within the Catholic Church, remains a subject of significant interest and ongoing debate, often described as a controversial force within Catholicism. Throughout its history, controversies about Opus Dei have included historical opposition from Jesuits, concerns surrounding corporal mortification with practices like the use of a cilice and discipline, and serious allegations of aggressive recruiting methods, sometimes likened to cult-like 'love bombing'. The organisation has also faced allegations of being highly controlling and maintaining secrecy, which has led to the formation of groups like the Opus Dei Awareness Network. Furthermore, the swift canonisation of its founder, Josemaría Escrivá, a figure often described as 'polarising', has drawn criticism, with some questioning its reliability.

Beyond these points, Opus Dei has been scrutinised for its alleged independence and influence within the Roman Catholic Church despite statistics suggesting a limited number of its members hold high positions. Critics have also pointed to legal disputes involving the prelature and raised questions about its questionable business activities, leading some to label it the 'Santa Mafia'. The experiences of former members, such as María del Carmen Tapia, who chronicled her 'disenchantment' in 'Beyond the Threshold', offer valuable insider perspectives on the organisation's practices and the reasons behind criticisms related to control and the apparent uniformity of outlook among members. Understanding these multifaceted controversies requires a detailed analysis of historical context, insider perspectives, and the opinions surrounding this influential personal prelature.