Episodios

  • Ester Hernandez - Printmaker & Pastel Artist

    Ester Hernandez - Printmaker & Pastel Artist
    Jun 24 2025

    Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.

    This week, Emily features an insightful interview with artist Ester Hernandez. Ester shares her journey from growing up in a farm town in the San Joaquin Valley to becoming a renowned printmaker. She discusses the impact of growing up in a culturally rich Mexican environment and her experiences at UC Berkeley, where she studied various art forms despite facing challenges as a woman of color. A central focus of the episode is Ester’s famous piece, 'Sun Mad', which critiques the use of pesticides in farming and has been displayed in prestigious museums worldwide. She also reflects on her early love for drawing, the inspiration from friends Sandra Cisneros and Alice Walker, and her ongoing effort to document her family's history with cotton farming in a new book.

    About Artist Ester Hernandez:

    Ester Hernandez was born in California’s San Joaquin Valley to a Mexican/Yaqui farm worker family. The UC Berkeley graduate is an internationally acclaimed San Francisco-based visual artist. She is best known for her depiction of Latina/Native women through her pastels, prints and installations. Her work reflects social, political, ecological and spiritual themes.

    Hernandez has had numerous national and international solo and group shows. Among others, her work is included in the permanent collections of the National Museum of American Art – Smithsonian; Library of Congress; MoMA, New York; Legion of Honor, San Francisco; National Museum of Mexican Art, Chicago; Museo Casa Estudio Diego Rivera y Frida Kahlo, Mexico City; Museum of Contemporary Native Art, Institute of American Indian Arts, Santa Fe, NM; Victoria and Albert Museum, London. Her artistic and personal archives are housed at Stanford University.

    Visit Ester's Website: EsterHernandez.com

    Follow Ester on Instagram: @EsterHernandezArt

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    About Podcast Host Emily Wilson:

    Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women’s Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.

    Follow Emily on Instagram: @PureEWil

    Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast

    A Better World: A Comic About Ester Hernandez

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    CREDITS:

    Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.

    Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)
    Licensed under Creative Commons: By Attribution 4.0 License

    The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.

    For more info, visit Go-ToProductions.com
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    16 m
  • Beau McCall - Button Artist

    Beau McCall - Button Artist
    Jun 10 2025
    Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily chats with "The Button Man", Harlem artist Beau McCall, an artist renowned for his unique use of buttons in wearable and visual art. McCall's work is featured in prominent collections such as New York's Museum of Arts and Design and London's Victoria and Albert Museum. McCall recounts his upbringing in Philadelphia, his move to Harlem, and his early inspirations. He explains how his fascination with buttons began with his mother's collection and grew through various craft classes. McCall shares memories of his artistic evolution, his experiences with the Harlem community, and the personal significance of his work, including tributes to friends lost to AIDS. The episode concludes with McCall's advice to aspiring artists and a nod to his ongoing support from his mother.About Artist Beau McCall :Drawing inspiration from the vast button collection of his mother and family, Beau McCall creates wearable and visual art by applying clothing buttons onto mostly upcycled fabrics, materials, and objects. With deliberate focus the buttons are arranged to stimulate one’s curiosity and imagination, while simultaneously drawing attention to the unique history of buttons. Thereby McCall’s work generates a discussion surrounding many topics such as pop culture and social justice.McCall began his professional career in Harlem in the 1980s after arriving from his native, Philadelphia with nothing more than a few hundred dollars, a duffel bag, and buttons. Circa 1988 he made his critically acclaimed wearable art debut at The Harlem Institute of Fashion (HIF) show for HARLEM WEEK. McCall went on to become an established force within HIF’s Black Fashion Museum collective presenting at their shows consecutively through circa 1995, as well being featured in their museum exhibitions and prestigious events. During this time, McCall’s visually captivating work was featured in the fashion bible Women’s Wear Daily, on the PBS version of George C. Wolfe’s The Colored Museum (1991), and in the award-winning film Quartier Mozart (1992), directed by Jean-Pierre Bekolo. The film won prizes at film festivals in Cannes, Locarno, and Montreal and was nominated, in 1993, for a British Film Institute award.McCall eventually applied his mastery of the button to visual art. Since then, he’s been proclaimed by American Craft magazine as “The Button Man.” His visual and wearable art has been included in exhibitions at The Museum at FIT, Nordstrom, the African American Museum in Philadelphia, Houston Museum of African American Culture, Charles H. Wright Museum of African American History, Stax Museum of American Soul Music, the Langston Hughes House in partnership with the inaugural Columbia University Wallach Art Gallery Uptown triennial and StoryCorps, and Rush Arts Gallery. McCall’s work is held in the permanent collection of public institutions and by private individuals including the Museum of Arts and Design (New York), Philadelphia Museum of Art (Philadelphia), Victoria and Albert Museum (London), The Museum at FIT (New York), Schomburg Center for Research in Black Culture (New York), Amistad Research Center (New Orleans), The Museum of Modern Art Library (New York), Leslie-Lohman Museum of Art (New York), Stonewall National Museum & Archives (Fort Lauderdale), and The San Francisco Museum of Modern Art Library (San Francisco), Cyndi Lauper’s True Colors Residence, Debbie Harry of Blondie, Jeffrey Gibson, and Cristina Grajales. McCall has also been commissioned by the Museum of Arts and Design, Columbia University, and the Schomburg Center for Research in Black Culture. And his wearable art can be found in gift shops including the Newark Museum of Art. McCall has been featured in the NY Times, Associated Press, NPR, L.A. Times, and more. In addition, he has served as a teaching artist at the Newark Museum of Art, the New York Public Library, and the Harlem Arts Alliance. McCall has also created a wearable art line called, Triple T-shirts. For these pieces, he upcycles three T-shirts by combining them into one flowing garment that can be worn in six different ways. Each style—from poncho to hoodie to shawl and beyond—brings dynamic versatility to traditional T-shirts. The shirts are curated to form a narrative about various socially-conscious and lighthearted themes.In 2021, McCall released his debut artists’ book titled, REWIND: MEMORIES ON REPEAT, commissioned and published by SHINE Portrait Studio@ Express Newark, Rutgers University-Newark. The book honors the legacy of ten of McCall’s deceased friends through collages composed of archival photos and images from his button artwork. The collages capture the late 1970s to the mid-1980s, from Philadelphia to New York, during the LGBTQ+ rights movement, the height of disco music and the AIDS crisis.In 2024,...
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    18 m
  • Oscar Lopez - Painter

    Oscar Lopez - Painter
    May 27 2025
    Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's episode, Emily interviews painter and muralist Oscar Lopez. Oscar shares his journey from growing up in Mexico City, where graffiti first introduced him to art, to becoming an established artist in California. He talks about his murals honoring farm workers, his shift from computer science to art, and the challenges he faced as a minority artist. Oscar also discusses the importance of believing in oneself and the struggle with self-identity as an artist. His works are currently displayed at the Institute of Contemporary Art in San Jose and Fort Mason in San Francisco.About Artist Oscar Lopez in His Own Words:I am visual artist born and raised in Mexico City, where I first came into contact of the art world in the Graffiti urban art scene. After immigrating to the USA to San Francisco, Bay area (Silicon Valley), focusing on trying to understand our complex society through a Mexican immigrant’s lens in the USA. As a Mexican native who has being affected by the influence and the interruption of my culture by international immigrants and trends of imperialistic organizations. I use a critical eye to engage with the globalization, imperialism, and capitalism that affect every corner of the two nations that share my soul. My concerns are reflected in a dialogue of the Stockholm syndrome symptoms created by the oppression and discrimination of imperialistic orders. In both sides of the border this is having a bigger impact in minorities, people of color and the workers that hold entire nations that also suffer of social and cultural amnesia. In order to survive in these societies built on the foundations of white supremacy and colonialism our ancestors have been forced for generations to either hide, directly confront, or sympathize with our oppressors, resulting in a mass forgetting of cultural and social practices. As our cultural identity and practices have been suppressed we have become hostages in our own homeland. Our collective social and culture amnesia continues to affect people of color on both sides of the border.The globalization of multicultural problems such as classism, racism, and inequality affect the social and psychological side of humanity. Since we so easily forget where we come from as individuals, as an artist I choose to remember, honor, and reclaim those roots and rights. Multicultural problems affect how we see ourselves in comparison to others, in a disengagement with our history, and in a loss of our customs. Even the color of our skin is a source of contention. These problems are intangible, invisible for many. As an artist, I want to create tangible images that reflect our psychological symptoms and demand us to confront our submission to the powers that hold us.Visit Oscar's Website: ArtByOscarLopez.comFollow on Instagram: @OscarLopezArtFor more on his mural at Fort Mason, CLICK HERE. For more on his mural at the ICA San Jose, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women’s Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
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    13 m
  • Emilio Villalba - Painter

    Emilio Villalba - Painter
    May 13 2025

    Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.

    In this episode, Emily Wilson interviews painter Emilio Villalba about his personal and professional journey in the art world. Emilio discusses his decision to become a full-time artist, his creative process, and the inspirations behind his latest show, 'Paintings from Home,' at Dolby Chadwick in San Francisco. Emilio, who also teaches Canada College, also shares the challenges and rewards of his artistic practice, his background as an animator, and insights into his creative influences, notably the Bay Area figurative artists.

    About Artist Emilio Villalba:

    Born in Southern California in 1984 to Mexican immigrants, Emilio Villalba felt his artistic drive early on. Emilio initially studied animation and received his BFA in 2006 from the Art Institute of California and quickly began work in that field in his early 20’s until moving to San Francisco and transitioned to the medium of painting. In San Francisco he received his MFA in Painting in 2012 from the Academy of Art University. Villalba’s work reflects his studies in both abstract and figurative painting. At the core of Emilio’s painting’s there is pure portraiture, but great focus on the disharmony of the self and perception. Pressures from society and the toll it takes on the emotional state of the subject when confronted with benevolence. Raw emotions and the fragility of the soul. Villalba overlaps and repeats human features with a kaleidoscope effect. “Don’t Worry” is the 2018 painting of his that I decided to feature. It pulls you in with a sadness at its core and doesn’t want to let you go. It reminds me of the face we may give to the world, that all is ok, but the eyes tell a different story. I urge you follow the links below and discover his somber and seductive work.

    Visit Emilio's Website: EmilioVillalbaArt.com

    Follow on Instagram: @Emilio_Villalba

    For more on Emilio's work at The Dolby Chadwick Gallery, CLICK HERE.

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    About Podcast Host Emily Wilson:

    Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women’s Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.

    Follow Emily on Instagram: @PureEWil

    Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast

    --

    CREDITS:

    Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.

    Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)
    Licensed under Creative Commons: By Attribution 4.0 License

    The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.

    For more info, visit Go-ToProductions.com
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    14 m
  • Laurel Roth Hope - Sculptor

    Laurel Roth Hope - Sculptor
    Apr 29 2025

    Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.

    In this Episode, Emily features artist Laurel Roth Hope. Laurel discusses her journey from a conservation worker to a full-time artist, emphasizing her use of recycled materials in her sculptures. She shares her creative process, influences, and collaborations with her husband, artist Andy Diaz Hope. The episode highlights her current residency at Recology, San Francisco, where she creates art from landfill materials. Laurel's work often reflects themes of ecological impact and human interaction with the natural world.

    About Artist Laurel Roth Hope:

    Laurel Roth Hope lives and works in Northern California. Prior to becoming a full-time, self-taught artist she worked as a park ranger and in natural resource conservation. These professional experiences influenced her current work, which centers on the human manipulation of and intervention into the natural world and the choices we must make everyday between our individual desires and the well being of the world at large. Hope was a 2025 SF Recology AIR Artist in Residence, a 2020 Space Program SF Resident Artist, a 2017 Smithsonian Artist Research Fellow, and a 2016 Resident Artist with the Kohler Arts and Industry program in Wisconsin. In 2013 she and her sometime collaborator, Andy Diaz Hope, completed a year-long Fellowship at the de Young Museum of San Francisco examining the history of human cooperation through architecture. Her work is included in the permanent collections of the Smithsonian, the Museum of Art and Design in New York, the Mint Museum, Crystal Bridges Museum of American Art, 21C Museum, the Zabludowics Collection, the Progressive Collection, and the Ripley’s Museum of Hollywood, among others. She is represented by Catharine Clark Gallery of San Francisco.

    Visit Laurel's Website: LoLoRo.com

    Follow Laurel on Instagram, CLICK HERE.

    Learn about the Recology exhibit, CLICK HERE.

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    About Podcast Host Emily Wilson:

    Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women’s Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.

    Follow Emily on Instagram: @PureEWil

    Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast

    --

    CREDITS:

    Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.

    Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)
    Licensed under Creative Commons: By Attribution 4.0 License

    The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.

    For more info, visit Go-ToProductions.com
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    17 m
  • Ciara Ennis - Curator

    Ciara Ennis - Curator
    Apr 15 2025

    Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.

    This week, Emily features an interview with curator Ciara Ennis, director of the De Saisset Museum at Santa Clara University. Ciara discusses her evolution from painter to curator, her efforts to challenge traditional museum practices, and her initiatives aimed at fostering inclusivity and dialogue within the art community. Key programs highlighted include the Flat Files of Curiosity Initiative and the Project Room for South Bay artists. She shares insights into her curatorial philosophy, influenced by her studies and experiences, including her impactful first exhibition in London and admiration for artist Joseph Beuys. The episode underscores Ciara's commitment to making museums more accessible and dynamic spaces for diverse audiences.

    About Curator Ciara Ennis:

    As Director Professor of Practice in the Department of Art and Art History, Dr. Ennis is responsible for developing the vision, artistic direction, and strategic leadership for the museum including exhibitions, programming, permanent collection, academic integration, and public profile. Ennis oversees museum operations, staffing, finances, and fundraising, and serves as the primary liaison between the museum and Santa Clara University.

    Prior to directing the de Saisset Museum, Ennis served as Director and Curator of Pitzer College Art Galleries, transforming it into a significant center for contemporary art and discourse through intellectually provocative initiatives focused on diverse communities of artists exploring issues that define our times. A Museum Studies scholar, Ennis’ research explores the appropriation of Wunderkammer strategies as a means for rethinking contemporary curatorial practice. Ennis has been a panelist and guest speaker for the College Arts Association, American Studies Association, the International Sculpture Conference, the Association of Academic Museums and Galleries, the California Community Foundation, the Rijksakademie Amsterdam, and the Victoria and Albert Museum. Ennis is a member of Prospect Art’s Advisory Board and X-TRA Contemporary Art Quarterly’s Advisory Council. She has an MA (RCA) in Contemporary Curatorial Practice from the Royal College of Art, and a PhD in Cultural Studies/Museum Studies from Claremont Graduate University.

    For more on the exhibit, Maya Gurantz: The Plague Archives CLICK HERE.

    Follow Ciara on Instagram: @CiaraEnnis5

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    About Podcast Host Emily Wilson:

    Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women’s Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.

    Follow Emily on Instagram: @PureEWil

    Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast

    --

    CREDITS:

    Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.

    Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)
    Licensed under Creative Commons: By Attribution 4.0 License

    The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.

    For more info, visit Go-ToProductions.com
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    16 m
  • Mary Graham - Visual Artist & Singer

    Mary Graham - Visual Artist & Singer
    Apr 1 2025
    Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist and singer Mary Graham about her journey from drawing as a child, to painting in high school and eventually moving to the Bay Area to study at the California College of the Arts. Mary discusses her recent residencies in Maine and Colorado, and exhibitions at the Berkeley Art Center and Jonathan Carver Moore Gallery. She delves into her impactful 'brown paper bag' series, which explores themes of colorism inspired by her father's stories and broader research. Mary also reflects on influential works by artists like David Hammonds and Betty Saar, and shares her inspiration drawn from the streets of San Francisco. The episode highlights Mary's creative process, community experiences, and the significant role of the emerging artists program at the Museum of the African Diaspora in her career.About Artist Mary Graham :Mary W.D. Graham an interdisciplinary artist working in painting, sculpture, and vocal performance. Utilizing art-making methods rooted in traditional techniques, she studies the notion of “the ancestors” as a conceptual medium through which historical, interpersonal, and introspective insight might be gained.Her conceptual development originates from the veneration of her own lineage, an off-shoot of the African American spiritual tradition of ancestor worship. The work expands to encompass themes of generational love, collective human origin, our relationship to history, and our relationship to the future (the unknown). Working primarily in figuration and portraiture, she utilizes a level of precision in her representation. Her compositions are minimal; the subtlety of the substrate, or the intentional application of color intend for focus to be drawn to the subject. The subtlety of this approach is meant to provide a contemplative environment in which significance might be derived. These aesthetic philosophies of simplicity, stillness, and precision are applied to her performance work as well, which is rooted in her training as a classical vocalist. Here, the human voice is utilized as a kind of clarion. The haunting melodies are structured to slowly fill space and time, drawing viewers in so that they might share in what manifests from the collective experience of song.Mary was born in 2000 and grew up in Philadelphia, Pennsylvania amongst a family of artists. She attended California College of the Arts where she received her BFA in Individualized Studies in 2022. Her travels for arts and cultural exchange have taken her around the globe to Mexico, Japan, Kenya, South Africa, Peru, Morocco, Indonesia, and India.Graham has been exhibiting, collaborating and performing nationally since 2006. She was a commissioned artist for projects at Burning Man from 2019 through 2023, performed at the Institute of Contemporary Art + San Francisco in 2022, and in 2024, opened her first solo exhibition at Museum of the African Diaspora as part of their Emerging Artist’s Program. Graham’s work has been covered by CBS News, 48hills and the MoAD Journal. She has been awarded residencies with Black [Space] Residency in San Francisco, California; Haystack Mountain School of Craft in Deer Isle, Maine; and Anderson Ranch in Snowmass, Colorado.Visit Mary's Website: MaryDGraham.comFollow on Instagram: @Mary.Graham.ArtTo learn more about the Beatiful Scars Exhibit at Jonathan Carver Moore CLICK HERE.For more on Archives Yet To Come at the Berkeley Art Center, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women’s Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com
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    15 m
  • Stephanie Robison - Sculptor

    Stephanie Robison - Sculptor
    Mar 11 2025

    Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area.

    This week on 'Art is Awesome,' host Emily Wilson chats with Stephanie Robison, a sculptor living in Oakland and the chair of City College of San Francisco's Art Department. The episode delves into Stephanie's background, from growing up in Oregon and being encouraged by a high school counselor to attend college, to falling in love with sculpture, particularly stone. Stephanie discusses her creative process, the resistance she enjoys from materials like marble, and how her grandmother inspired her love for making things. She also shares her experiences with exhibitions and her thoughts on teaching.

    About Artist Stephanie Robison:

    Originally from Oregon, Stephanie currently resides in California teaching sculpture and serving as Art Department Chair at the City College of San Francisco. Robison holds a Bachelor of Fine Arts from Marylhurst University and a Master of Fine Arts in Sculpture from the University of Oregon.

    Her work has been exhibited at Marrow Gallery, Marin Museum of Contemporary Art and Orange County Center for Contemporary Art in California, Robischon Gallery in Denver, Colorado, Houston Center for Contemporary Craft, Joseph A Cain Memorial Art Gallery and Greater Denton Arts Council in Texas, Yeiser Art Center in Kentucky, Site:Brooklyn Gallery in New York, Foster/White Gallery, Whatcom Museum and Tacoma Art Museum in Washington, and Peter Robertson Gallery in Alberta Canada.

    Stephanie is represented by Marrow Gallery in San Francisco, California and Foster/White Gallery in Seattle, Washington. Her work can also be found at Robischon Gallery in Denver, Colorado.

    The sculptures of Stephanie Robison plays with multiple oppositional relationships. Working with industrial fabrics and wood, she creates large-scale installations that examine relationships between culture, nature and the built environment.

    Her latest series of work combines traditional stone carving and the process of needle felting wool. By merging incongruous materials such as wool and marble, she works to synthesize and fuse: organic and geometric, natural and architectural, handmade and the uniform industrial. Focusing on materiality and color with this new work, Robison creates charming, often humorous or awkward forms referencing aspects of the body, relationships and the environment.

    Visit Stephanie's Website: StephanieRobison.com

    Follow Stephanie on Instagram: @SquishyStone

    For more about Stephanie's Exhibit, "Incantations for the Average Person" CLICK HERE.

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    About Podcast Host Emily Wilson:

    Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women’s Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.

    Follow Emily on Instagram: @PureEWil

    Follow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast

    --

    CREDITS:

    Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson.

    Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)
    Licensed under Creative Commons: By Attribution 4.0 License

    The Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions.

    For more info, visit Go-ToProductions.com
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    15 m