BROADWAY'S MY BEAT

Broadway's My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb.

Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Danny Clover narrated the tales of the Great White Way to the accompaniment of music by Wilbur Hatch and Alexander Courage, and the recreation of Manhattan's aural tapestry required the talents of three sound effects technicians (David Light, Ralph Cummings, Ross Murray). Bill Anders was the show's announcer.

The supporting cast included regulars Charles Calvert (as Sgt. Gino Tartaglia) and Jack Kruschen (as Sgt. Muggavan), with episodic roles filled by such radio actors as Irene Tedrow, Barney Phillips, Lamont Johnson, Herb Ellis, Hy Averback, Edgar Barrier, Betty Lou Gerson, Harry Bartell, Sheldon Leonard, Martha Wentworth, Lawrence Dobkin and Mary Jane Croft.

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BROADWAY'S MY BEAT

Broadway's My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb.

Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Danny Clover narrated the tales of the Great White Way to the accompaniment of music by Wilbur Hatch and Alexander Courage, and the recreation of Manhattan's aural tapestry required the talents of three sound effects technicians (David Light, Ralph Cummings, Ross Murray). Bill Anders was the show's announcer.

The supporting cast included regulars Charles Calvert (as Sgt. Gino Tartaglia) and Jack Kruschen (as Sgt. Muggavan), with episodic roles filled by such radio actors as Irene Tedrow, Barney Phillips, Lamont Johnson, Herb Ellis, Hy Averback, Edgar Barrier, Betty Lou Gerson, Harry Bartell, Sheldon Leonard, Martha Wentworth, Lawrence Dobkin and Mary Jane Croft.

BROADWAY'S MY BEAT

Broadway's My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb.

Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Danny Clover narrated the tales of the Great White Way to the accompaniment of music by Wilbur Hatch and Alexander Courage, and the recreation of Manhattan's aural tapestry required the talents of three sound effects technicians (David Light, Ralph Cummings, Ross Murray). Bill Anders was the show's announcer.

The supporting cast included regulars Charles Calvert (as Sgt. Gino Tartaglia) and Jack Kruschen (as Sgt. Muggavan), with episodic roles filled by such radio actors as Irene Tedrow, Barney Phillips, Lamont Johnson, Herb Ellis, Hy Averback, Edgar Barrier, Betty Lou Gerson, Harry Bartell, Sheldon Leonard, Martha Wentworth, Lawrence Dobkin and Mary Jane Croft.

BROADWAY'S MY BEAT

Broadway's My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With music by Robert Stringer, the show originated from New York during its first three months on the air, with Anthony Ross portraying Times Square Detective Danny Clover. John Dietz directed for producer Lester Gottlieb.

Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton Fine and David Friedkin. The opening theme of "I'll Take Manhattan" introduced Detective Danny Clover (played by Larry Thor), a hardened New York City cop who worked homicide "from Times Square to Columbus Circle -- the gaudiest, the most violent, the lonesomest mile in the world."

Danny Clover narrated the tales of the Great White Way to the accompaniment of music by Wilbur Hatch and Alexander Courage, and the recreation of Manhattan's aural tapestry required the talents of three sound effects technicians (David Light, Ralph Cummings, Ross Murray). Bill Anders was the show's announcer.

The supporting cast included regulars Charles Calvert (as Sgt. Gino Tartaglia) and Jack Kruschen (as Sgt. Muggavan), with episodic roles filled by such radio actors as Irene Tedrow, Barney Phillips, Lamont Johnson, Herb Ellis, Hy Averback, Edgar Barrier, Betty Lou Gerson, Harry Bartell, Sheldon Leonard, Martha Wentworth, Lawrence Dobkin and Mary Jane Croft.

Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.[1]

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals, and Dragnet remains a key influence on subsequent police dramas in many media.

The show's cultural impact is such that after seven decades, elements of Dragnet are familiar to those who have never seen or heard the program. The ominous, four-note introduction to the brass and tympani theme music (titled "Danger Ahead"), composed by Walter Schumann, is instantly recognizable.[2] It is derived from Miklós Rózsa's score for the 1946 film version of The Killers.[3] Another Dragnet trademark is the show's opening narration: "Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent." This underwent minor revisions over time. The "only" and "ladies and gentlemen" were dropped at some point. Variations on this narration have been featured in subsequent crime dramas, and in parodies of the dramas (e.g. "Only the facts have been changed to protect the guilty").

The radio series was the first entry in a Dragnet media franchise encompassing film, television, books and comics.

Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.[1]

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals, and Dragnet remains a key influence on subsequent police dramas in many media.

The show's cultural impact is such that after seven decades, elements of Dragnet are familiar to those who have never seen or heard the program. The ominous, four-note introduction to the brass and tympani theme music (titled "Danger Ahead"), composed by Walter Schumann, is instantly recognizable.[2] It is derived from Miklós Rózsa's score for the 1946 film version of The Killers.[3] Another Dragnet trademark is the show's opening narration: "Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent." This underwent minor revisions over time. The "only" and "ladies and gentlemen" were dropped at some point. Variations on this narration have been featured in subsequent crime dramas, and in parodies of the dramas (e.g. "Only the facts have been changed to protect the guilty").

The radio series was the first entry in a Dragnet media franchise encompassing film, television, books and comics.

Dragnet was an American radio series, enacting the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show took its name from the police term "dragnet", meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet is perhaps the most famous and influential police procedural drama in media history. The series gave audience members a feel for the boredom and drudgery, as well as the danger and heroism, of police work. Dragnet earned praise for improving the public opinion of police officers.[1]

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals, and Dragnet remains a key influence on subsequent police dramas in many media.

The show's cultural impact is such that after seven decades, elements of Dragnet are familiar to those who have never seen or heard the program. The ominous, four-note introduction to the brass and tympani theme music (titled "Danger Ahead"), composed by Walter Schumann, is instantly recognizable.[2] It is derived from Miklós Rózsa's score for the 1946 film version of The Killers.[3] Another Dragnet trademark is the show's opening narration: "Ladies and gentlemen: the story you are about to hear is true. Only the names have been changed to protect the innocent." This underwent minor revisions over time. The "only" and "ladies and gentlemen" were dropped at some point. Variations on this narration have been featured in subsequent crime dramas, and in parodies of the dramas (e.g. "Only the facts have been changed to protect the guilty").

The radio series was the first entry in a Dragnet media franchise encompassing film, television, books and comics.

Dragnet debuted inauspiciously. The first several months were bumpy, as Webb and company worked out the program's format and eventually became comfortable with their characters. Friday was originally portrayed as more brash and forceful than his later usually relaxed demeanor. Gradually, Friday's deadpanned, fast-talking persona emerged, described by John Dunning as "a cop's cop: tough, but not hard; conservative, but caring". Friday's first partner was Sergeant Ben Romero, portrayed by Barton Yarborough, a long time radio actor.

When Dragnet hit its stride, it became one of radio's top rated shows. Webb insisted on realism in every aspect of the show. The dialogue was clipped, understated, and sparse -- influenced by the hard-boiled school of crime fiction. Scripts were fast moving, but didn't seem rushed. Every aspect of police work was chronicled, step-by-step. From patrols and paperwork, to crime scene investigation, lab work and questioning witnesses or suspects. Webb was a stickler for accurate details, and Dragnet used many authentic touches, such as LAPD's actual radio call sign, KMA-367, and the names of many real department officials, such as Ray Pinker and Lee Jones of the Crime Lab, or Chief of Detectives, Thad Brown.

Two announcers were used. Episodes began with announcer George Fennemen intoning the series opening:
"The story you are about to hear is true. Only the names have been changed to protect the innocent."
Hal Gibney described the basic premise of the episode. For example, "Big Saint", from April 26th, 1951, begins with:
"You're a detective sergeant. You're assigned to auto theft detail. A well organized ring of car thieves begins operations in your city. It's one of the most puzzling cases you've ever encountered. Your job -- break it."
The story usually began with footsteps and a door closing, followed by Joe Friday intoning something like:
"Tuesday, February 12th. It was cold in Los Angeles. We were working the day watch out of Robbery Division. My partner's Ben Romero. The boss is Ed Backstrom, Chief of Detectives. My name's Friday."
Friday offered voice-over narration throughout the episodes, noting the time, date, and place of every scene as he and his partners went through their day investigating the crime. The events related in a given episode might occur in a few hours or might span a few months. At least one episode unfolded in real time, in "City Hall Bombing", from July 21st, 1949. Friday and Romero had less than 30 minutes to stop a man who was threatening to destroy the City Hall with a bomb.

At the end of an episode, announcer Hal Gibney would relate the fate of the suspect. They were usually convicted of a crime, and sent to the state penitentiary or a state mental hospital. Murderers were often executed in the manner proscribed by law. Occasionally, police pursued the wrong suspect, and criminals sometimes avoided justice, or escaped, at least on the radio version of Dragnet.