The average American watches five hours of TV every day. Collectively, we spend roughly $30 billion on movies each year. Simply put, we're entertainment junkies. But can we learn something from our insatiable addiction to stories? Mike Cosper thinks so. From horror flicks to rom-coms, the tales we tell and the myths we weave inevitably echo the narrative underlying all of history: the story of humanity's tragic sin and God's triumphant salvation.

Catherine de' Medici was a ruthless pragmatist and powerbroker who dominated the throne for 30 years. Her youngest daughter, Marguerite, the glamorous "Queen Margot," was a passionate free spirit, the only adversary whom her mother could neither intimidate nor control.

This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne, perhaps the first recognizably modern individual. A nobleman, public official, and winegrower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them essays, meaning “attempts” or “tries.” He put whatever was in his head into them: his tastes in wine and food, his childhood memories, the way his dog’s ears twitched when it was dreaming, as well as the religious wars....

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Poisoner, despot, necromancer - the dark legend of Catherine de Medici is centuries old. In this critically hailed biography, Leonie Frieda reclaims the story of this unjustly maligned queen to reveal a skilled ruler battling extraordinary political and personal odds - from a troubled childhood in Florence to her marriage to Henry, son of King Francis I of France; from her transformation of French culture to her fight to protect her throne and her sons' birthright. Based on thousands of private letters, it is a remarkable account of one of the most influential women to wear a crown.

France's iconic queen, Marie Antoinette, wrongly accused of uttering the infamous "Let them eat cake", was alternately revered and reviled during her lifetime. For centuries since, she has been the object of debate, speculation, and the fascination so often accorded illustrious figures in history. Married in mere girlhood, this essentially lighthearted child was thrust onto the royal stage and commanded by circumstance to play a significant role in European history.

Infamously known as the cursed Scottish play, Macbeth is perhaps Shakespeare’s darkest tragedy. When General Macbeth is foretold by three witches that he will one day be King of Scotland, Lady Macbeth convinces him to get rid of anyone who could stand in his way – including committing regicide. As Macbeth ascends to the throne through bloody murder, he becomes a tyrant consumed by fear and paranoia.

Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist.

Award-winning author Stephen Greenblatt is one of the most influential literary thinkers in the world. An acclaimed interpreter of Shakespeare's works, his ideas have changed the way countless people approach the classics. Now Greenblatt's uniquely brilliant voice delivers a magnificent biography of the Bard himself.

Drawing on her knowledge as director, actor, and teacher, Packer traces the chronological evolution of Shakespeare's female characters and examines Shakespeare's own journey and growth as a writer from feckless misogynist in his youth to committed lover in his middle years to unrepentant feminist in his final years.

In the early 17th century, a crippled, graying, almost toothless veteran of Spain's wars against the Ottoman Empire published a novel. It was the story of a poor nobleman, his brain addled from studying too many novels of chivalry, who deludes himself that he is a knight errant and sets off on hilarious adventures. That story, Don Quixote, went on to sell more copies than any other book beside the Bible, making its author, Miguel de Cervantes, the single most-read author in human history.

Without an understanding and appreciation of the culture we seek to preserve and protect, the defense of Western civilization is fundamentally futile; a culture that believes in nothing cannot defend itself, because it has nothing to defend. In this profound and wide-ranging historical survey, Michael Walsh illuminates the ways that the narrative and visual arts both reflect and affect the course of political history, outlining the way forward by arguing for the restoration of the heroic narrative that forms the basis of all Western cultural and religious traditions.

In a rich and riveting narrative, Jane Dunn reveals the extraordinary rivalry between the regal cousins. It is the story of two queens ruling on one island, each with a claim to the throne of England, each embodying dramatically opposing qualities of character, ideals of womanliness (and views of sexuality), and divinely ordained kingship.

Rüdiger Safranski's Goethe: Life as a Work of Art is the first definitive biography in a generation to tell the larger-than-life story of the writer considered to be the Shakespeare of German literature. Drawing upon the trove of letters, diaries, and notebooks Goethe left behind, as well as correspondence and criticism from Goethe's contemporaries, Safranski weaves a rich tale of Europe in the throes of revolution and of the man whose ideas heralded a new era.

1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.