It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing polemic on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

From 1918 to 1941, even as she penned masterpiece upon masterpiece, Virginia Woolf kept a diary. She poured into it her thoughts, feelings, concerns, objections, interests, and disappointments -resulting in 26 volumes that give unprecedented insight into the mind of a genius. Collected here are the passages most relevant to her work and writing.

One of the best-loved of Nabokov's novels, Pnin features his funniest and most heart-rending character. Professor Timofey Pnin is a haplessly disoriented Russian emigre precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

Werther, a sensitive young artist, finds himself in Wahlheim, a quiet, attractive village in Germany where he seeks solace from the turmoils of love. It is a young spring, and he hopes that arcadian solitude will prove a genial balm to his mind. But his romantic tendency rules otherwise, and he falls in love with Charlotte - Lotte - even though he knows she is affianced to another.

There is now no doubt that not only is Waiting for Godot the outstanding play of the 20th century, but it is also Samuel Beckett's masterpiece. Yet it is both a popular text to be studied at school and an enigma. The scene is a country road. There is a solitary tree. It is evening. Two tramp-like figures, Vladimir and Estragon, exchange words. Pull off boots. Munch a root vegetable. Two other curious characters enter. And a boy. Time passes. It is all strange yet familiar.

A 999 line poem in heroic couplets, divided into 4 cantos, was composed - according to Nabokov's fiction - by John Francis Shade, an obsessively methodical man, during the last 20 days of his life.

In 1922, Count Alexander Rostov is deemed an unrepentant aristocrat by a Bolshevik tribunal, and is sentenced to house arrest in the Metropol, a grand hotel across the street from the Kremlin. Rostov, an indomitable man of erudition and wit, has never worked a day in his life, and must now live in an attic room while some of the most tumultuous decades in Russian history are unfolding outside the hotel’s doors. Unexpectedly, his reduced circumstances provide him entry into a much larger world of emotional discovery.

Handsome, wealthy, and a veteran of service in India, Captain Edward Ashburnham appears to be the ideal "good soldier" and the embodiment of English upper-class virtues. But for his creator, Ford Madox Ford, he also represents the corruption at society's core. Beneath Ashburnham's charming, polished exterior lurks a soul well-versed in the arts of deception, hypocrisy, and betrayal.

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.

A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing polemic on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

An English saga centered around one family at their summer house, the goings on of one and all, written elegantly and insightfully with each word and phrase wonderful for the listener.

The Ramsay family is on holiday on the Isle of Sky in Scotland. As the family and their guests decide on whether or not to visit a nearby lighthouse, Virginia Woolf spins a tale that focuses on the intricate web of family life and the conflict that occurs between genders.

To the Lighthouse is one of Virginia Woolf's most autobiographical works, and since she was an active member of the Bloomsbury Set, it inevitably echoes the once revolutionary thoughts that were to shape our world. Set in the pivotal years spanning World War I, it describes a gathering of artists, intellectuals and children at the Ramsays' holiday home in the Scottish Isles. Guided through their parallel streams of consciousness, we are given a poignant sense of the isolation coexisting with togetherness, and of a permanence that can survive the seeming transience of life.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

The wild and passionate tale of Cathy and Heathcliff's impossible love for each other and its phenomenal setting on the blasted Yorkshire moors has to be one of the best-known love affairs in literature.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

“A Room of One’s Own” is one of Virginia Woolf’s most influential works and a cornerstone of the feminist movement. In this brilliant essay, Woolf explores the limitations faced by women in the early 20th century, using captivating prose and the poetic style characteristic of a novelist. She compellingly argues that the lack of financial independence and a private space are key barriers preventing women from fully developing their literary talents

The collected BBC dramatisations of the fiction of Virginia Woolf, with star casts including Kristin Scott-Thomas, Vanessa Redgrave, Juliet Stevenson, Laura Fraser, Robert Glenister and Fenella Woolgar....

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.

The unapologetic intensity with which Emily Brontë wrote this story ensures that it will forever be considered one of the greatest works of English literature. A passionate tale of a chaotic and often violent love, Wuthering Heights transcends your average romance and, with its Gothic undertones, takes the listener on a journey through one man's lustful hunt for revenge.