
The Zephyr
A Variation of Jane Austen's Pride and Prejudice
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Narrado por:
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Annabelle Hyde
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De:
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Grace Gibson
Acerca de esta escucha
You are looking at the last man on earth who should ever find himself making love to a lady behind an old hay wain and offering her a clandestine promise upon some nameless day. And yet here I am.
WHEN MR. FITZWILLIAM DARCY RETURNS to Hertfordshire a year after last seeing Elizabeth Bennet, he is surprised to find that she has taken up careering around the countryside in a brand new curricle. Even more surprising is the manner in which their verbal sparring turns to good humor, banter, and flirtation. So much so that her neighbors begin to wonder if their attachment is more than just friendly.
WHILE ELIZABETH BENNET IS ENJOYING the freedom that her little Zephyr brings to her, another young lady is not so fortunate. Bound by the strictures of an unforgiving society, the lady is helpless…at least until Elizabeth’s tender heart demands that she provide aid to the hapless miss. When an impulse of compassion turns into another dreadful secret and places her squarely in trouble’s way, she is forced to drive as if her life depends on it, and her last, best hope lies in Mr. Darcy’s willingness to help her through the adventure of a lifetime.
The Zephyr is a variation of Jane Austen's Pride and Prejudice. It is an enemies to lovers, second chance romance. The content of this book is clean/kisses only and low angst.
©2024 Grace Gibson (P)2025 Quills & Quartos PublishingLo que los oyentes dicen sobre The Zephyr
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Total
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Ejecución
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Historia
- Marie
- 05-07-25
Excellence in Writing
I adored The Zephyr in print—it’s one of my favourites from a favourite author—but, unfortunately, I didn’t enjoy the audiobook as much. Annabelle Hyde’s voice is nice to listen to, but I didn’t feel she quite captured the tone of Grace Gibson’s unique humour or prose which is the very magic of her writing. The banter, which I loved in the book, just didn’t come through in the same way for the audio version.
Darcy’s voice, up until ODC become engaged, made him sound particularly morose. Maybe it was meant to be dry or reserved, but for me, it didn’t quite work. Elizabeth, too, was hit and miss. At times her voice felt just right, but then she would sound out of character and blend into the narrative portions. Other characters I thought were done quite well with a semblance of flair, making them distinct from the narration. Pacing felt too fast—insufficient pauses where they were needed made the narration feel rushed or as though it all ran together. And the cadence had a slight lift at the end of many sentences, which was distracting and pulled me out of the story waiting for the next instance of it.
In short, while the story is still very strong, and an excellent Pride and Prejudice variation, the narration didn’t quite do justice to the tone and rhythm of the original text. I believe this narrator has a lot of potential—she’s very good, and she definitely had a lot to live up to for this writer’s particular style, so I still give her a well-deserved four stars, and hope the review is taken constructively. It is kindly meant.
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