The Un and Only Audiolibro Por Un-Cabaret arte de portada

The Un and Only

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The Un and Only

De: Un-Cabaret
Narrado por: Beth Lapides, Patton Oswalt, Julia Sweeney, Andy Dick
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The definitive Un-Cabaret audio features seriously funny one-of-a-kind stories about sex, celebrities, inter-racial love, public humiliation, Hollywood horror stories, spiritual transcendence, and more from the ground-breaking live show.

Contains:

  • It's the Un-Cabaret Mix + Match
  • The End of an Era by Patton Oswalt
  • Busted in Miami by Taylor Negron
  • Faye Dunaway's Comedy Coach by Mike McDonald
  • Christopher Walken's Cat by Julia Sweeney
  • The Golden Globes by Michael Patrick King
  • How's Your Late-Night TV Show? by Bob Odenkirk
  • The Money Truck by Dana Gould
  • Hey, Mistah! by Andy Kindler
  • The Happiest Place on Earth by Bob Odenkirk
  • Mixed-Race Child by Scott Thompson
  • I'm Not Stalking You (I'm Just Calling a Lot) by Andy Dick (& The Bitches of the Century)
  • The Foreskin by Jeff Garlin
  • I Recently Started Having Sex Again by Julia Sweeney
  • The Comedy Section by Tim Bagley
  • What To Wear (To Talk to Your Ex in Front of 30 Million People) by Merrill Markoe
  • The Scream of the Fly by Laura Kightlinger
  • A New Beginning by Beth Lapides
  • ©2002 Un-Cabaret and the performers (P)2003 Un-Cabaret
    Biografías y Memorias Dramatizaciones y Ejecuciones Sonoras Narración de Cuentos Divertido Celebridad Comedia
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    Reseñas editoriales

    There are several ways to get those washboard abs. You could burden yourself with clunky weight machines, you could create a strict regimen of sit-ups, or you could just listen to Un-Cabaret’s The Un & Only several times a week. With hilarious routines from likes of Patton Oswalt, Julia Sweeney, Bob Odenkirk, and Andy Dick, this raucous production will have you keeled over with laughter and clamoring for the repeat button again and again. The stories here range from the perverse to the oddly spiritual, and each one are sure to have howling with delight.

    Reseñas de la Crítica

    "Liberating!" (Entertainment Weekly)

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