Spanning four decades in the mid-19th century, the interconnected novellas of Old New York lay out in vivid detail the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.

The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.

In The Rainbow, D. H. Lawrence challenged the customary limitations of language and convention to carry into the structures of his prose the fascination with boundaries and space that characterize the entire novel. A visionary novel, considered to be one of Lawrence's finest, it explores the complex sexual and psychological relationships between men and women in an increasingly industrialized world.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

A young woman is in love with a successful surgeon, a man torn between his love for her and his incorrigible womanizing. His mistress, a free-spirited artist, lives her life as a series of betrayals—while her other lover, earnest, faithful, and good, stands to lose everything because of his noble qualities. In a world where lives are shaped by irrevocable choices and fortuitous events, and everything occurs but once, existence seems to lose its substance, its weight. Hence we feel “the unbearable lightness of being."

To the Lighthouse is Virginia Woolf’s arresting analysis of domestic family life, centering on the Ramseys and their visits to the Isle of Skye in Scotland in the early 1900s. Nicole Kidman (Moulin Rouge, Eyes Wide Shut), who won an Oscar for her portrayal of Woolf in the film adaptation of Michael Cunningham’s Pulitzer Prize-winning novel

The Hours, brings the impressionistic prose of this classic to vibrant life.

Countess Ellen Olenska, separated from her European husband, returns to old New York society. She bears with her an independence and an awareness of life which stirs the educated sensitivity of the charming Newland Archer, engaged to be married to her cousin, May Welland. Though he accepts the society's standards and rules he is acutely aware of their limitations. He knows May will assure him a conventional future but Ellen, scandalously separated from her husband, forces Archer to question his values and beliefs.

Mount Mellyn stood as proud and magnificent as she had envisioned. But what about its master—Connan TreMellyn? Was Martha Leigh's new employer as romantic as his name sounded? As she approached the mansion towering above the cliffs of Cornwall, an odd chill of apprehension overcame her. TreMellyn's young daugher proved as spoiled and difficult as the three governesses before Martha had discovered. But it was the girl's father whose arrogant demeanor unleashed unfamiliar sensations and turmoil—even as whispers of past tragedy and present danger begin to insinuate themselves into her life.

All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence.

Yorkshire, 1845. A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson’s daughters - the Brontë sisters - learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance. These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent “lady detectors.” Not yet published novelists, they have well-honed imaginations and are expert readers.

Milan Kundera's sixth novel springs from a casual gesture of a woman to her swimming instructor, a gesture that creates a character in the mind of a writer named Kundera. Like Flaubert's Emma or Tolstoy's Anna, Kundera's Agnes becomes an object of fascination, of indefinable longing. From that character springs a novel, a gesture of the imagination that both embodies and articulates Milan Kundera's supreme mastery of the novel and its purpose: to explore thoroughly the great themes of existence.

Hambledon, Pennsylvania, is still reeling from the sensational murder trial that shattered the peace of the bucolic hamlet less than a year ago. Dr. Jonathan Ferrier was accused of killing his beautiful young wife after she died following a botched abortion. The scion of a powerful old eastern family, Jonathan hired the best attorneys money could buy. When he was acquitted, many believed he had bought his freedom. Now, he has returned home to sell his practice and move on. But haunted by his wife's death, Jonathan still strives to heal the judgmental people of his divided town.

A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty....

A sheltered life in the countryside has left Diana Lindsay restless to see the wider world, for both herself and the son she is raising alone. She cannot marry, but perhaps as a courtesan she will find love and protection despite her painful past. Gathering her courage, she moves to London - and finds herself the city's most desired woman, as admired for her charm as for her beauty. But it is one man who captivates her - handsome, haunted, and harboring a secret as deep as her own....

When her mother was in the hospital with terminal cancer, Simone had time to reminisce about her mother's early life, as Simone and her sister, Poupette, prepared to face the decision of whether to prolong a life when it is full of suffering. Like most people,they believed it would be better to die than to continue to suffer, but their mother had a very different view of the matter. Françoise de Beauvoir had finally found happiness in her life, and she truly believed she could find happiness in her own suffering.