Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.

The year is 1920: Flying in the face of convention, legendary American adventuress Beryl Helliwell never fails to surprise and shock. The last thing her adoring public would expect is that she craves some peace and quiet. The humdrum hamlet of Walmsley Parva in the English countryside seems just the ticket. And, honestly, until America comes to its senses and repeals Prohibition, Beryl has no intention of returning stateside and subjecting herself to bathtub gin.

Wolf Hadda's life was a fairytale - successful businessman and adored husband. But a knock on the door one morning ends it all. Universally reviled, thrown into prison, Wolf retreats into silence. Seven years later Wolf begins to talk to the prison psychiatrist and receives parole to return home. But there's a mysterious period in Wolf's past when he was known as the Woodcutter. Now the Woodcutter is back, looking for truth and revenge...

Naples, 1931. A bitter wind stalks the city streets, and murder lies at its chilled heart. When Maestro Vezzi, one of the world's greatest tenors, is found brutally murdered in his dressing room at Naples' famous San Carlo theater, the enigmatic and aloof Commissario Ricciardi is called to investigate. Arrogant and bad-tempered, Vezzi was hated by many. But with the livelihoods of the opera at stake, who would have committed such a callous act?

Into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an ax in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry".

London 1899 and a matter of grave national importance. American impresario Florenz Adler, has rebuilt Shakespeare's Globe playhouse. The grand opening is to take place in the presence of Her Majesty Queen Victoria. Amid the excitement, the actors receive sinister warnings in the form of cryptic quotations from Shakespeare's plays and a drawing of a rose. A hoax? A literary joke? But not for long - the joke turns sour as the murders begin, each an exact copy of a death in a Shakespeare play.

Reykjavik, August 1941. When a travelling sales rep is found murdered in a Reykjavik flat, killed by a bullet from a Colt 45, the police initially suspect a member of the Allied occupation force. The British are in the process of handing over to the Americans, and the streets of Reykjavik are crawling with servicemen whose relations with the local women are a major cause for concern. Flovent, Reykjavik's sole detective, is joined by the young military policeman Thorson, the son of Icelandic emigrants to Canada.

Madrid, 1980. Juan de Vere, nearly finished with his university degree, takes a job as personal assistant to Eduardo Muriel, an eccentric, once-successful film director. Urbane, discreet, irreproachable, Muriel is an irresistible idol to the young man. But Muriel's voluptuous wife, Beatriz, inhabits their home like an unwanted ghost, and on the periphery of their lives is Dr. Jorge Van Vechten, a family friend implicated in unsavory rumors that Muriel now asks Juan to investigate.

London’s bright young things are partying, Soho’s nightlife is buzzing, and Augusta Peel is hiding in her basement. She has a reason to hide there: it’s home to her Bloomsbury workshop where she repairs old, neglected books. After a busy time during the war, all Augusta wants is peace and quiet. But events take a turn when Augusta agrees to chaperone nineteen-year-old Harriet Jones on a date. Failing to get her home on time, she ends up in a riotous nightclub. She can’t imagine the evening getting much worse when the police raid it. But then the murder happens.

Veteran con artist Roy spots an obvious easy mark when he meets Betty, a wealthy widow, online. In no time at all, he's moved into Betty's lovely cottage and is preparing to accompany her on a romantic trip to Europe. Betty's grandson disapproves of their blossoming relationship, but Roy is sure this scheme will be a success. He knows what he's doing. As this remarkable feat of storytelling weaves together Roy's and Betty's futures, it also unwinds their pasts.

Professor Hans Rekke is a world authority on interrogation techniques, capable of dizzying feats of logic and observation. He was born into wealth and power and has a picture-perfect wife and daughter. But he also has a fragile psyche that falls apart under pressure. Micaela Vargas is a street-smart police officer, the daughter of Chilean political refugees, who grew up in the projects on the outskirts of Stockholm and has two brothers on the wrong side of the law. She is tenacious and uncompromising, and desperate to prove herself to her fellow cops.

During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.

One spring evening in 1884, beautiful young courtesan Lola Deslys discovers the lifeless body of a chambermaid hidden in the gardens of the Hôtel Beau Rivage in Cannes. Even more distressing is that Lola knows the girl well. When the inquiry into her murder fails to reveal a single substantial clue, Lola is persuaded by novelist Guy de Maupassant to delve into the case on her own. Eager to exert her independence and defy conventions, Lola agrees. But she needs help in her investigation, and there’s no better partner in her pursuit - however unlikely - than Miss Gabriella Fletcher, a highborn, well-educated, and currently disgraced English governess.

When Hetheridge saves the outspoken, impetuous young detective from getting the sack, siding with her against Scotland Yard's powerful male hierarchy, his cold, elegantly balanced world spins out of control. Summoned to London's fashionable Belgravia to investigate the brutal murder of a financier, Hetheridge must catch the killer while coping with his growing attraction to Kate, the reappearance of an old flame, and the secret that emerges from his own past.