Orlando Holt has never assassinated a woman before. The lovely, feisty Lady Lynden will be his first. She's supposed to be a vicious murderess, but when Orlando begins to have doubts, he sets out to discover the identity of the person who hired him. What he learns will turn his world upside down and propel him headlong into love with a woman who's immune to his charms.

Seraphina Winyard is something feared by many…a woman mage. When she comes of age, Sera is determined to seize control of her life, but she faces opposition from an unknown opponent.

Seventeen-year-old spirit medium Emily Chambers has a problem. Actually, she has several. As if seeing dead people isn’t a big enough social disadvantage, she also has to contend with an escaped demon and a handsome ghost with a secret past. And then there’s the question of her parentage. Being born an entire year after her father’s death (yes, a year), Emily is as much a mystery as the dead boy assigned to her.

December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager.

Minerva Peabody needs a man. Unfortunately she picked the wrong one. The impoverished playwright has a dream to see her plays performed on stage, but in Elizabethan England, not only are women considered the inferior sex, they simply do not write plays. Faced with rejection after rejection, she decides to take one more chance with the most desperate theater manager in London, only this time she’ll use the cover of a man. Sucked in by a pair of bright blue eyes and impressive shoulders, she chooses Blake out of the crowd, never thinking he’ll actually play an active role in her ruse.

Hannah Miles navigates the etiquette of monster hunting through the parlours of a magical Regency England. This collection contains: Manners and Monsters, Galvanism and Ghouls, and Gossip and Gorgons.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

India Steele is desperate. Her father is dead, her fiancé took her inheritance, and no one will employ her, despite years working for her watchmaker father. Indeed, the other London watchmakers seem frightened of her. Alone, poor, and at the end of her tether, India takes employment with the only person who’ll accept her–an enigmatic and mysterious man from America. A man who possesses a strange watch that rejuvenates him when he’s ill.

Seven years ago a woman with too many secrets and a man with too many lies fell in love. Then she left him. Isabel's quiet life as an assistant to one of London's famous apothecaries hides a deadly secret. A secret that could see her put on trial for witchcraft if the authorities uncover the truth. But when the authority figure who turns up at her shop is Sir Nicholas Merritt, she's at risk of losing more than her life. She could lose her heart and soul, and the man she loves.

Once, there were four worlds, nestled like pages in a book, each pulsing with fantastical power and connected by a single city: London. Until the magic grew too fast and forced the worlds to seal the doors between them in a desperate gamble to protect their own. The few magicians who could still open the doors grew more rare as time passed and now, only three Antari are known in recent memory—Kell Maresh of Red London, Delilah Bard of Grey London, and Holland Vosijk, of White London.

England, 1920. Eleanor Swift has spent the last few years travelling the world: taking tea in China, tasting alligators in Peru, escaping bandits in Persia and she has just arrived in England after a chaotic 45-day flight from South Africa. Chipstone is about the sleepiest town you could have the misfortune to meet. But then, from the edge of a quarry, through the driving rain, Eleanor is shocked to see a man shot and killed in the distance. Before she can climb down to the spot, the villain is gone and the body has vanished.

Unpacking her belongings in her new hometown of Portland, Oregon, herbalist and reformed alchemist Zoe Faust can't help but notice she's picked up a stowaway. Dorian Robert-Houdin is a living, breathing three-and-half-foot gargoyle - not to mention a master of French cuisine - and he needs Zoe's expertise to decipher a centuries-old text. Zoe, who's trying to put her old life behind her, isn't so sure she wants to reopen her alchemical past... until the dead man on her porch leaves her no choice.

As the city prepares to celebrate Queen Victoria's golden jubilee, Veronica Speedwell is marking a milestone of her own. After burying her spinster aunt, the orphaned Veronica is free to resume her world travels in pursuit of scientific inquiry - and the occasional romantic dalliance. As familiar with hunting butterflies as she is fending off admirers, Veronica wields her butterfly net and a hatpin with equal aplomb, and with her last connection to England gone, she intends to embark upon the journey of a lifetime.

England. 1923. After a year away at finishing school where she learned etiquette, deportment, and the difference between a fish fork and a salad one, Kitty Worthington is eager to return home. But minutes after she and her brother Ned board the Golden Arrow, the unthinkable happens. A woman with a mysterious connection to her brother is poisoned, and the murderer can only be someone aboard the train. When Scotland Yard hones on Ned as the main suspect, Kitty sets out to investigate.

June 1933. Independent, young Kitty Underhay has been left in charge of her family’s hotel, The Dolphin, on the tranquil English coast. But when several rooms are broken into and searched, including Kitty’s own, she quickly realizes that something out of the ordinary is afoot at the hotel. Soon, rumors are flying in the cozy town that someone is on the hunt for a stolen ruby. A ruby that Kitty’s mother may well have possessed when she herself went missing during the Great War.

The king's magnificent palace was built in a matter of weeks. No one saw the builders, no villagers are allowed beyond the gilded gate, and only one servant has ever left. The haunted look in her eyes as she was recaptured by the palace guards is something Josie, daughter of the village doctor, has never forgotten. For Josie, the palace is a mystery that grows more intriguing after she meets the captain of the guards, a man known only as Hammer, as mysterious and captivating as the palace itself. Whispers of magic fuel Josie's desire to uncover the truth, but an ordinary girl like her can only dream of ever being invited inside.

Orlando Holt has never assassinated a woman before. The lovely, feisty Lady Lynden will be his first. She's supposed to be a vicious murderess, but when Orlando begins to have doubts, he sets out to discover the identity of the person who hired him. What he learns will turn his world upside down and propel him headlong into love with a woman who's immune to his charms.

Seventeen-year-old spirit medium Emily Chambers has a problem. Actually, she has several. As if seeing dead people isn’t a big enough social disadvantage, she also has to contend with an escaped demon and a handsome ghost with a secret past. And then there’s the question of her parentage. Being born an entire year after her father’s death (yes, a year), Emily is as much a mystery as the dead boy assigned to her.

This boxed set contains the first three books in C. J. Archer's popular Ministry of Curiosities series. Titles in the set include The Last Necromancer, Her Majesty's Necromancer, and Beyond the Grave. Description of The Last Necromancer: For five years, Charlotte (Charlie) Holloway has lived as a boy in the slums. But when one theft too many gets her arrested, her only means of escape lies with a dead man.

Minerva Peabody needs a man. Unfortunately she picked the wrong one. The impoverished playwright has a dream to see her plays performed on stage, but in Elizabethan England, not only are women considered the inferior sex, they simply do not write plays. Faced with rejection after rejection, she decides to take one more chance with the most desperate theater manager in London, only this time she’ll use the cover of a man. Sucked in by a pair of bright blue eyes and impressive shoulders, she chooses Blake out of the crowd, never thinking he’ll actually play an active role in her ruse.