This original compilation from Skyboat Media features the most inventive and poetic of Alexander Pushkin’s short fiction. Exposed to French culture at a young age, Pushkin’s work reflects these sensibilities, and he combines this with stories of his Russian ancestors that his grandmother would relate to him and his siblings during their summers near Moscow.

Anton Chekhov is widely considered one of the best short-story writers of all time. Having influenced such writers as Ernest Hemingway, Raymond Carver, and James Joyce, Chekhov’s stories are often noted for their stream-of-consciousness style and their vast number. Raymond Carver once said, “It is not only the immense number of stories he wrote - for few, if any, writers have ever done more - it is the awesome frequency with which he produced masterpieces, stories that shrive us as well as delight and move us, that lay bare our emotions in ways only true art can accomplish.”

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

A Russian author, playwright, and physician, Anton Chekhov is widely considered one of the best short-story writers of all time. Having influenced such writers as Ernest Hemingway, Raymond Carver, and James Joyce, Chekhov’s stories are often noted for their stream-of-consciousness style and their vast number.

Using, or rather mimicking, traditional forms of storytelling, Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme.

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

Nikolai Gogol (1809-1852) was a pre-eminent Ukrainian-born story writer. He is particularly famous for those stories which veer in the direction of surrealism and the grotesque. "The Nose" is a classic example of this genre. The story opens with the barber, Ivan Yakovlevitch at breakfast. Things take an odd turn when Yakovlevitch finds a disembodied nose hidden in his bread roll. Yakovlevitch is at pains to rid himself as quickly as he can of the nose, which he recognizes as belonging to one of his clients, Major Kovalev.