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The Idiot [Tantor]
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Narrado por:
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Norman Dietz
Just two years after completing Crime and Punishment, which explored the mind of a murderer, Fyodor Dostoevsky produced another masterpiece: The Idiot. This time the author portrays a truly beautiful soul and one of Dostoevsky's greatest characters---Prince Muishkin, a saintly, Christ-like, yet deeply human figure. The story begins when Muishkin arrives on Russian soil after a stay in a Swiss sanatorium. Scorned by St. Petersburg society as an idiot for his generosity and innocence, the prince finds himself at the center of a struggle between a rich, kept woman and a beautiful, virtuous girl, who both hope to win his affection. Unfortunately, Muishkin's very goodness seems to bring disaster to everyone he meets. The shocking denouement tragically reveals how, in a world obsessed with money, power, and sexual conquest, a sanatorium is the only place for a saint. This version of The Idiot is the translation by Eva Martin.
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Narrator
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Dostoevsky is able to use Prince Myshkin's spiritual intelligence and Rogozhin's passion to illuminate the main problems and idocyncrasies of Russian society. But the story still falls a bit short of perfection. It literally falls between 'Crime and Punishment' and 'Brothers Karamazov'; failing to achieve the simple greatness of 'Crime and Punishment' and the complex greatness of 'Brothers Karamazov'. Like Myshkin himself, the novel's intent is nearly perfect, but the execution is just a little off, a little unstable. That doesnt mean I didn't love it. As a novel I adored it. I was both taken by and frustrated with Prince Myshkin.
Perhaps my favorite parts of this novel fall into the scenes where Dostoevsky is focused on a painting or an execution. He isn't content with a superficial look at the world. He examines things for depth and poignance that actually left me shaking. He studies Holbein's grotesque 'The Body of the Dead Christ in the Tomb' with a patient, detailed eye that at once appears to capture the whole life and death of Christ. He describes the beheading of John the Baptist; looking for details of his face in that still and eternal second before his execution. In this Dostoevesky is recreating his own near execution and the horror and magnificence that death (or a near death in Dostoevsky's case) brings to a person's fragile, beautiful and flawed life.
A Beautiful and Yet -- Ultimately a Flawed Novel
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Approaching the novel with this orientation certainly helps readers to appreciate the masterful characterization. Norman Dietz's narration is great. The moment I began to listen to him, I knew this was a good choice.
Now that i reflect on the story, I am reminded that the Prince has been educated outside of Russia, as are many characters in all of Russian literature. In fact, English, French, and German universities were favorite choices for the sons of Russians with money, a fact that tied their experiences to other European cultures--and confused their own with a smattering of foreign words and ideas. Think of it! What use had a Russian for the ramblings of Rousseau? Voltaire? Madame Pompadour? Yet Dostoevsky's characters are fond of quoting "Apres moi me deluge," a fatalistic expectation--if they get the sense of it. Dostoevsky did.
Characters lacking identity and creativity--that's the point!
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enjoyed this Russian classic
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Also, the narrator is outstanding. I am looking for more of his work and will likely purchase at least one more book simply to listen to him voice the characters. I truly think he is one of the greatest readers I have ever heard.
Not a light novel, but certainly worthwhile
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classic
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Norman Deitz ruined this great book for me. He attempts to change his voice depending on who's speaking, with miserable results. Dostoevsky doesn't even require voice acting to be incredible. I couldn't get into this version at all (which I've read myself in the past and loved--hence the 5 stars for "Story"), couldn't last more than 15 minutes in fact, all because of the narrator. I wish I could get my money back or get another version of the same title.
What didn’t you like about Norman Dietz’s performance?
See above.
Awesome book horribly read
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that I wonder if he ever met an actual human being. It's as though he is guessing what drives people to do things and how they will react to situations based on a two week study of humanity. And how the man drones on and on and on. Shut. Up. Already.
it's a Russian soap opera. how has it survived?
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BORING, BORING, BORING
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