1850: Beatrix Fawcett is just 18 when her father tells her she is to marry a stranger. Hesitant, but with little choice, she agrees to the match - with hope for a good husband in Charles and the surprising delight of a lovely Yorkshire house in which they are to live. As Beatrix sets to making the house a home, she falls in love with it and the countryside nearby. But she does not fall in love with her husband.... It's clear Charles has chosen her simply to meet the requirements of his inheritance and has little interest in his young wife.

Hull, 1856. James Ripley and his wife Moira have always looked out for the poor of Hull. When, during one stormy night, there is a flood in a nearby cellar—a popular shelter for the homeless—James rushes to help. Among those rescued is a dark-haired little girl who speaks a language no one can understand. Some say that she came to the cellar with her mother, but no one knows where the mother is now. Concerned for the child's safety, James is unsure of what to do.

Ellen thought she’d always live in the remote, pretty coastal village where she grew up. After all, her husband, Harry, works on a farm where he’s guaranteed a job and home for life. But when the old landowner dies and the couple and their young children are forced from their cottage, the future is suddenly bleak. Rather than stay - and starve - in the countryside they love, Harry sets out to find a job in the factories and mills of nearby Hull, and Ellen must leave behind everything she’s ever known to follow her husband and build a new life for her family.

When Polly Anna's mother died when she was just three years old, it seemed the workhouse was the only place for her to go. But with the help of Jonty - a young misfit who soon became her best friend - she managed to escape, running away with the fairground folk. She became a horserider and acrobat, travelling all around the country. Her friends became the circus people, and her home the caravans and travellers' tents.

1860: Harriet Miles is trying to take care of her seriously ill mother, and just when she thinks things couldn’t get any worse she is fired from her job at the hostelry. The last thing she expects after her mother dies is a marriage proposal from a man she barely knows, but her only alternative is the workhouse. And so begins her new life with Noah Tuke. But instead of marital bliss, Harriet finds herself in the cramped farmhouse Noah calls home, and in this overcrowded and angry household she meets with hostility and bitterness. The only person who offers her friendship is Noah’s brother, Fletcher.

Matty has had to care for her three younger sisters ever since their mother’s death 10 years ago. She and the girls’ beloved father have worked hard to keep the family together, and now it’s time to celebrate as Matty turns 18. But their joy is short-lived when tragedy suddenly strikes and their father disappears on his way to London. The sisters have no way of knowing what has happened to him – only that he hasn’t returned home. With little money left they’re now forced to battle life’s misfortunes alone....

Can two friends find hope in hard times? Ruby and Grace have grown up in the poorest slums of Hull. Friends since early childhood, they have supported each other in bad times and good. But their families are bound together by more than friendship, and secrets from the past threaten to make their lives even more difficult. The local cotton mill has provided work for Ruby and Grace since they were nine years old, and now, years later, both girls find themselves the objects of attention from the mill owner's sons.

Scarborough, 1880. Young Jeannie spends her days watching her mother and the other harbour girls sitting at the water's edge - mending nets, gutting herring - and waiting for her friend Ethan Wharton to come in on his father's fishing smack. As she was growing up, Jeannie always expected to marry Ethan, who is loyal and dependable. But then she meets Harry - a stranger who has come to visit from Hull for the day - and she falls for him.

Holderness, 1846.For reliable, thirteen-year-old Bella, life isn’t turning out quite as she’d hoped. She lives at the Woodman Inn – an ancient hostelry run by her family in the Yorkshire countryside – surrounded by two older brothers who never pull their weight and a flighty younger sister. When Bella learns not only that her father is seriously ill, but that her mother is expecting a fifth child, her dreams of leaving home to become a schoolteacher are quickly dashed.

When Laura Page returns to the remote Holderness village of Welwick, it is to try and discover the mystery of her mother Susannah’s early life. Now a local property owner in Hull, Susannah never speaks of her childhood, when she was brought up with the terrible stigma of bastardy – of being nobody’s child. Born into poverty, living in a tiny labourer’s cottage with her father, Susannah’s mother had caught the eye of the local landowner’s son.

Hull, 1874. Clara had always wondered about the beautiful, mysterious Jewel Newmarch, who was adopted as a baby and turns heads wherever she goes - her exotic looks point to her origins far away from the streets of Hull. Even at her twin sister Elizabeth’s wedding, Clara knows that Jewel is the belle of the ball. And as Jewel looks on at the happy, newly-married couple she feels a restlessness and intense longing to know her own roots.

Bristol 1936. Jenny Crawford has resigned herself to a loveless marriage living hand to mouth with their two children. Like many others, husband Roy struggles to find work at the docks but a chance encounter turns the family's fortunes around. Not only does he get regular work but they are also allocated a council house on Coronation Close on the outskirts of the city. Jenny and the children are overjoyed, this is the fresh start she could only ever dream of. But trouble feels never too far away.

It's 1813. Venetia Lovell lives by the sea in Kent with her pretty, frivolous mother and idle younger brother. Venetia's father, Theo, is an interior decorator to the rich and frequently travels away from home, leaving his sensible and artistic daughter to look after the family. Venetia designs paper hangings, and she and her father often daydream about having an imaginary shop where they would display the highest quality furniture, fabrics and art to his clients.

From the best-selling author of The Things We Cannot Say, Before I Let You Go, and the upcoming The Warsaw Orphan, comes a poignant post-WWII novel that explores the expectations society places on women set within an engrossing family mystery that may unravel everything once believed to be true.

After fleeing an abusive husband with her six-year-old son, Tommie, Beverly is attempting to create a new life for them in a small town off the beaten track. Despite their newfound freedom, Beverly is constantly on guard: she creates a fake backstory, wears a disguise around town, and buries herself in DIY projects to stave off anxiety. But her stress only rises when Tommie insists he’d been hearing someone walking on the roof and calling his name late at night.