
Social Creature
A Novel
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Narrado por:
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Saskia Maarleveld
Acerca de esta escucha
One of the best books of the year: Janet Maslin, The New York Times, Vulture, NPR.
"Social Creature is a wicked original with echoes of the greats (Patricia Highsmith, Gillian Flynn)." (Janet Maslin, The New York Times)
For listeners of Gillian Flynn and Donna Tartt, a dark, propulsive and addictive debut thriller, splashed with all the glitz and glitter of New York City.
They go through both bottles of champagne right there on the High Line, with nothing but the stars over them.... They drink, and Lavinia tells Louise about all the places they will go together when they finish their stories, when they are both great writers - to Paris and to Rome and to Trieste....
Lavinia will never go. She is going to die soon.
Louise has nothing. Lavinia has everything. After a chance encounter, the two spiral into an intimate, intense, and possibly toxic friendship. A Talented Mr. Ripley for the digital age, this seductive story takes a classic tale of obsession and makes it irresistibly new.
©2018 Tara Isabella Burton (P)2018 Random House AudioLos oyentes también disfrutaron...
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Reseñas de la Crítica
"Dark, stylish...Burton's exceptional character work further elevates the tale; every individual is both victim and villain, imbuing their interactions with oceans of emotional subtext and creating conflict that propels the book toward its shocking yet inevitale conclusion...At once a thrilling and provocative crime novel, a devastating exploration of female insecurity, and a scathing indictment of society's obsession with social media." (Kirkus)
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"This fast-paced, stylish, dialogue- and character-driven debut...will definitely ensnare readers. Diabolically playing on what we think we know about others and what we reveal about ourselves in the social-media age, it will give readers the creeps, too." (Booklist)
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The story has too much child abuse discription
- De DTurek en 07-14-21
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A Certain Hunger
- De: Chelsea G. Summers
- Narrado por: Hillary Huber
- Duración: 10 h y 44 m
- Grabación Original
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General
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Narración:
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Historia
Eat Pray Love meets American Psycho in a seductive and sinister debut literary thriller. Food critic Dorothy Daniels indulges in her homicidal urges by murdering her lovers and devouring their organs in this intense, visceral, and lushly told tale of food, sex, power, and the pursuit of a very particular taste set between New York and Italy. Please Note: A Certain Hunger contains adult language and depictions of violence. Discretion is advised.
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Ugh.
- De Kimberly en 02-03-20
Wow!
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This book seems to be trying to be a mix of a modern Great Gatsby and your classic modern thriller, a la Alice Feeney's Sometime I Lie, or, perhaps more aptly, Caroline Kepnes's You. This doesn't quite work for a few reasons. The first is that Burton's attempt at a modern Great Gatsby is not quite modern enough, making the dialogue so incredibly stilted as to be ridiculous. The second is that Burton relies on the decadence in the world she's built to fill in the stark prose instead of more useful things like character development and a plausible plot.
The third thing is that Burton's characterization--especially of Louise--is somewhat lazy. We know that Louise hates herself, but we never really know why. Things happen in Louise's past that seem to have been life-alteringly awful, but we never get a clear picture of what they were. Lavinia is equally, if not more messed up than Louise, but we don't know why, and we certainly don't know why everyone seems to love her anyway. It's never clear what Cordelia's deal is, or what Hal's deal is, or Rex, or Mimi, or anyone. No one's motivations are understandable because not one character is more than a two-dimensional caricature.
Also, there's this weird use of the second person, and, toward the end, the fourth person. Who is 'you,' and who are 'we'? From where are 'we' observing all this? It never really made sense, and it smacked of the author just trying to do something--anything--different. And there are a few (okay, several) logic holes that kind of nagged at me. Things that an editor should have caught. There are points at which Burton seems to be self-aware, as if she knows how ridiculous and thin the whole things is--she's 'in on the joke,' so to speak. But the 'joke' is not sustainable across an entire novel.
All that being said, I still found this book entertaining. It's light, predictable fun. The narrator, Saskia Maarleveld, is quite good. As other reviewers have noted, her voice for Lavinia is grating, but I think that suits the character--Lavinia herself is grating. However, it isn't fun to listen to, so I take a star off from performance. If you don't want to listen to needlessly crude language and graphic depictions of sex that, at times, border on hedonistic, go ahead and pass on this one. If you can live with that, and are in the mood for an easy read (or listen) where you're not too invested in the characters because there's not much to them, and you happen to have an extra credit you don't mind spending, maybe give this one a shot.
This is Ridiculous
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Her books have become an essential part of my inspiration
Her phenomenal writing
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Entertaining and fun
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Dark journey that keeps you listening
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Something Rotten in the Selfie Set
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Fun!
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The storyline and progression was interesting and intriguing, mostly…
Reading may have been more satisfying for me.
Ouch
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The narration for Lavinia is off-putting (really, the most pretentious accent), but it serves to distinguish the character, and Maarleveld does a great job bringing the large cast of rich weirdoes to life. I would love a sequel.
A simmering pot soon boils over
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Hated the narration. 1.5 speed to get through it!
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