Karl Edward Wagner (1945-1994) has earned a reputation as one of the finest horror writers of the modern era, but his work has been out of print and nearly unobtainable for many years. His seminal volume In a Lonely Place collects eight of his best tales, including "In the Pines," a classic ghost story evocatively set in the Tennessee woods, "Beyond Any Measure," an original take on the vampire story.

Owen Pick’s life is falling apart. In his 30s and living in his aunt’s spare bedroom, he has just been suspended from his job as a teacher after accusations of sexual misconduct - accusations he strongly denies. Searching for professional advice online, he is inadvertently sucked into the dark world of incel forums, where he meets a charismatic and mysterious figure. Across the street from Owen lives the Fours family, headed by mom Cate, a physiotherapist, and dad Roan, a child psychologist. But the Fours family have a bad feeling about their neighbor Owen.

When a young man is found gruesomely murdered in a London houseboat, it triggers questions about three women who knew him. Laura is the troubled one-night-stand last seen in the victim’s home. Carla is his grief-stricken aunt, already mourning the recent death of yet another family member. And Miriam is the nosy neighbor clearly keeping secrets from the police. Three women with separate connections to the victim. Three women who are – for different reasons – simmering with resentment. Who are, whether they know it or not, burning to right the wrongs done to them.

Janey Markham is thrilled to be moving with her family to Buckingham Crescent, the smartest address in a desirable suburban town. Worried she’ll be excluded by the glossy local mothers, Janey is thrilled when she meets Tanya, the kind of woman she has always looked up to. Tanya takes Janey under her wing and her teenage daughter, Angel, is amazing with Janey’s little boy. As Janey and Tanya grow closer, Janey feels she can finally leave her troubled past behind.

After the sudden death of his wife, Tom Kennedy believes a fresh start will help him and his young son Jake heal. A new beginning, a new house, a new town. Featherbank. But the town has a dark past. Twenty years ago, a serial killer abducted and murdered five residents. Until Frank Carter was finally caught, he was nicknamed "The Whisper Man," for he would lure his victims out by whispering at their windows at night.

Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart.

Carol is a divorced teacher living in a small town in Ireland, her only son now grown. A second chance at love brings her unexpected connection and belonging—and sparks a flurry of speculation. What does a woman like her see in a man like that? What happened to his wife who abandoned him and his children all those years ago? Carol and Declan know their relationship is the talk of the town, but the gossip only serves to bring the couple closer.

Julian Jessop, an eccentric, lonely artist and septuagenarian believes that most people aren’t really honest with each other. But what if they were? And so he writes—in a plain, green journal—the truth about his own life and leaves it in his local café. It’s run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves - and soon find each other In Real Life at Monica’s Café.

Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger”, left by her body, Clare is horrified to see her life collide with the story lines of her favorite literature.

Sarah Jennings knows there’s one place she can go to find some peace and quiet during her difficult divorce. But arriving at her beloved father’s home in the countryside, she finds him unwell and hunched over boxes of files, studying the records from Cedar Hall, the crumbling orphanage in town. He says that hidden behind the wrought iron gates and overgrown ivy are secrets about their family, and he asks for her help.

Ten years ago he killed my son. Today I married him. Ten years ago my darling son Jesse was murdered and our perfect family was destroyed. My strong, handsome boy, so full of life, became a memory, a photo I carried with me everywhere. But today I’m finally close to finding happiness again. My ash-blonde hair has been curled into ringlets. Carefully placed white flowers frame my delicate features. The small, drab chapel has been prettied up with white satin, and there are tiny red hearts scattered on the small table where I will soon sign the register with my new husband.

This is collection of 18 crime stories with a diverse range of characters and scenarios, from guilt-ridden fraudsters to lovesick murderers.

Sophie Duguet is losing her grip. Haunted by visions from her past of her loving husband, who committed suicide after a car accident. One morning she wakes to find Leo, the child in her care, strangled in his bed by Sophie's own shoelaces. She can remember nothing of the night before. Could she really have killed him? She flees in panic, but this only cements her guilt in the eyes of the law. Not long afterwards it happens again - she wakes with blood on her hands, with no memory of the murder committed.

It is 1987, and a small Irish community is preparing for a wedding. The day before the ceremony, a group of young friends, including the bride and groom, are involved in an accident. Three survive. Three are killed. The lives of the families are shattered and the rifts between them ripple throughout the small town. Connor survived, but living among the angry and the mourning is almost as hard as carrying the shame of having been the driver. He leaves the only place he knows for another life, taking his secrets with him.

Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents - her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer.