Bram Stoker Award-winning author Laird Barron returns to the dark and dreadful with his fifth horror collection, which weaves sixteen weird tales into a mosaic of the bloody and the macabre.

Isaiah Coleridge is a mob enforcer in Alaska - he's tough, seen a lot, and dished out more. But when he forcibly ends the money-making scheme of a made man, he gets in the kind of trouble that can lead to a bullet behind the ear. Saved by the grace of his boss and exiled to upstate New York, Isaiah begins a new life, a quiet life without gunshots or explosions. Except a teenage girl disappears, and Isaiah isn't one to let that slip by. And delving into the underworld to track this missing girl will get him exactly the kind of notice he was warned to avoid.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

A provocative collection of literary horror stories by one of America’s most acclaimed and inventive writers whose unique prose “can be soul-shaking” (New Yorker).

A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men: Of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short-story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration.

Brian Evenson’s hallucinatory and darkly comic stories of paranoia, pursuit, sensory deprivation, amnesia, and retribution rattle the cages of the psyche and peer into the gaping moral chasm that opens when we become estranged from ourselves. From sadistic bosses with secret fears to a woman trapped in a mime’s imaginary box, and from a post-apocalyptic misidentified Messiah to unwitting portraitists of the dead, the mind-bending world of this modern-day Edgar Allan Poe exposes the horror contained within our daily lives.

His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy.

Over the course of two award-winning collections and a critically acclaimed novel, The Croning, Laird Barron has arisen as one of the strongest and most original literary voices in modern horror and the dark fantastic. Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron's stories have garnered critical acclaim and have been reprinted in numerous year's best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.

Evenson's first collection of 25 short stories and one novella, Altmann's Tongue (1994), garnered comparisons to Paul Bowles, Poe, and Kafka and is considered by many an existential masterpiece.

A study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson, High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s. These three authors changed the way millions of readers thought, dreamed, and experienced reality - but how did their writings reflect, as well as shape, the seismic cultural shifts taking place in America?

In Kharkiv, mysterious eyes sprout from the walls of buildings as the Russian invasion of Ukraine intensifies. A cynical spacefarer on a paradox-chasing mission confronts an ancient star—and the limits of human understanding—while his sentient navigator may know more than it’s letting on. A man mistakenly receives a letter meant for another drawing him into the world of a lost tribe who believe writing itself is a sin against God. In Raghast, a civilization of rats grinds to a standstill every three months as the breeding instinct throws them into chaos.

A supermarket meat manager carves a doorway to a parallel world of bloody horror. A fading magician encounters his former mentor performing a terrifying new act. A party-goer ducks out early and is pursued by a creature bent on cruel malevolence. Winged creatures of unknown origin terrorize a small town. A disgruntled employee works his dark magic on a new breed of middle managers. A radio stunt shatters the sanity of a DJ.

Jon Padgett's The Secret of Ventriloquism, named the Best Fiction Book of 2016 by Rue Morgue Magazine, heralds the arrival of a significant new literary talent. With themes reminiscent of Shirley Jackson, Thomas Ligotti, and Bruno Schulz, but with a strikingly unique vision, Padgett's work explores the mystery of human suffering, the agony of personal existence, and the ghastly means by which someone might achieve salvation from both.

When Rudd, a troubled teenager, embarks on a school research project, he runs across the secret Mormon ritual of blood sacrifice and its role in a 1902 murder committed by the grandson of Brigham Young. Along with his newly discovered half brother, Rudd becomes swept up in the psychological and atavistic effects of this violent, antique ritual. As the past and the present become an increasingly tangled knot, Rudd is found—with minor injuries and few memories—at the scene of a multiple murder on a remote campsite.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy.

A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men: Of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short-story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration.

Bram Stoker Award-winning author Laird Barron returns to the dark and dreadful with his fifth horror collection, which weaves sixteen weird tales into a mosaic of the bloody and the macabre.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not.

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with ten new tales of cosmic horror in Corpsemouth and Other Autobiographies. In these stories, he continues to chart the course of twenty-first century weird fiction, from the unfamiliar to the familial, the unfathomably distant to the intimate.

A provocative collection of literary horror stories by one of America’s most acclaimed and inventive writers whose unique prose “can be soul-shaking” (New Yorker).

First published in the US in 1988 and in the UK in 1990, The Wine-Dark Sea contains eight unsettling stories that explore protagonists' fears and desires, at once illogical and terrifying, and culminate in a disturbing and enigmatic ending. Aickman's "strange stories" (his preferred term for them) are a subtle exploration of psychological displacement and paranoia; his characters ordinary people that are gradually drawn into the darker recesses of their own minds. For fans of the horror genre, Robert Aickman is a must read.

Evenson's first collection of 25 short stories and one novella, Altmann's Tongue (1994), garnered comparisons to Paul Bowles, Poe, and Kafka and is considered by many an existential masterpiece.

Brian Evenson’s hallucinatory and darkly comic stories of paranoia, pursuit, sensory deprivation, amnesia, and retribution rattle the cages of the psyche and peer into the gaping moral chasm that opens when we become estranged from ourselves. From sadistic bosses with secret fears to a woman trapped in a mime’s imaginary box, and from a post-apocalyptic misidentified Messiah to unwitting portraitists of the dead, the mind-bending world of this modern-day Edgar Allan Poe exposes the horror contained within our daily lives.

Dubbed the greatest horror story in English by Stephen King, The Great God Pan is an eerie and otherworldly mystery about a diabolical operation and its terrifying repercussions. After rescuing a young woman from the streets of London, Dr. Raymond uses her as a test subject for brain surgery aimed at "lifting the veil" of reality, to see the supernatural and the "great god Pan". The operation is a disaster and leaves the subject lobotomized. Years later, London becomes afflicted with a strange series of male suicides connected to a beautiful but sinister woman.

Nanashi was born into a life of violence. Delivered from the mean streets by the Heron Clan, he mastered the way of the gun and knife and swiftly ascended through yakuza ranks to become a dreaded enforcer. His latest task? He and an entourage of expert killers are commanded to kidnap Muzaki, a retired world-renowned wrestler under protection of the rival Dragon Syndicate. It should be business as bloody usual for Nanashi and his ruthless brothers-in-arms.

Brian Evenson's fifth story collection constructs a human landscape as unearthly as it is mundane. Replete with the brutality, primordial waste, and savage blankness familiar to listeners of his earlier works, Evenson's Kafkaesque allegories entice the mind while stubbornly disordering it.

Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full. The listener is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story ("Pages from a Young Girl's Journal") but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.

Lay provost Eldon Fochs is a happily married father of four. Based on his disturbing dreams, he may also be a sex criminal. His therapist isn’t sure, and his church is determined to protect its reputation. Written from the perspectives of Fochs, his analyst Dr. Alexander Feshtig, and the letters exchanged between Feshtig and his superiors in the church, Father of Lies is Brian Evenson’s fable of power, paranoia, and the dangers of blind obedience. It offers a terrifying vision of how far institutions will go to protect themselves from the innocents who may be their victims.