One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry.

This new biography of Van Buren—the first full-scale portrait in four decades—charts his ascent from a tavern in the Hudson Valley to the presidency, concluding with his late-career involvement in an antislavery movement. Offering vivid profiles of the day's leading figures (Andrew Jackson, Henry Clay, John C. Calhoun, John Quincy Adams, DeWitt Clinton, James K. Polk), James Bradley's book depicts the struggle for power in the tumultuous decades leading up to the Civil War.

From a renowned biographer comes the greatest untold story of the Civil War: how two American presidents faced off as the fate of the nation hung in the balance—and how Abraham Lincoln came to embrace emancipation as the last, best chance to save the Union. With a cast of unforgettable characters, from first ladies to fugitive coachmen to treasonous cabinet officials, Lincoln vs. Davis is a spellbinding dual biography from renowned presidential chronicler Nigel Hamilton: a saga that will surprise, touch, and enthrall.

Warner Bros. Studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers—Harry, Albert, Sam, and Jack—whose vision for Hollywood helped shape the world of entertainment.

Between 1934 and 1968, no Hollywood studio could make a movie without the permission of, and a seal of approval from, the Production Code Administration. Formed in 1930 but not enforced until 1934, the Production Code was Hollywood’s official censorship system. Screenplays, books, plays, costumes, and even story ideas and song lyrics had to be cleared by the Code before they could be filmed, and Code staffers watched at every stage of the production process to ensure compliance.