In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store.

As she is going through desks and drawers, Fran comes across a key that opens Gram’s trunk, which is filled with quilts made by generations of Clark women. The key was one she had always loved as a child. Filled with nostalgia, Fran spreads the quilts across the room, and while shedding tears for the loss of her grandmother, she suddenly finds herself transported to 1875, and she is not even sure how she got there.

Alice Wright marries handsome American Bennett Van Cleve hoping to escape her stifling life in England. But small-town Kentucky quickly proves equally claustrophobic, especially living alongside her overbearing father-in-law. So, when a call goes out for a team of women to deliver books as part of Eleanor Roosevelt’s new traveling library, Alice signs on enthusiastically. The leader, and soon Alice's greatest ally, is Margery, a smart-talking, self-sufficient woman who's never asked a man's permission for anything.

The great scholar, W. E. B. Du Bois, once wrote about the problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s problem on her shoulders.

It's 1924 in Branchville, South Carolina, and three women have come to a crossroads. Gertrude, a mother of four, must make an unconscionable decision to save her daughters. Retta, a first-generation freed slave, comes to Gertrude's aid by watching her children, despite the gossip it causes in her community. Annie, the matriarch of the influential Coles family, offers Gertrude employment at her sewing circle, while facing problems of her own at home.

At 97 years old, Winnifred Ellis knows she doesn’t have much time left, and it is almost a relief to realize that once she is gone, the truth about her shameful past will die with her. But when her great-grandson Jamie, the spitting image of her dear late husband, asks about his family tree, Winnifred can’t lie any longer, even if it means breaking a promise she made so long ago....

After two years away, Katie Lantz returns to her Amish community nine months pregnant—and unmarried. With nowhere else to turn, she nervously knocks on her family's door, fearing she'll be shunned. Yet the handsome stranger who now owns the farm welcomes her in—just in time for Katie to give birth. Carpenter Elam Sutter and his kindly mother care for Katie and her newborn in a loving way she never dreamed was possible. But in the face of a heart-wrenching choice, Katie learns just what family, faith and acceptance truly mean.

Young Cassie Weaver only wants what is expected of an Amish woman: a good Amish husband and a large family. But she’s happy as Job and Dinah Keim’s housekeeper, helping Dinah, who is losing her sight due to diabetes. For two decades the Keims have prayed for the salvation of their two children who left the community in a cloud of shame and mystery. Mason knew there was more to his mother’s past than she let on, but nothing could have prepared him for learning about his Amish roots upon his mother’s sudden death.

Magnolia, South Carolina, 1980: Austin Foster is barely a teenager when her mama dies giving birth to twins, leaving her to pick up the pieces while holding her six siblings together and doing her best to stop her daddy from retreating into his personal darkness.

Gracie Glick is known for being the helpful one, always available for a relative in need. But now that she’s longing for a home and family of her own, it’s time to help herself. With few eligible men in Pontotoc, Gracie’s choices, and her time, are limited. So she takes a bold leap of faith: She proposes to Matthew Byler, a handsome, recently widowed, father of five. It’s not until after they’re married that Gracie learns Matthew doesn’t want more children.

In 1933 Louisville, Kentucky, even the ongoing economic depression cannot keep Piper Danson's parents from insisting on a debut party. After all, their fortune came through the market crash intact, and they've picked out the perfect suitor for their daughter. Braxton Crandall can give her the kind of life to which she's accustomed. The only problem? This is not the man - or the life - she really wants.

Joe Arneson's ordinary life is upended by troubling dreams of himself as a different man in another place and time. It isn't until he visits his estranged grandmother, Pearl, in her Wisconsin hometown that a startling connection emerges. Drawn into his family's past, Joe discovers secrets weighing on the old woman's soul: the tragic death of her sister Alice a half century ago and its ripple effect on all who loved her.

In turn-of-the-20th century Texas, the Berachah Home for the Redemption and Protection of Erring Girls is an unprecedented beacon of hope for young women consigned to the dangerous poverty of the streets by birth, circumstance, or personal tragedy. Built in 1903 on the dusty outskirts of Arlington, a remote dot between Dallas and Fort Worth’s red-light districts, the progressive home bucks public opinion by offering faith, training, and rehabilitation to prostitutes, addicts, unwed mothers, and “ruined” girls without forcibly separating mothers from children.

This beautifully constructed family saga spans three generations set all within the macabre world of the civil war era American funeral industry where weepers, warners, death photographers and the new practice of embalming the dead dwelled. For generations, the women of the Fenn family have been traditional “weepers”; paid mourners who attend wakes and weep for the dead. Their counterparts, the men of the True family, are undertakers, or “warners.”

The war might be over, but their battle has just begun. After losing her husband and only child to the ravages of the Civil War, 25-year-old Portia McAllister is drowning in grief. When she sees an ad for a live-in tutor in another town, she leaves everything behind in hopes of making a fresh start. But as a Confederate widow in a Union household, she is met with resentment from her new charge and her employer, war veteran Beau Stanford.