This is heralded as the very first mystery novel. Collins, in his great work, created the guidelines for the genre as we know it today: a fabulous diamond stolen, everyone in the house is suspected, three mysterious Indians sworn to protect the jewel at all costs, the upstairs/downstairs tension from the servants, and a brilliant detective who is eccentrically fond of roses.

Enthralled by his own exquisite portrait, Dorian Gray exchanges his soul for eternal youth and beauty. Influenced by his friend Lord Henry Wotton, he is drawn into a corrupt double life; indulging his desires in secret while remaining a gentleman in the eyes of polite society. Only his portrait bears the traces of his decadence. The novel was a succès de scandale, and the book was later used as evidence against Wilde at the Old Bailey in 1895. It has lost none of its power to fascinate and disturb.

Madame Pratolungo is a close companion to Lucilla Finch, a young woman who has been blind since birth. Madame Pratolungo records the narrative of Lucilla's trials from falling in love with Oscar Duborg, her wealthy and shy neighbor, to ending up in a romantic entanglement between Oscar and his brother Nugent. When Lucilla temporarily regains her sight thanks to Herr Grosse, mistaken identities and manipulative schemes are there to greet her.

In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal, but he grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante.

When Catherine Morland, a country clergyman's daughter, is invited to spend a season in Bath with the fashionable high society, little does she imagine the delights and perils that await her. Captivated and disconcerted by what she finds, and introduced to the joys of "Gothic novels" by her new friend, Isabella, Catherine longs for mystery and romance. When she is invited to stay with the beguiling Henry Tilney and his family at Northanger Abbey, she expects mystery and intrigue at every turn.

Lady Isabel Carlyle leaves her husband and children for the aristocratic Francis Levison, who, as it turns out, has no intention of marrying her. Having been disfigured in a train accident, the unrecognizable Isabel then takes up the position of governess to her own children in the Carlyle household, with tragic consequences.

It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember.

Hailed as Charlotte Brontë’s “finest novel” by Virginia Woolf, Villette is the timeless semi-autobiographical tale of Lucy Snowe. Left with no family and no money, Lucy goes against her own timid nature and travels to the small city of Villette, France, where she becomes a school teacher in Madame Beck’s school for girls. During her stay, she falls in love—twice—and discovers an independent, inner strength rarely seen in women of her time.

The Castle of Otranto is regarded as the first Gothic novel. The son of Manfred, Prince of Otranto, is mysteriously killed on his wedding day by a huge helmet. The event leads to a fast-paced story of jealous passion, intrigue, murder and supernatural phenomena unfolding in an atmosphere of thunderclaps, moonlight, and dark castle walls mirroring the inner turmoil of the characters themselves.

One of the most revered works in English literature, Great Expectations traces the coming of age of a young orphan, Pip, from a boy of shallow aspirations into a man of maturity. From the chilling opening confrontation with an escaped convict to the grand but eerily disheveled estate of bitter old Miss Havisham, all is not what it seems in Dickens’ dark tale of false illusions and thwarted desire.

Wessex Tales, a collection of short stories including "The Three Strangers", "The Withered Arm", and "The Distracted Preacher", deals with a number of timeless themes seen so often in Hardy’s work: marriage, class, revenge, and disappointed love. Many of the tales have a supernatural tinge, and all are set around Hardy’s much loved homeland.

After escaping from the dark and dismal workhouse where he was born, Oliver finds himself on the mean streets of Victorian-era London and is unwittingly recruited into a scabrous gang of scheming urchins. In this band of petty thieves, Oliver encounters the extraordinary and vibrant characters who have captured audiences' imaginations for more than 150 years.

Laura and her father live a quiet life in their remote castle in the dense forests Styria. It is a solitary existence for young Laura, who has no companionship except for her governess and the occasional visits of neighbouring gentry. Into this lonely life comes the mysterious house guest, Carmilla. Slowly Laura falls under Carmilla's spell. Whilst she is both attracted and repulsed by Carmilla, she seems unable to find the energy to resist her.

Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.

Harriet Jacobs’ autobiography, written under the pseudonym Linda Brent, details her experiences as a slave in North Carolina, her escape to freedom in the north, and her ensuing struggles to free her children. The narrative was partly serialized in the New York Tribune, but was discontinued because Jacobs’ depictions of the sexual abuse of female slaves were considered too shocking. It was published in book form in 1861.