
Inhibitor Phase
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Narrado por:
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John Lee
Miguel de Ruyter is a man with a past.
Fleeing the 'wolves'—the xenocidal alien machines known as Inhibitors—he has protected his family and community from attack for 40 years, sheltering in the caves of an airless, battered world called Michaelmas. The slightest hint of human activity could draw the wolves to their home, to destroy everything...utterly. Which is how Miguel finds himself on a one-way mission with his own destructive mandate: to eliminate a passing ship, before it can bring unwanted attention down on them.
Only something goes wrong.
There's a lone survivor.
And she knows far more about Miguel than she's letting on....
Ranging from the depths of space to the deeps of Pattern Juggler waters, from nervous, isolated communities to the ruins of empire, this is a stealthy space opera from an author at the top of his game.
©2021 Alastair Reynolds (P)2021 Orion Publishing GroupListeners also enjoyed...







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fixed
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In regards to narration, I think the performance is OK, but the lack of pauses during scene changes is a big problem, although the listener will soon get over this.
If you're generally thinking about reading the Revelation Space novels, just go ahead and do that: The trilogy is great, and no sci-fi fan should leave it unread.
Revelation space revisited - no spoilers
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Fantastic return to Revelation Space
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not the complete book!
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Now this still is a Revelation space novel, and I love the setting, and it has good parts.
Too much magic
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Speaking of familiarity: “Conch” is pronounced “conk” throughout the entire story. That should have been picked up at some point.
Reynolds and Lee in fine form
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- Too much dying and too much acceptance of death
- Unnecessarily lengthy dialogues, sometimes badly written
- Some Ill-intentioned social commentary (e.g on “muskies”)
- Some unintentionally annoying characters (e.g Pinky)
- A rather predictable plot
Not the best of Reynolds
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A treasure hunt.
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Quite entertaining
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A significant section featuring the Swine Queen seemed very similar to the vastly superior Consider Phelbas by Iain M Banks.
The techincal production is also faulty with a section missing in chapter 6.
Weak stuff
More soap opera than space opera
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