This collection by Robert W. Chambers was first published in 1895 and features stories loosely tied together with one theme, the supernatural. Many of the stories in The King in Yellow were not received well by the critics of the time due to their supernatural undertones. Some of the stories mention a play by the same name that had been outlawed in some regions of the world. It was thought that the play could induce madness in those who viewed it. Two of the stories in this book take place in a fictional world of the future 1920s and are macabre in tone.

In the first book of this brilliant series, Stephen King introduces listeners to one of his most powerful creations: Roland of Gilead, The Last Gunslinger. He is a haunting figure, a loner on a spellbinding journey into good and evil. In his desolate world, which frighteningly mirrors our own, Roland tracks The Man in Black, encounters an enticing woman named Alice, and begins a friendship with the boy from New York named Jake.

Mrs. Virgil (Emily) Pollifax of New Brunswick, New Jersey, was a widow with grown children. She was tired of attending her Garden Club meetings. She wanted to do something good for her country. This first in the series sends Emily on her first case after she successfully persuades a skeptical CIA recruitment officer that she is the best person for the job.

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct and the half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind, but the last remains of civilisation have already become a distant memory. Man has handed over stewardship of the earth to new life-forms. A few score thousand survivors live on, not knowing whether they are the only ones left on Earth....

Clive Barker has made his mark on modern fiction by exposing all that is surreal and magical in the ordinary world - and exploring the profound and overwhelming terror that results. With its volatile mix of the fantastical and the contemporary, the everyday and the otherworldly, Weaveworld is an epic work of dark fantasy and horror - a tour de force from one of today's most forceful and imaginative artists.

Around a low-burning fire in a jungle clearing, a small group of late travelers huddles: a merchant, a Sikh with his son, a farmer. Silently, two men, flanking one of the travelers, crouch forward. A dirty cloth flashes momentarily and jerks around the traveler’s neck. One of the men tugs the cloth, the other forces the traveler’s head over to one side. Thuggee death has struck; Kali is assuaged.

Harry Keogh is the man who can talk to the dead, the man for whom every grave willingly gives up its secrets, the one man who knows how to travel effortlessly through time and space to destroy the vampires that threaten all of humanity.

In The Eagle of the Ninth, Marcus Flavius Aquila ventured into the wilds of Caledonia to retrieve the lost Eagle of his father's dishonored Ninth Legion. In this new story of Roman Britain, the mutilated standard is found again by Flavius, a descendant of Marcus, and his cousin Justin, a young surgeon in the Roman army. It is found at a time when conflicting loyalties, violence, and intrigue are undermining Roman rule in Britain.

The Master and Margarita is one of the most famous and best-selling Russian novels of the 20th century, despite its surreal environment of talking cats, Satan and mysterious happenings. Naxos AudioBooks presents this careful abridgement of a new translation in an imaginative reading by the charismatic Julian Rhind-Tutt. With War and Peace and Crime and Punishment among the Naxos AudioBooks best-sellers, this too promises to be a front title.

Demobilised officer, finding peace incredibly tedious, would welcome diversion. Legitimate if possible; excitement essential. When Captain Hugh Drummond, DSO, MC placed that advertisement, he was looking for adventure. What he finds is an international plot headed by the greatest criminal mastermind in the world.

The fiction world of today needs a “Saint” more than it ever did. For years now that scene has been dominated by the “anti-heroes"—those grim gray operators in a sunless sub-culture where global issues are worked out with totally unemotional pragmatism, those hapless uninspired puppets manipulated and expended by ruthlessly dedicated little brothers of Big Brother. It made morbidly fascinating narrative, but it never gave anyone a lift until it climaxed in the hyper-gadgeted parodies of 007 extravaganzas.

In The Invisible Man, a scientist theorizes that if a person's refractive index is changed to exactly that of air his body does not absorb or reflect light, then he will not be visible. He successfully carries out this procedure on himself, but cannot become visible again, becoming mentally unstable as a result. In The Time Machine, we follow the Time Traveller to the year 802,701 A.D.. He finds a golden race of small, soft, innocent people. But what is it that lurks in the dark shadows?

The Cthulhu Mythos is one of the 20th century's most singularly recognizable literary creations. Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales.

The pioneer of romantic suspense, Mary Stewart leads her listeners on an unforgettable ride across the Isle of Skye in this tale perfect for fans of Agatha Christie and Barbara Pym. Following a heartbreaking divorce, Gianetta retreats to the Isle of Skye hoping to find tranquillity in the island's savage beauty. But shortly before her arrival a girl's body is found on the craggy slopes of the looming Blue Mountain, and with the murderer still on the loose, there's nothing to stop him from setting his sights on Gianetta next....

Many consider it to be Dennis Wheatley's finest work, which is praise indeed for this world beating novelist. It was a best seller in the 1930s when it first came out, full of 1930s atmosphere, skilfully written and well researched, too - although Wheatley never practiced magic himself, he met with many of the most famous occultists of his day to make the book as authentic as possible. In The Devil Rides Out, the Duke de Richleau and a friend find that one of their number is missing from a reunion, and it turns out that he has fallen under the influence of a black magic sect.