
How Pleasure Works
The New Science of Why We Like What We Like
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Narrado por:
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Jeremy Johnson
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De:
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Paul Bloom
Yale psychologist Paul Bloom presents a striking new vision of the pleasures of everyday life. The thought of sex with a virgin is intensely arousing for many men. The average American spends over four hours a day watching television. Abstract art can sell for millions of dollars. Young children enjoy playing with imaginary friends and can be comforted by security blankets. People slow their cars to look at gory accidents and go to movies that make them cry.
In this fascinating and witty account, Paul Bloom examines the science behind these curious desires, attractions, and tastes, covering everything from the animal instincts of sex and food to the uniquely human taste for art, music, and stories. Drawing on insights from child development, philosophy, neuroscience, and behavioral economics, How Pleasure Works shows how certain universal habits of the human mind explain what we like and why we like it.
Listen to our Free Interview: Susie Bright Speaks with Paul Bloom, Author of How Pleasure Works.©2010 Paul Bloom (P)2010 Audible, Inc.Listeners also enjoyed...




















Reseñas editoriales
Paul Bloom is a very down-to-earth guy for a professor of Psychology and Cognitive Science at Yale. In How Pleasure Works, his third book about what makes humans do what they do, he explores why we like what we like with clear language and a plethora of humorous examples. Jeremy Johnson gives voice to the book in the straightforward manner common to nonfiction narrations, committing to the scientific gravitas of this study in a way that remains engaging, and ultimately elevating the many funny bits by delivering them with a professional tone. It's not unlike one of the many informational videos seen on The Simpsons that begin with, "Hi, I'm Troy McClure..."
You'll wonder how Johnson avoids cracking up as he relates the evidence Bloom has collected over the years. Among so many delightful morsels of food for thought is the consideration of why people don't want to eat chocolate shaped like a turd, why granny has been sleeping with the same pillow for 86 years, why nobody tips an internationally famous violinist when he plays a free concert in the subway, why your significant other's identical twin isn't sexy, and why people watch movies that make them cry. Regaling us with oh-so-practical psychological information concerning the taboos of cannibalism and incest, Johnson does a terrific job of keeping one foot on the ground as he relates Bloom's amusing take on what makes us tick.
This book is a must-listen for anybody who eats, has sex, wonders what to save when the house burns down, goes to a museum, or has any imagination whatsoever. Bloom's plainspoken inquiry and Johnson's uncomplicated delivery are a winning combination, keeping this terrifically witty look at our everyday lives both easy to follow and engaging from start to finish. It is, as Bloom would say, mental cheesecake. —Megan Volpert
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Questionably titled, but a good listen
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Fast paced, Entertaininglyenjoyable psychology 101
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awesome. deep. informative
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talent writing, easy understanding of complex science. It worked for me.
Metaphors the best
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Definitely recommended!
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Everything You Ever Would Want to Know
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Informative
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Nothing particularly exciting
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To introduce the concept of essentialism, and in extension, pleasure, Paul Bloom sets out with one of the most hilarious anecdotes I’ve heard. Hermann Göring, the commander of Nazi Germany’s air force was not a particularly kind man. One of his better known quotes was “My measures will not be crippled by any bureaucracy. Here I don't have to worry about Justice; my mission is only to destroy and to exterminate; nothing more”. However, apart from destroying and exterminating things Göring was also a passionate arts collector and at one point he bought an expensive Vermeer painting from a dutch painter called Van Megren. After the war Van Megren was accused of selling art to Nazis, but to everyone’s surprise Van Megren showed that the painting was a fake (by drawing another copy). How did Göring react to these news? According to one contemporary account "[Göring] looked as if for the first time he had discovered there was evil in the world.
What is the point of this story? The point is that though it really should not matter to anyone whether a painting is fake if one cannot tell that it is fake, it does. It matter to us a great deal. How we experience something depends on our beliefs. This holds true not only of art but also of music, water, food, wine, t-shirts etc. fMRI scans show that the brain activity of people when they are eating a certain item, differs depending on what they believe they are eating. This suggest that our beliefs about something really do influence our experience at a basic perceptual level. Our brains can process the same sensory input in different ways depending on beliefs. Indeed when tested in a blind test people are unable to distinguish pate from dog food and white wine from red wine.
Paul Bloom goes through many different areas in life from where we drive pleasure. These subjects include but are not limited to sex, alcohol, cannibalism, imagination, watching TV, reading etc. Bloom is a master when it comes to finding illustrative and entertaining examples and anecdotes to drive home his point which consistently seem to be that we get pleasure from what we believe is the essence of things.
As I have already mentioned I would have liked a broader discussion of pleasure. I would also have liked a longer discussion about the concept of pleasure and how it is different from say happiness. This should have been no problem for Bloom because he gives excellent lectures on the topic of happiness at Yale. As I have already hinted at I would also have liked a deeper discussion about the more philosophical aspects surrounding pleasure. Too often Bloom gets lost in admittedly entertaining anecdotes and then forgets to sum up the lessons that can be learned from these anecdotes.
However, overall “How pleasure works” is a good book that is almost certain to give the reader food for thought as well as a good laugh. Bloom is an entertaining writer and speaker (I do recommend his lectures which can be found on Yale’s homepage), and even though I have a BSc in Psychology I learned many things and I got a thorough introduction to essentialism.
Entertaining but confined account of pleasure
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--When am I going to find the time to watch his Introduction to Psychology Class on the Open Yale Courses site?
--Who else in my learning and technology world is also reading this book, and how can I connect with them to discuss and share ideas?
--Does writing a book like How Pleasure Works that popularizes and synthesizes cutting edge academic research, much of which is done by the author, contribute to the academic career and reputation of the writer as much as a book aimed at a narrow scholarly audience?
--If reading "How Pleasure Works" provides so much pleasure (and I think opportunities for authentic learning), how come popular nonfiction academic books like this one are rarely features on course syllabi?
--What is the factor that determines if a nonfiction book will have an audio version, where other books I'd like to read, are available only in paper or e-book format?
--Where will the next great academic who can write for a popular audience come from and what are the conditions that encourage their development?
Questions Inspired by 'How Pleasure Works'
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