Award-winning poet and rapper Kae Tempest's electrifying debut novel takes us into the beating heart of the capital in this multigenerational tale of drugs, desire and belonging. It gets into your bones. You don't even realise it until you're driving through it, watching all the things you've always known and leaving them behind. Young Londoners Becky, Harry and Leon are leaving town in a fourth-hand Ford Cortina with a suitcase full of money.

The Newport Folk Festival provides a groovy backdrop for this drug-and-60s-music-soaked mystery, featuring partners in love and danger, Mick and Bridget, hopping on their motorcycles and into action. As the family of detectives quip, banter, and swing into action, posh Newport is threatened by a perverse, shadowy secret. Mick and Bridget's exuberance and optimism manage to glimmer through even the darkest of perils, as they delve into a seamy world of drugs and sex, and are forced to match wits with both the mob and a shadowy psychopathic killer.

Judas Coyne is a collector of the macabre. But nothing he possesses is as unlikely or as dreadful as his latest discovery, a thing so terrible-strange, Jude can't help but reach for his wallet. For a thousand dollars, Jude will become the proud owner of a dead man's suit, said to be haunted by a restless spirit. But what UPS delivers to his door in a black heart-shaped box is no imaginary or metaphorical ghost. It's the real thing.

In a future so real and near it might be now, something happens when women go to sleep: They become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent; and while they sleep they go to another place.... The men of our world are abandoned, left to their increasingly primal devices. One woman, however, the mysterious Evie, is immune to the blessing or curse of the sleeping disease.

Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with a thunderous hangover, a raging headache, and a pair of horns growing from his temples. At first Ig thought the horns were a hallucination, the product of a mind damaged by rage and grief. He had spent the last year in a lonely, private purgatory, following the death of his beloved, Merrin Williams, who was raped and murdered under inexplicable circumstances.

In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly 100, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half-brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle.

Eli Bell’s life is complicated. His father is lost, his mother is in jail, and his stepdad is a heroin dealer. The most steadfast adult in Eli’s life is Slim - a notorious felon and national record holder for successful prison escapes - who watches over Eli and August, his silent genius of an older brother. Exiled far from the rest of the world in Darra, this 12-year-old boy with an old soul and an adult mind is trying to follow his heart, learn what it takes to be a good man, and train for a glamorous career in journalism. But life insists on throwing obstacles in Eli’s path.

Living in El Paso, just a mile from the Rio Grande, Octavio is a skinny brown kid on the border, riding his bike out into the desert, growing up among those who live there and those passing through on their way north. Rituals of childhood and rites of passage are remembered as singular, dramatic events, moments of trauma and transformation with life-changing reverberations.

In his debut collection of short stories, Robert Sheehan disappears into characters, challenging the complacencies of everyday experience, often from entirely unexpected angles. Informed by the author’s peripatetic life, Disappearing Act reflects on the absurdity of human behaviour. Sheehan delves deep into his characters’ streams of self-talk and self-imposed delusions, exploring the dark impulses that lurk below the shiny surfaces of many outwardly normal lives.

Andrew Ranulf Blankenship is a handsome, stylish nonconformist with wry wit, a classic Mustang, and a massive library. He is also a recovering alcoholic and a practicing warlock, able to speak with the dead through film. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago.

Turns out, one lesson applies to living through illness, keeping the show on the road, letting go of the person you love most, and eating fire: The trick is there is no trick. You eat fire by eating fire. Two journeys - a daughter’s and a mother’s - bear witness to this lesson in The Electric Woman.

Born under different stars—Mungo a Protestant and James a Catholic—they should be sworn enemies if they’re to be seen as men at all. Their environment is a hyper-masculine and sectarian one, for gangs of young men and the violence they might dole out dominate the Glaswegian estate where they live. And yet against all odds Mungo and James become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds.

Miriam Black knows when you will die. Still in her early twenties, she’s foreseen hundreds of car crashes, heart attacks, strokes, suicides, and slow deaths by cancer. But when Miriam hitches a ride with truck driver Louis Darling and shakes his hand, she sees that in thirty days he will be gruesomely murdered while he calls her name. Miriam has given up trying to save people; that only makes their deaths happen. No matter what she does, she can’t save Louis. But if she wants to stay alive, she’ll have to try.

Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice.

Darren has two big talents: cricket and trouble. It is no surprise, then, that he becomes an Australian sporting star of the bad-boy variety - one of those men who's always got away with things and just keeps going...until the day we meet him, middle aged and in the boot of a car, and everything pointing towards a shallow grave.