
Great American Music: Broadway Musicals
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Narrado por:
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Bill Messenger
Acerca de esta escucha
Revisit the standards, originally written for the stage, that have both delighted and helped mend the broken hearts of Americans for decades. These 16 delightful lectures immerse you in the world of Broadway, exploring the intricacies of musical composition and song construction-and how they were used to create specific effects - as well as the social and historical backdrop against which musical theater must be considered.
Much as we often concentrate on the so-called "golden age" of the 1950s, American musical theater spans the history of two vibrant centuries: the era of the minstrel show-whose contributions to American music were immense, in spite of the embarrassment we still feel at many of its images-vaudeville, ragtime, the revue; and the age of fully integrated book musicals launched by the 1927 production of Show Boat.
With examples at the piano, Professor Messenger shows you the soundtrack of America - and for millions of us, the soundtrack of our lives. This insightful and sublimely enjoyable learning experience can forever change the way you experience musical theater.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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Historia
Join three literary scholars and award-winning professors as they introduce you to dozens of short masterpieces that you can finish - and engage with - in a day or less. Perfect for people with busy lives who still want to discover-or rediscover-just how transformative an act of reading can be, these 36 lectures range from short stories of fewer than 10 pages to novellas and novels of around 200 pages. Despite their short length, these works are powerful examinations of the same subjects and themes that longer "great books" discuss.
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Stories not included, only discussed
- De Julie Newman en 01-15-16
De: The Great Courses, y otros
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Oscar Hammerstein II and the Invention of the Musical
- De: Laurie Winer
- Narrado por: Tanya Eby
- Duración: 13 h y 46 m
- Versión completa
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Historia
You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don't really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were.
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A good Oscar Hammerstein biography
- De Karen Creeden en 02-14-24
De: Laurie Winer
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The History and Archaeology of the Bible
- De: Jean-Pierre Isbouts, The Great Courses
- Narrado por: Jean-Pierre Isbouts
- Duración: 11 h y 21 m
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Historia
The findings of historians and archaeologists open a thrilling world of discovery as they bring their methods and insights to the iconic stories of the Bible. These 24 content-rich lessons take you on a multidimensional journey through the Bible, from Genesis to the Crucifixion, seen through the lens of the latest historical and archaeological research.
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More theological than historical
- De Erik en 05-29-21
De: Jean-Pierre Isbouts, y otros
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Great Utopian and Dystopian Works of Literature
- De: Pamela Bedore, The Great Courses
- Narrado por: Pamela Bedore
- Duración: 12 h y 27 m
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Can literature change our real world society? At its foundation, utopian and dystopian fiction asks a few seemingly simple questions aimed at doing just that. Who are we as a society? Who do we want to be? Who are we afraid we might become? When these questions are framed in the speculative versions of Heaven and Hell on earth, you won't find easy answers, but you will find tremendously insightful and often entertaining perspectives.
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A very enjoyable and educational audiobook
- De NH en 04-06-17
De: Pamela Bedore, y otros
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Screenwriting 101: Mastering the Art of Story
- De: Angus Fletcher, The Great Courses
- Narrado por: Angus Fletcher
- Duración: 12 h y 44 m
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Whether you want to write your own scripts or simply gain a deeper appreciation for the great stories you see unfold on the screen, Professor Angus Fletcher is here to show you the way in Screenwriting 101: Mastering the Art of Story. Professor Fletcher, Professor of English and Film at The Ohio State University, brings both a personal and scholarly perspective to this craft. As a screenwriter himself, he has experienced the ins and outs of the process first-hand.
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Screenwriting 101 - Angus Fletcher
- De Siobhan Sands en 04-14-18
De: Angus Fletcher, y otros
Prof. Messenger is truly a musicologist, and when he is speaking about the musical roots and topics of Broadway he is in his element. Where he is NOT in his element is in pronunciation and details. To pronounce the word "Massa", slang for "Master", as "Mahsah" is just ignorant of the entire genre and period. To pronounce Burt Bacharach's last name as "Bahcahrach" is sloppy. And to call the lone character on stage at as the curtain opens on "Oklahoma" "Auntie Eller" is unacceptable. Also, his accent had me straining to figure out whether he repeatedly referred to the author of the play "Pygmalion" as George Bernard "Shawl".
He seems particularly dismissive of Sondheim (and Sondheim's fans), giving him no credit for advancing the musical score and lyric writing and absolutely no mention of his work in West Side Story and Gypsy. At one point he claims that Webber's shows continue to fill Webber's coffers while Sondheim's shows never make money. Um....West Side Story, the movie????
And he credits' Company as the first "concept" musical. It wasn't. Cabaret was. And just because company is non-linear doesn't make it concept. Anyway....
And why would you take the time to highlight David Merrick's horrible behavior on the opening night of 42nd Street and NOT mention that his leading lady was Gower Champion's girlfriend at the time? That's a pivotal detail in highlighting the horror of that night.
Also, for a man who seems deeply connected to the performing arts in the Baltimore area, I am shocked that he couldn't find a better vocalist. This singer's pitch is suspect and his vibrato too wide. Surely there were other choices for your demo guy!
But, having said that, I truly enjoyed the informative sections early on regarding the very earliest decades of Musical Theatre and its roots. THAT'S where he sails as a scholar, combining his musical knowledge with historical fact.
Interesting to a point
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Broadway Musicals will live forever
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I thought Bill,s Piano playing was great and I get that we does not sing very well. His enthusiasm for the music is a delight.
Sing a happy tune
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encore!
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What did you love best about Great American Music: Broadway Musicals?
It offered much background on how today's broadway evolved over the last 200 years. Dry interesting how it has origins to African Americans followed by variety shows ultimately evolving into what we know broadway as today.What other book might you compare Great American Music: Broadway Musicals to and why?
How to listen and understand opera from the great courses is a similar book and one can even draw comparisons of opera to broadway potentially!Which scene was your favorite?
The discussions about St James theater and its beginnings were amazingWas this a book you wanted to listen to all in one sitting?
NoAny additional comments?
If you ever wondered how to appreciate broadway plays as well as how they evolved over the last two hundred years this will be a book for you to purchase.Great history of broadway
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Some inaccurate information but good lessons
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More than just a lesson on Musical Theatre!!!
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An eye opening listen.
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Highly recommended
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Compelling and comprehensive
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