England, 1840. For the two decades following the death of her beloved sister, Jane, Cassandra Austen has lived alone and unwed, spending her days visiting friends and relations and quietly, purposefully working to preserve her sister’s reputation. Now in her 60s and increasingly frail, Cassandra goes to stay with the Fowles of Kintbury, family of her long-dead fiancé, in search of a trove of Jane’s letters. Dodging her hostess and a meddlesome housemaid, Cassandra eventually hunts down the letters and confronts the secrets they hold.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

What if Mary Bennet’s life took a different path from that laid out for her in Pride and Prejudice? What if the frustrated intellectual of the Bennet family, the marginalized middle daughter, the plain girl who takes refuge in her books, eventually found the fulfillment enjoyed by her prettier, more confident sisters? This is the plot of The Other Bennet Sister, a debut novel with exactly the affection and authority to satisfy Austen fans.

London, 1799. Dora Blake, an aspiring jewelry artist, lives with her odious uncle atop her late parents’ once-famed shop of antiquities. After a mysterious Greek vase is delivered, her uncle begins to act suspiciously, keeping the vase locked in the store’s basement, away from prying eyes—including Dora’s. Intrigued by her uncle’s peculiar behavior, Dora turns to young, ambitious antiquarian scholar Edward Lawrence who eagerly agrees to help. Edward believes the ancient vase is the key that will unlock his academic future; Dora sees it as a chance to establish her own name.

The year is 1910, and two Antarctic explorers, Watts and Heywoud, are racing to the South Pole. Back in London, Viola, a photo-journalist, harbors love for them both. In Terra Nova, Henriette Lazaridis seamlessly ushers the listener back and forth between the austere, forbidding, yet intoxicating polar landscape of Antarctica to the bustle of early twentieth century London.

It’s 1852 and Margaret Lennox, a young widow, attempts to escape the shadows of her past by taking a position as governess to an only child, Louis, at an isolated country house in the west of England. But Margaret soon starts to feel that something isn’t quite right. There are strange figures in the dark, tensions between servants, and an abandoned east wing. Even stranger is the local gossip surrounding Mrs. Eversham, Louis’s widowed mother, who is deeply distrusted in the village.

On a visit to the estate of her friend, the young and beautiful Isobel, countess of Scargrave, Jane bears witness to a tragedy. Isobel's husband - a gentleman of mature years - is felled by a mysterious and agonizing ailment. The earl's death seems a cruel blow of fate for the newly married Isobel. Yet the bereaved widow soon finds that it's only the beginning of her misfortune...as she receives a sinister missive accusing her and the earl's nephew of adultery - and murder. Desperately afraid that the letter will expose her to the worst sort of scandal, Isobel begs Jane for help.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding, Lucrezia is thrust into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must make her way in a court whose customs are opaque and where her arrival is not universally welcomed.

One hundred and fifty years ago, Chawton was the final home of Jane Austen, one of England's finest novelists. Now, it's home to a few distant relatives and their diminishing estate. With the last bit of Austen's legacy threatened, a group of disparate individuals come together to preserve both Jane Austen's home and her legacy. These people - a laborer, a young widow, the local doctor, and a movie star, among others - could not be more different and yet they are united in their love for the works and words of Austen.

Mrs. Harris is a salt-of-the-earth London charlady who cheerfully cleans the houses of the rich. One day, when tidying Lady Dant's wardrobe, she comes across the most beautiful thing she has ever seen in her life—a Dior dress. In all the years of her drab and humble existence, she's never seen anything as magical as the dress before her and she's never wanted anything as much before. Determined to make her dream come true, Mrs. Harris scrimps, saves, and slaves away until one day, after three long, uncomplaining years, she finally has enough money to go to Paris.

Mma "Precious" Ramotswe sets up a detective agency in Botswana on the edge of the Kalahari Desert, making her the only female detective in the country. At first, cases are hard to come by. But eventually, troubled people come to Precious with a variety of concerns. Potentially philandering husbands, seemingly schizophrenic doctors, and a missing boy who may have been killed by witch doctors all compel Precious to roam about in her tiny van, searching for clues.

Adelaide Hills, Christmas Eve, 1959. At the end of a scorching hot day, a local deliveryman makes a terrible discovery. A police investigation is called, and the small town of Tambilla becomes embroiled in one of the most shocking and perplexing murder cases in the history of South Australia. Many years later and thousands of miles away, Jess is a journalist in search of a story. Having lived and worked in London for nearly two decades, she now finds herself laid off from her full-time job and struggling to make ends meet. Until a phone call out of nowhere summons her back to Sydney.

1926, and in a country still recovering from the Great War, London has become the focus for a delirious new nightlife. In the clubs of Soho, peers of the realm rub shoulders with starlets, foreign dignitaries with gangsters, and girls sell dances for a shilling a time. The notorious queen of this glittering world is Nellie Coker, ruthless but also ambitious to advance her six children, including the enigmatic eldest, Niven, whose character has been forged in the crucible of the Somme. But success breeds enemies, and Nellie’s empire faces threats from without and within.

1885, London, England. When Violet's Aunt Adelia decides to abscond with her newest paramour, she leaves behind her role as the most popular Agony Aunt in London, Miss Hermione, in Violet's hands. And of course, the first letter Violet receives is full, not of prissy pondering, but of portent: Ivy Armstrong is in need of help and fears for her life. But when Violet visits the village from which the letter was posted, she finds Ivy dead. Soon Violet discovers that when you represent the best-loved Agony Aunt in Britain, both marauding husbands and murder are par for the course.

England, 1840. For the two decades following the death of her beloved sister, Jane, Cassandra Austen has lived alone and unwed, spending her days visiting friends and relations and quietly, purposefully working to preserve her sister’s reputation. Now in her 60s and increasingly frail, Cassandra goes to stay with the Fowles of Kintbury, family of her long-dead fiancé, in search of a trove of Jane’s letters. Dodging her hostess and a meddlesome housemaid, Cassandra eventually hunts down the letters and confronts the secrets they hold.

In Boston, 1865, Charlotte and Henrietta Stevenson, daughters of a Massachusetts Supreme Court Justice, have accomplished as much as women are allowed in those days. Chafing against those restrictions and inspired by the works of Jane Austen, they start a secret correspondence with Sir Francis Austen, her last surviving brother, now in his nineties. He sends them an original letter from his sister and invites them to come visit him in England.

Lord Lysander Blackstone, the stern Duke of Montcroix, has only one interest: increasing his considerable fortune. After a series of betrayals, he keeps his emotions buried deep. Money, after all, can't break a man's heart—or make promises it can’t keep. But when his reputation for being heartless jeopardizes a new business deal, he finds himself seeking a most unusual—and alluring—solution.

You are a failed novelist about to turn 50. A wedding invitation arrives in the mail: Your boyfriend of the past nine years is engaged to someone else. You can't say yes - it would be too awkward - and you can't say no - it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. Question: How do you arrange to skip town? Answer: You accept them all.

Lady Caroline Linford is horrified to discover her fiancé, the Marquis of Winchilsea, in the arms of another woman. Unfortunately, for the rest of Victorian society, this sort of extracurricular activity is par for the course for most men and certainly not reason enough cancel the upcoming wedding. But Caroline is determined to make sure that the man she is to marry will desire only her, so she enlists the best teacher in the art of romance: London’s most notorious rake, Braden Granville.

1876. Among the filth and depravity of Covent Garden's flower markets, orphaned Irish sisters Flora and Rosie Flynn sell posies of violets and watercress to survive. It is a pitiful existence, made bearable only by each other's presence. When they become separated, the decision of a desperate woman sets their lives on very different paths.

This three-book omnibus includes the first three books in the Charlie Rhodes Cozy Mystery series. Included are: The Bigfoot Blunder, The Chupacabra Catastrophe and The Werewolf Whoops. Sit back and enjoy the ride. The laughter and tears will stick with you long after the story ends.

Shit, Actually is a love letter and a breakup note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.

What if Mary Bennet’s life took a different path from that laid out for her in Pride and Prejudice? What if the frustrated intellectual of the Bennet family, the marginalized middle daughter, the plain girl who takes refuge in her books, eventually found the fulfillment enjoyed by her prettier, more confident sisters? This is the plot of The Other Bennet Sister, a debut novel with exactly the affection and authority to satisfy Austen fans.

Australia, 1906: Orphan Jane Piper is nine years old when philanthropist siblings Michael and Elizabeth Quinn take her into their home to further her schooling. The Quinns are no strangers to hardship. Having arrived in Australia as penniless immigrants, they now care for others as lost as they once were. Despite Jane’s mysterious past, her remarkable aptitude for mathematics takes her far over the next seven years, and her relationship with Elizabeth and Michael flourishes as she plays an increasingly prominent part in their business.

An advertisement has been placed (again!) by the wealthy and eccentric Parloni Sisters. The salary is generous and the employers are 90 years old, so how hard could the job be? Well, none have lasted longer than a week. Most boys leave in tears. Ruthie Midona will work in Providence’s front office, and be at the Parlonis' beck and call, forever. That’s sort of her life plan. If Ruthie can run the place in her almost-retired bosses’ absence, with no hijinks/hiccups, she has a shot at becoming the new manager.

The year is 1895. London is scared. A killer haunts the city's streets. The poor are hungry. Crime bosses are taking control. The police force is stretched to the breaking point. The rich turn to Sherlock Holmes, but the celebrated private detective rarely visits the densely populated streets of South London, where the crimes are sleazier and the people are poorer. In the dark corner of Southwark, victims turn to a man who despises Holmes, his wealthy clientele, and his showy forensic approach to crime: Arrowood.

The first time somebody tried to kill him was an accident. The second time was deliberate. Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history. Or else they’ll be history.

Max is living the screenwriter dream. He's not even thirty, he's just won an Oscar, and he's dating the gorgeous star of his movie. But after that one magical night, everything crumbles. The movie star dumps him, and his latest screenplay is a blank document that stubbornly refuses to write itself. So Max decides to disappear into the middle of nowhere and maybe obscurity. He's just getting settled into his new life when suddenly someone is trying to kill him.

Once upon a time, the kingdoms of Wales were rife with magic and conflict, and eighteen-year-old Mererid “Mer” is well-acquainted with both. She is the last living water diviner and has spent years running from the prince who bound her into his service. Under the prince’s orders, she located the wells of his enemies, and he poisoned them without her knowledge, causing hundreds of deaths. After discovering what he had done, Mer went to great lengths to disappear from his reach. Then Mer’s old handler returns with a proposition: use her powers to bring down the very prince that abused them both.