
Far Away Bird
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Narrado por:
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Mary Sarah
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De:
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Douglas A Burton
Inspired by true events, Far Away Bird delves into the complex mind of Byzantine Empress Theodora. This intimate account deftly follows her rise from actress-prostitute in Constantinople’s red-light district to the throne of the Byzantine Empire.
Her salacious past has left historians blushing and uncomfortable. Tales of her shamelessness have survived for centuries, and yet her accomplishments as an empress are unparalleled. Theodora goes on to influence sweeping reforms that result in some of the first ever Western laws granting women freedom and protection. More than a millennium before the women’s rights movement, Theodora, alone, took on the world’s greatest superpower and succeeded. Far Away Bird goes where history classrooms fear to tread, in hopes that Theodora can finally take her seat among the greatest women in history.
Follow young Theodora through the scintillating and violent world of Byzantium. From the brothels to the bathhouses to the spectacular chariot races in the Hippodrome - her role in society seemed hopeless. But when she’s trained as a political spy, the lessons on personal power transform Theodora into the stuff of empresses. She seems impossible - yet her transcendence teaches us that society can’t tell us who we are deep down. Before there was a legendary empress, there was a conflicted young woman from the lower classes.
And her name was Theodora.
©2020 Douglas A. Burton (P)2020 Douglas A. BurtonListeners also enjoyed...




















Captivating!
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Amazing read! Felt like I was in Byzantine Empire!
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Review Far Away Bird
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The heart and emotion put into this character is amazing! It was beautifully written and performed. Definitely looking forward to more from Douglas Burton.
Transformative
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Very good story
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A great listen!
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"Theodora blinked. This was the man who had taken on a legion of Greens with his voice and words, and now as they stood in the dimly lit fornice, he set his voice and words against Theodora. Whatever flutters of girlishness that lingered in her stomach now faded. She managed a nod. 'I understand.'
'Because some girls collapse under the pressures of the post,' he said. 'A relentless fear of getting caught can break a person. I don’t want to put you through that hell. I need a certain kind of woman.'
She saw that he looked at her as if searching for something in her eyes, some quality. 'I think I can be that kind of woman, Magister Justinian,' said Theodora. 'What exactly are you asking of me?'
'To deliberately betray powerful men who trust you. These men will have high imperial stations, and they’ll tell you things in confidence that you’ll turn around and tell me. If these men discover who you are or what you’re doing, you could be killed. I want you to let that settle in because I can’t afford any confusion. This is a deadly profession that won’t allow second thoughts once you’ve committed.'"
Not a terribly auspicious start, is it? Of course, we all know that she eventually becomes empress, so their mutual attraction must win out. But she is a nobody and he is a high ranking aristocrat, so it seems impossible that they could come to any kind of partnership. When things get too risky between them, she takes another post in another country and tries to forget him. But no, that is not her destiny. What she does discover about herself is an implacable need to defend the weak and defenseless—to fight for the rights of women and stand up to their persecutors. She gets help along the way, and her indomitable spirit carries her through every travail. This book is uncomfortable at times, and the reader must squirm through some mighty disagreeable incidents before she comes out on top. I was waiting for her to become empress, but by about 70% of the way through, I realized this wasn’t going to happen. Frankly, although this was a very good and intense read, I was disappointed that we didn’t get that far. Her conflicts and challenges are the significance of this book, not her future greatness.
An indomitable spirit
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great read
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I’ve read much historical fiction and non-fiction, much of which is/was about royal females. The book is good, and I highly recommend it. The narration, however, takes it to the next level.
The author’s style is a combination of historical story-telling with a fairy tale quality. Mary Sarah captures the beauty of this quality.
Excellent Narration
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Brilliant Visual Story Teller!
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