Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life.

The behind-the-scenes story of the quintessential film noir and cult classic, Billy Wilder’s Double Indemnity—its true crime origins and crucial impact on film history—is told for the first time in this riveting narrative published for the film's 80th anniversary. Authors Alain Silver and James Ursini tell the complete history of Double Indemnity in their latest and most provocative work on film noir: From the Moment They Met It Was Murder.

Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and top-heavy variety specials, but he has also been responsible for quite a few of the worst shows ever put on television—legendarily bad productions. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, forgotten, dismissed, and embraced in decades of working in show business

One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry.

From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Box Office Poison tells a hugely entertaining alternative history of Hollywood, through a century of its most notable flops. What can these films tell us about the Hollywood system, the public’s appetite–or lack of it–and the circumstances that saw such flops actually made? Away from the canon, this is the definitive take on these ill-fated, but essential celluloid failures.

Alfred Hitchcock was fixated—not just on the dark, twisty stories that became his hallmark, but also by the blond actresses who starred in many of his iconic movies. The director of North by Northwest, Rear Window, and other classic films didn’t much care if they wore wigs, got their hair coloring out of a bottle, or were the rarest human specimen—a natural blonde—as long as they shone with a golden veneer on camera. The lengths he went to in order to showcase (and often manipulate) these women would become the stuff of movie legend.

Merle Oberon made history when she was announced as a nominee for the Best Actress Oscar in 1936. Her nomination marked the first time the Academy recognized a performer of color. Oberon, born to a South Asian mother and white father, broke through a racial barrier—but no one knew it. Oberon was "passing" for white. In the first biography of Oberon in more than forty years, Mayukh Sen draws on family interviews and untapped archival material to capture the life of an oft-forgotten talent.

Acid-throwing brides, axe-murdering maids, mysterious deaths at Greystone mansion, and the real story of what happened the night a superstar publicist was gunned down on Sunset Boulevard; just a few of the many stories in this "Rip-roaring" story featuring the first 100 years of grand times and grand crimes in the world's glamour capital of Beverly Hills.

On the eve the 20th century, in Thomas Edison’s laboratory, one of the earliest attempts at a sound film depicted two men dancing together as a third plays the violin. It’s only a few minutes long, but this cornerstone of early cinema captures a queer moment on film. It would not be the last. Hollywood Pride is a tale spanning from “pansy craze” of the 1930s to the New Queer Cinema of the 1990s, all the way up to today.

G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark.

Friedkin Connection takes listeners from the streets of Chicago to the suites of Hollywood and from the sixties to today. William Friedkin offers a candid look at a thrilling era of Hollywood cinema, when traditional storytelling gave way to the rebellious and alternative; when filmmakers like him captured the paranoia and fear of a nation undergoing a cultural nervous breakdown.

Perle Mesta was a force to be reckoned with. In her heyday, this wealthy globe-trotting Washington widow was one of the most famous women in America, garnering as much media attention as Eleanor Roosevelt. Renowned for her world-class parties featuring politicians and celebrities, she was very close to three presidents–Harry Truman, Dwight Eisenhower and Lyndon Johnson. Truman named her as the first female envoy to Luxembourg, which inspired the hit musical based on Perle’s life – “Call Me Madam” – which starred Ethel Merman, ran on Broadway for two years and later became a movie.

Joan Crawford's remarkable forty-five-year motion picture career is one of the industry's longest. Signing her first contract in 1925, she was crowned an MGM star four years later and by the mid-1930s was the most popular actress in America. In the early 1940s, Crawford's risky decision to move to Warner Bros. was rewarded with an Oscar for Mildred Pierce. This triumph launched a series of film noir classics. She teamed with rival Bette Davis in Whatever Happened to Baby Jane?, proving that Crawford, whose career had begun by defining big-screen glamor, had matured into a dramatic actress.

Few filmmakers, if any, make the kind of impact that Martin Scorsese has made on American cinema. The winner of every prestigious film award, including the Oscar, Scorsese is a living legend. Bestselling author and award-winning filmmaker Mary Pat Kelly’s groundbreaking biography reveals how this working-class boy from Manhattan’s Little Italy became one of our most acclaimed, celebrated, and influential filmmakers. Martin Scorsese: A Journey maps Scorsese’s personal and artistic evolution.

Billy Wilder’s Sunset Boulevard, a classic film noir and also a damning dissection of the Hollywood dream factory, evokes the glamour and ruin of the stars who subsist on that dream. It’s also one long in-joke about the movie industry and those who made it great - and who were, in turn, destroyed by it. One of the most critically admired films of the 20th century, Sunset Boulevard is also famous as silent-star Gloria Swanson’s comeback picture.

Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life.

With unparalleled freedom in the Golden Age of Hollywood, movies produced during the “pre-Code” era between 1930 and 1934 dealt with a wide range of social issues, including sexual freedom, incarceration, organized crime, race, and class. Films of the period include beloved classics like King Kong (1933) but also lesser-known penetrating cinema like I Am a Fugitive from a Chain Gang (1932) and Wild Boys of the Road (1933). These films, produced at the height of the Great Depression, boast work by women directors, featured diverse leads, and pushed the limits of contemporary social norms.

The behind-the-scenes story of the quintessential film noir and cult classic, Billy Wilder’s Double Indemnity—its true crime origins and crucial impact on film history—is told for the first time in this riveting narrative published for the film's 80th anniversary. Authors Alain Silver and James Ursini tell the complete history of Double Indemnity in their latest and most provocative work on film noir: From the Moment They Met It Was Murder.

Joan Crawford's remarkable forty-five-year motion picture career is one of the industry's longest. Signing her first contract in 1925, she was crowned an MGM star four years later and by the mid-1930s was the most popular actress in America. In the early 1940s, Crawford's risky decision to move to Warner Bros. was rewarded with an Oscar for Mildred Pierce. This triumph launched a series of film noir classics. She teamed with rival Bette Davis in Whatever Happened to Baby Jane?, proving that Crawford, whose career had begun by defining big-screen glamor, had matured into a dramatic actress.

From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Box Office Poison tells a hugely entertaining alternative history of Hollywood, through a century of its most notable flops. What can these films tell us about the Hollywood system, the public’s appetite–or lack of it–and the circumstances that saw such flops actually made? Away from the canon, this is the definitive take on these ill-fated, but essential celluloid failures.

From the outside, Hollywood starlet Lana Turner seemed to have it all—a thriving film career, a beautiful daughter, and the kind of fame and fortune that most people could only dream of. But when the famous femme fatale began dating mobster Johnny Stompanato, thug for the infamous west coast mob boss Mickey Cohen, her personal life became violent and unpredictable. Lana's teenage daughter, Cheryl, watched her beloved mother's life deteriorate as Stompanato's intense jealousy took over.

Hollywood in the 1950s was a period when the film industry both set conventions and broke norms and traditions—from Cinerama, Cinemascope and Vistavision to the epic film and lavish musical. It was a decade that saw the rise of the anti-hero; the smoldering, the hidden, and the unspoken; teenagers gone wild in the streets; the sacred and the profane; the revolution of the Method; the socially conscious; the implosion of the studios, the end of the production code; and the invasion of the ultimate body snatcher: the “small screen” television.

Film noir: the name comes from the French for “black” or “dark film.” It points to the central feature of the genre: mood. There is a darkness about film noir, a somberness accompanied by a thrill of dread and ever-present danger. This aura envelops wealthy heiresses, English aristocrats, tough-guy drifters, jazz musicians, drug dealers, and respected schoolteachers—all of whom have secrets to hide and much to lose if those secrets are unveiled.

March 20, 2019 marked the end of an era - Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled - and one of the greatest stories to come out of Hollywood.

Acid-throwing brides, axe-murdering maids, mysterious deaths at Greystone mansion, and the real story of what happened the night a superstar publicist was gunned down on Sunset Boulevard; just a few of the many stories in this "Rip-roaring" story featuring the first 100 years of grand times and grand crimes in the world's glamour capital of Beverly Hills.

During the height of Hollywood’s golden age, one man lorded over the city’s lurid underbelly of forbidden sin and celebrity scandal like no other: Fred Otash. An ex-Marine turned L.A.P.D. vice cop, Otash became the most sought-after private detective and fixer to the stars by specializing in the dark arts that would soon dominate the entertainment industry. The Fixer delves into the extraordinary life of Hollywood’s most infamous private detective and “fixer” to the stars, revealing newly discovered shocking revelations from his never-before-seen investigative files.

Though her acting career is well known, Ida Lupino was, until very recently, either unknown or overlooked as an influential director. One of the few female directors in Classical Hollywood, Lupino was the only woman with membership in the Directors Guild of America between 1948 and 1971. Her films were about women without power in society and engaged with highly controversial topics despite Hollywood's strict production code. Filmmaker Alexandra Seros retells the story of Ida Lupino's career, from actor to director, first in film, then in television.

Watching the Jackals is the untold history of Czechoslovakia's complex relations with Middle Eastern terrorists and revolutionaries during the closing decades of the Cold War. Richterova unveils the story of Prague's engagement with various factions of the Palestine Liberation Organization, along with some of the era's most infamous terrorists.

Have you always been fascinated by the morbid side of Hollywood? Did you cut your teeth on books like Hollywood Babylon, and shows like Mysteries And Scandals? This book promises to deliver all the salacious details about the stars you remember, not for their films, but for their tragic short lives. What really happened to Natalie Wood aboard The Splendor that cold November night? Was Jayne Mansfield really decapitated? Just how decadent were the days of the silent movies? Maybe you think you've heard it all? Trust me, you haven't! Chock full of new details, shocking photos and even a ...

Eddie Mannix and Howard Strickling are virtually unknown outside of Hollywood and little-remembered even there, but as General Manager and Head of Publicity for Metro-Goldwyn-Mayer Studios, they lorded over all the stars in Hollywood’s golden age from the 1920s through the 1940s—including legends like Garbo, Dietrich, Gable and Garland. When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them—solved their problems, hid their crimes, and kept their secrets. They were “the Fixers.”