
Countdown to D-Day
The German Perspective
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Narrado por:
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Roger Clark
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De:
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Peter Margaritis
In December 1943, with the rising realization that the Allies are planning to invade Fortress Europe, Field Marshal Erwin Rommel is assigned the title of General Inspector for the Atlantic Wall. His mission is to assess their readiness.
His superior, theater commander, crusty old Field Marshal Gerd von Rundstedt, who had led the Reich to victory in the early years of the war, is now fed up with the whole Nazi regime. He lives comfortably in a plush villa in a quiet Paris suburb, waiting for the inevitable Allied invasion that will bring about their final defeat.
General der Artillerie Erich Marcks, badly injured in Russia, is the corps commander on the ground in Normandy, trying to build up the coastal defenses with woefully inadequate supplies and a shortage of men to fulfill Rommel's demands. Marcks is convinced that the Allies will land in his sector, but no one higher up the chain of command seems interested in what he thinks.
Countdown to D-Day takes a detailed day-to-day journal approach, tracing the daily activities and machinations of the German High Command as they try to prepare for the Allied invasion.
©2019 Peter Margaritis (P)2019 TantorListeners also enjoyed...




















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One of the readings you wish would never end.
Highly recommended to military history enthusiasts.
Unexpectedly good !
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Great narrative format well performed
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Incredible
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Desperately needed a good editing.
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The vast majority of books on the topic focus either on the Allies' preparation or events from D-Day onwards, and certainly that is where most of the action was. But this work, which focuses on the superhuman efforts that Rommel and his staff undertook to try and put up some sort of defensive front in the months before the invasion, is utterly compelling.
Hopelessly short on everything from staff to equipment, Rommel's tireless - truly tireless, the man barely ever slept - quest to shore up the Western front is an inspiring study of keeping heart in impossible and, ultimately, hopeless circumstances.
Long, detailed and filled to the brim with the kinds of minutiae that make WW2 enthusiasts dizzy with excitement, I heartily recommend this.
An unexpected gem
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Unbelievable Minute Detail
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Grrrrrate WW2 history insight.
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Yet how *my* tale came to be told that way was not a conscious choice made by an author of military histories—indeed, by a non-author of *nothing*—but merely a bolt from the blue one morning as I was typing away and suddenly, randomly I sat up with a sigh and ditched the entire story I'd been working on for months—written in traditional historical style, in the past tense—and suddenly began typing, quite beyond my conscious control, in the present tense.
On later reflection I realised that this was (had been?) a stroke of genius, because it meant there could be no future in the story; we, the readers, would be confined to knowing only what my dad knew at the time, and anything in his past I could deal with by careful administration of various past tense-forms—had been, was, "apparently having been" and so on.
But I found this format positively STREWN with mines . . . I found out that it was deucedly tricky getting all the participles and clauses where they should be (have been? See what I mean?)
At any rate, it took quite a while for me to adjust to this incredibly novel way of telling a story, but it allowed me to enter my dad's *MIND* and have a direct window into his (imagined) thoughts, which ranged from gibbering terror to sardonic casualness—indeed, the ONLY way I ever could have chosen to write the story.
In this book, though, he seems uncertain; he trips up constantly, and I don't know if it's the narrator slipping into the past when he should be in the present ("Rommel hastily dons his uniform and says his goodbyes to Lucy and Mannfred. His car left that morning at 11:35."
It's jarring, and calls into question his decision to do it in the present. He doesn't have any of the constraints I created for my own story, but nonetheless he has to be juggling several tenses and shades of tenses at all times, a daunting task for any writer, and although I highly respect his decision to do it this way, I also wonder if in his case, he had no idea how tense things could get a ways down the road.
A Case Of The Past: Tense
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Rommel
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Unique Perspective on D-Day
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