Italian director Nicolo Funelli's lost film comes alive when the maven of the macabre is released after 20 years of VHS imprisonment. New hire Annie Watkins' pre-emptive obituaries at Live @ Five New Orleans News seem to be killing off famous people. A used delivery van causes Katie and Gavin's life to take an unimaginable wrong turn into very dark territory. A teen orphan with a unique ability is held captive in a secret government lab, forced to submit to their whims. Vacationers become a grotesque part of the Easter festivities in a small English town.

Judas Coyne is a collector of the macabre. But nothing he possesses is as unlikely or as dreadful as his latest discovery, a thing so terrible-strange, Jude can't help but reach for his wallet. For a thousand dollars, Jude will become the proud owner of a dead man's suit, said to be haunted by a restless spirit. But what UPS delivers to his door in a black heart-shaped box is no imaginary or metaphorical ghost. It's the real thing.

Ignatius Perrish spent the night drunk and doing terrible things. He woke up the next morning with a thunderous hangover, a raging headache, and a pair of horns growing from his temples. At first Ig thought the horns were a hallucination, the product of a mind damaged by rage and grief. He had spent the last year in a lonely, private purgatory, following the death of his beloved, Merrin Williams, who was raped and murdered under inexplicable circumstances.

The death of Judd Foxman's father marks the first time that the entire Foxman family - including Judd's mother, brothers, and sister - have been together in years. Conspicuously absent: Judd's wife, Jen, whose 14-month affair with Judd's radio-shock-jock boss has recently become painfully public. Judd joins the rest of the Foxmans as they reluctantly submit to their patriarch's dying request: to spend the seven days following the funeral together.

Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . . John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead.

When a six-year-old girl is abused and left for dead by a pedophile known only as the "Rabbit Man" due to the claw marks left on her body, police follow every lead but reach only dead ends. Hungry for justice, her grieving father abandons wife and child on a harrowing journey deep undercover into Miami's sex-offender colony under the Julia Tuttle Causeway. His purpose is simple: to find the "Rabbit Man" among them and put him in the ground.

Ansel Packer is scheduled to die in twelve hours. He knows what he’s done, and now awaits execution, the same chilling fate he forced on those girls, years ago. But Ansel doesn’t want to die; he wants to be celebrated, understood. Through a kaleidoscope of women—a mother, a sister, a homicide detective—we learn the story of Ansel’s life.

On Halloween 1963, 11-year-old Chuck Coolidge and his brother, Danny, are lost in a toxic smog covering the steel town of Slippery Elm, Pennsylvania. When the smog lifts, half the town is sick, and 20 people are dead. And Danny is missing. Now, more than 20 years later, Chuck's teenage daughter, Frank, plots her escape from this "busted and disgusted" town. When a murdered child is found in the river, investigators link the crime to the disappearance of Danny in '63, and Frank's life is turned upside down. In the face of her worst fears, she must uncover her family's dark past.

Joe Goffman was 15 years out from his sleepy hometown when he wrote Bush Falls, a searing critique of its people and institutions. The book was a runaway best seller, and led to an even more successful movie. Now, however, Joe's got a problem. His father has suffered a stroke, and that means that Joe has to go back to his birthplace after having successfully antagonized every person living there. Can Joe survive the reservoirs of hatred that have been waiting to pour down upon him? Just maybe.

Claire Rawlings, mother of two and medical resident, will not let the troubling signs of an allergic reaction prevent her from making it in for rounds. But when Claire's symptoms overpower her while she's driving into work, her two children in tow, she must pull over. Moments later, she wakes up on the floor of a gas station bathroom - her car and her precious girls have vanished. The police have no leads, and the weight of guilt presses down on Claire as each hour passes with no trace of her girls.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

Grave-robbing. What kind of monster would do such a thing? It's true that Leonardo da Vinci did it, Shakespeare wrote about it, and the resurrection men of 19th-century Scotland practically made it an art. But none of this matters to Joey Crouch, a 16-year-old straight-A student living in Chicago with his single mom. For the most part, Joey's life is about playing the trumpet and avoiding the daily humiliations of high school. Everything changes when Joey's mother dies in a tragic accident and he is sent to rural Iowa to live with the father he has never known....

We’re all afraid of things that go bump in the night. Shadows in the graveyard, wind moaning through the trees, a creaking door in a sinister old house. There are things hiding in the darkness. And sometimes, what you can’t see can definitely hurt you.... Scare Street is proud to present Night Terrors: Volumes one to three in a single collection. A menagerie of macabre nightmares, featuring 39 tales of supernatural horror for your listening pleasure.

In the male-dominated field of animation, Mel Vaught and Sharon Kisses are a dynamic duo, the friction of their differences driving them: Sharon, quietly ambitious but self-doubting; Mel, brash and unapologetic, always the life of the party. Best friends and artistic partners since the first week of college, where they bonded over their working-class roots and obvious talent, they spent their twenties ensconced in a gritty Brooklyn studio. Working, drinking, laughing.

Growing up, Lisa Nikolidakis tried to make sense of her childhood, which was scarred by abuse, violence, and psychological terrors so extreme that her relationship with her father was cleaved beyond repair. Having finally been able to leave that relationship behind, surviving meant forgetting. For years, “I’m fine” was a lie Nikolidakis repeated. Then, on her twenty-seventh birthday, Nikolidakis’s father murdered his girlfriend and her daughter, and turned the gun on himself.