I HATE LITERARY AGENTS: How to finally get representation with the breakthrough step-by-step guide that exposes the best kept secrets Audiolibro Por U. B. Red arte de portada

I HATE LITERARY AGENTS: How to finally get representation with the breakthrough step-by-step guide that exposes the best kept secrets

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I HATE LITERARY AGENTS: How to finally get representation with the breakthrough step-by-step guide that exposes the best kept secrets

De: U. B. Red
Narrado por: Virtual Voice
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 Getting a literary agent can be daunting... but it is also indispensable. Why not use the techniques that only the select few know? Unlike all the other books on literary agents out there, this one is different: it is written not by an editor, agent, or publisher, but by an author… a novelist who has been where you are now... one who has successfully traversed the minefields set up by the gatekeepers of the publishing world. These gatekeepers have arranged the rules of book submission in their own favor. In I HATE LITERARY AGENTS, you have finally found an advocate on your side of the fence. Here, you'll find out all the secrets, tips, and tricks that agents and publishers don't want you to know, including: • The single most important asset that you unknowingly possess when attempting to persuade an agent to represent you. • The one largest piece of evidence that your book is most likely much better than you may think… and why it might not even matter anyway. • The REAL factor that drives a book through to publication… (and no, it isn't your content). • Two things you should never include in the first five pages of your book… and at least one thing you should never include anywhere. • In fiction, never do this with regard to your characters… a common mistake that weakens your work and stands in the way of getting an agent. • Why using one particular voice can subconsciously make your work seem more like a budget newscast than a salable book. • Why the art of sentence mechanics gets marred by this common mistake surrounding attributives, and how to avoid it. • In fiction, why this important tip about your character names may make the difference between someone reading your work or putting it down. • Don't do this commonly practiced thing when you've finished your book and want some feedback… it is self-delusion and a waste of time. • The Magic Spell in getting an agent excited enough to request your book… and it has nothing at all to do with anything contained in it. • Why literary agents are no different than this common, everyday professional, and how to make that work for you. • How publishing industry gatekeepers perceive the structure of the submission process. (Hint: it has to do with fishing.) • The single most important thing that's been missing from your query letter all this time… and why it works like a charm. • Why the "when / but when" format is best for your pitch, and how to use it like a pro. • Why a query pitch should be more like this commonly seen piece of writing, and why you're making it harder than it ever needed to be. • A free online resource you should be using in your querying efforts, without which you'll only be shooting yourself in the foot. • Why this particular, commonly overlooked group of literary agents is your most important target, especially at the beginning. • Why you should never e-mail queries on these particular days, or at any time in this one particular month. • The one thing that's constantly requested and troubled over by new writers, yet you should never even bother with. (Hint: it starts with S). Buy I HATE LITERARY AGENTS today and finally get going in the right direction!
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